Nowadays thousands of grammar books, textbooks, outlines, references and language guides of Spanish, Portuguese, Italian and French are published year by year. However, all of them teach these languages separately. Here you will find a comparative grammar of the four major Romance languages together based on their grammatical and lexical similarities for you, lovers of foreign languages, to learn and compare Spanish, Portuguese, Italian and French simultaneously. It is an audacious endeavor to find or create a novel way of learning to speak several languages and becoming a multilingual person. It took me over 3 years to finish the book. It consists of over 800 pages, 10 chapters covering all the grammatical aspects of these 4 languages. It includes over 1000 examples, 500 easy-to-follow charts and tables. It contains 138 geographical, historical and cultural facts about Spanish, Portuguese, Italian and French countries.Below I will discuss several reasons why I decided to write this book and why you need it.1) First of all, this book is written for readers like you who are fond of or would like to learn Spanish, Portuguese, Italian and French simultaneously or just to get an all-round knowledge of all these four Romance languages. It is designed not only for beginners who do not have an extensive knowledge of grammar, yet need a guide through the grammatical concepts of all mentioned above languages, but also intermediate and advanced students who would like to have a reference book ofseveral Romance languages at once.2) Second of all I spent many years learning these languages separately, which was a complete waste of time before I realized it. This book will hopefully save you a great deal of time and allow you to study and compare at a glance the four main Neo-Latin languages.3) Knowledge of foreign languages is fast becoming a necessary requirement for those who are involved in international business, tourism, culture and education. This book offers you four languages to learn, which will make you feel at homewherever you go, whether as a tourist or businessman.4) Learning several languages simultaneously or one by one will train and strengthen your memory and can help stave off such terrible diseases as Alzheimer's.5) If you have never studied several languages at once before and you like challenges, then you should definitely try it. Because it is a really entertaining and challenging task to do.In conclusion, I would like to sincerely thank you for preordering the book and your interest in it. I hope it will help youimprove your languages and become multilingual.

This book describes the changes which led from colloquial Latin to the five major Romance languages: Spanish, French, Italian, Portuguese, and Romanian.

First Published in 2005. This book provides a comprehensive review of a remarkable popular literary movement which began in the Spanish Peninsula about the turn of the fifteenth century, spread over western Europe, including England, and having flourished and exercised a considerable influence for some time, died out so completely as to be almost forgotten. Many of the romances created by the movement are now extremely rare and so they are presented here in one volume for the benefit of scholars and general readers alike.

There are several Romance language elements that overlap themselves, in a way that makes possible, to a certain extent and exclusively dependent on one's ability to focus, practice and express, a certain degree of mutual comprehension. In writing and reading inasmuch as in oral communication, overcome, of course, a series of linguistic obstacles such as dialectal variations, accents and vocabulary (which can eventually present a daunting drawback), the reader of this book should be armed with enough knowledge to tackle the distinctive problem of intercomprehension.

Among the many consequences of Spain’s annexation of Portugal from 1580 to 1640 was an increase in the number of Portuguese authors writing in Spanish. One can trace this practice as far back as the medieval period, although it was through Gil Vicente, Jorge de Montemayor, and others that Spanish-language texts entered the mainstream of literary expression in Portugal. Proficiency in both languages gave Portuguese authors increased mobility throughout the empire. For those with literary aspirations, Spanish offered more opportunities to publish and greater readership, which may be why it is nearly impossible to find a Portuguese author who did not participate in this trend during the dual monarchy. Over the centuries these authors and their works have been erroneously defined in terms of economic opportunism, questions of language loyalty, and other reductive categories. Within this large group, however, is a subcategory of authors who used their writings in Spanish to imagine, explore, and celebrate their Portuguese heritage. Manuel de Faria e Sousa, Ângela de Azevedo, Jacinto Cordeiro, António de Sousa de Macedo, and Violante do Céu, among many others, offer a uniform yet complex answer to what it means to be from Portugal, constructing and claiming their Portuguese identity from within a Castilianized existence. Whereas all texts produced in Iberia during the early modern period reflect the distinct social, political, and cultural realities sweeping across the peninsula to some degree, Portuguese literature written in Spanish offers a unique vantage point from which to see these converging landscapes. Being Portuguese in Spanish explores the cultural cross-pollination that defined the era and reappraises a body of works that uniquely addresses the intersection of language, literature, politics, and identity.

The chapters in this book represent the theme of “bridges” – bridging research approaches and directions across languages, methodologies and disciplines. Alongside descriptive and theoretical studies, the contributions present experimental studies addressing issues in syntax, phonetics-phonology and sociolinguistics. And alongside investigations of linguistic phenomena in standard Romance language varieties, other investigations address less well-known and studied, minority and endangered varieties (e.g., Quebec French, Brazilian Portuguese, Romanian, Galician, Catalan and Palenquero) from both synchronic and diachronic perspectives. Romance languages in contact with other languages and bilingualism, now also integral aspects of the field, are reflected in this volume as well, including less well-known cases of contemporary contact of Serbian with Romanian, and earlier contact of African languages with Spanish and Portuguese. This volume thus continues the decades long tradition of the Linguistic Symposium on Romance Languages of embracing cutting-edge developments in the field.