Space Viking Vengeance is a strange human motivation—it can drive a man to do things which he neither would nor could achieve without it ... and because of that it lies behind some of the greatest sagas of human literature!

On a summer day nearly twelve hundred years ago, three ships with bright red sails drew near to one of the little ports of the Dorset coast in the south of England. The townsfolk saw the ships, and paying no heed to the bright sails, said carelessly one to another, 'The merchantmen will be in port to-day.' And the harbour-master gathered together a few of his men and hastened to the quay. For he, too, had seen the ships, and, as in duty bound, he went to meet them, to demand from the captains the port taxes which were lawfully due to the king. But townsfolk and harbour-master alike had made a grievous mistake that summer day. For, as they soon discovered to their cost, and as the red sails might have forewarned them, the three ships were no peaceful merchantmen. No sooner had the vessels drawn up along the quay than a wild, strange-looking crew sprang to the shore, drew their swords, and speedily slew the harbour-master and his few unarmed followers. They then entered the town, plundering and burning the houses of all, both rich and poor. Leaving the little town in ruins, the strange crew, dragging their booty with them, marched down again to the quay. There they embarked, and without delay sailed away out to sea. Perhaps you have already guessed that the strange crew was a Viking band, that the three ships were Viking ships. So, indeed, they were, and this summer day in the year seven hundred and eighty-nine was the first time that the wild Northmen had been seen in England, or in any part of Europe where the 'White Christ' was worshipped...

Bran Mak Morn is a hero of several pulp fiction short stories by Robert E. Howard. In the stories, most of which were first published in Weird Tales, Bran is the last king of Howard's romanticized version of the tribal race of Picts.

Bran Mak Morn is a hero of five pulp fiction short stories by Robert E. Howard. In the stories, most of which were first published in Weird Tales, Bran is the last king of Howard's romanticized version of the tribal race of Picts.

Genealogical research has never been more accessible than in this age of digitized information. Learning about one’s ancestors bestows a sense of who we are and our place in the world. Finding Odin was born from the author’s curiosity and search for wisdom as she explored for Scandinavian ancestors. Surprisingly, she found Odin (surmised to be a mortal sixtieth great-grandfather) in her genealogical quest. Finding Odin describes many family connections discovered in twelfth- and thirteenth-century manuscripts, Old Norse sagas, and the work of contemporary researchers reaching back to the first century of the common era and up to the present. We inherit gifts from our ancestors that we often take for granted. Each of us contains within us this inheritance of soul. We are links between the ages, including past and present expectations, sacred memories, and future promises. Finding Odin explores those links.

A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.

One of the greatest challenges faced today by those responsible for ancient cultural sites is that of maintaining the delicate balance between conserving these fragile resources and making them available to increasing numbers of visitors. Tourism, unchecked development, and changing environmental conditions threaten significant historical sites throughout the world. These issues are among the topics dealt with in this book, which reports on the proceedings of an international conference on the conservation of classical sites in the Mediterranean region, organized by the Getty Conservation Institute and the J. Paul Getty Museum. The book includes chapters discussing management issues at three sites: Piazza Armerina, Sicily; Knossos, Crete; and Ephesus, Turkey. While visiting these sites, conference participants examined how issues raised at these locales can illuminate the challenges of management and conservation faced by complex heritage sites the world over. Additional chapters discuss such topics as the management of cultural sites, the reconstruction of ancient buildings, and ways of presenting and interpreting sites for today's visitors.