Sovereignty Unhinged theorizes sovereignty beyond the typical understandings of action, control, and the nation-state. Rather than engaging with the geopolitical realities of the present, the contributors consider sovereignty from the perspective of how it is lived and enacted in everyday practice and how it reflects people’s aspirations for new futures. In a series of ethnographic case studies ranging from the Americas to the Middle East to South Asia, they examine the means of avoiding the political and historical capture that make one complicit with sovereign authority rather than creating the conditions of possibility to confront it. The contributors attend to the affective dimensions of these practices of world-building to illuminate the epistemological, ontological, and transnational entanglements that produce a sense of what is possible. They also trace how sovereignty is activated and deactivated over the course of a lifetime within the struggle of the everyday. In so doing, they outline how individuals create and enact forms of sovereignty that allow them to endure fast and slow forms of violence while embracing endless opportunities for building new worlds. Contributors. Alex Blanchette, Yarimar Bonilla, Jessica Cattelino, María Elena García, Akhil Gupta, Lochlann Jain, Purnima Mankekar, Joseph Masco, Michael Ralph, Danilyn Rutherford, Arjun Shankar, Kristen L. Simmons, Deborah A. Thomas, Leniqueca A. Welcome, Kaya Naomi Williams, Jessica Winegar

Seeking new forms of democracy, progressive politics raises a fundamental question: what is the alternative to the allegedly coherent, self-contained liberal subject that represents the project of modernity? Exploring the themes of nature, race, and the divine, this book identifies the more realistic alternative in the “relational subject”: a subject that is inseparable from the global field of relations through which it emerges and yet distinct from that field because it lives a life that no one else ever has. Recognizing ourselves as such subjects allows us not only to rethink politics, but, more profoundly, to envision sovereignty as the means by which we each rejuvenate ourselves and the polities we constitute with others.

From Sovereignty to Solidarity seeks to re-imagine human mobility in ways that are de-linked from national sovereignty. Using examples from around the world, the author examines contemporary practices of solidarity to illustrate what such a conceptualization of human mobility looks like. He suggests that urban and local scales, rather than the national scale, is a better way to frame human migration and belonging. The book ultimately proposes that solidarity, rather than sovereignty, offers an alternative approach to imagine how human mobility should, and already does, occur. This book will be relevant to upper-level undergraduate and graduate students in disciplines such as Migration Studies, Urban Studies, Human and Political Geography, and Refugee Studies. It is also relevant to researchers, development workers and human rights/environmental activists, and other intellectual practitioners.

Hobbes, Sovereignty and Early American Literature explores the development of ideas about sovereignty and democracy in the early United States. It looks at Puritan sermons and poetry, founding-era political debates and representations of revolutionary and anti-slavery violence to reveal how Americans imagined the elusive possibility of a democratic sovereignty.

In Violent Utopia Jovan Scott Lewis retells the history and afterlife of the 1921 Tulsa race massacre, from the post-Reconstruction migration of Black people to Oklahoma Indian Territory to contemporary efforts to rebuild Black prosperity. He focuses on how the massacre in Tulsa’s Greenwood neighborhood—colloquially known as Black Wall Street—curtailed the freedom built there. Rather than framing the massacre as a one-off event, Lewis places it in a larger historical and social context of widespread patterns of anti-Black racism, segregation, and dispossession in Tulsa and beyond. He shows how the processes that led to the massacre, subsequent urban renewal, and intergenerational poverty shored up by nonprofits constitute a form of continuous slow violence. Now, in their attempts to redevelop resources for self-determination, Black Tulsans must reconcile a double inheritance: the massacre’s violence and the historical freedom and prosperity that Greenwood represented. Their future is tied to their geography, which is the foundation from which they will repair and fulfill Greenwood’s promise.

In Made in NuYoRico, Marisol Negrón tells the cultural history of salsa, tracing the music’s Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa’s Nuyorican imaginary to cultivate a global audience. Drawing on interviews with fans, legendary musicians, and music industry figures as well as analyses of songs, albums, films, and archival documents, Negrón shows how Nuyorican cultural and social histories became embedded in and impacted salsa music's flows during its foundational period in the mid-1960s and its boom in the 1970s. Salsa’s Nuyorican aesthetics challenged mainstream notions of Americanness and Puerto Ricanness and produced an alternative public sphere through which New York’s poor and working-class Puerto Ricans could contest racialization and colonial power. By outlining salsa’s complicated musical, cultural, commercial, racial, gendered, legal, and political entanglements, Negrón demonstrates its centrality to Nuyorican identity and subjectivity.

Recent events, such as the COVID-19 pandemic, the invasion of Ukraine, the rise of right-wing populism, the growing economic inequality and political instability, and the climate emergency, are indicative of the decomposition of the global liberal democratic order. Order, Crisis, and Redemption is a critical reflection on the limitations of Carl Schmitt's political theology, an attempt to think, with and beyond Schmitt, about the parameters of this crisis. Through a sustained critical engagement, ranging over Schmittian texts, including the lesser known, from the 1920s to the 1970s, the book elaborates three main themes that preoccupied Schmitt: order, crisis, and redemption. In times of crisis, as with the one we are currently experiencing, we are faced with the dilemma of either shoring up the current political and legal order—through ever more authoritarian measures—or radically transforming it. Redemption, in the full theological sense of the word, thus implies the possibility of a new understanding of ethics and politics, aimed at creating a more just world.