Focuses on his contribution to French post-revolutionary literature.

This unique and atmospheric volume presents the dramatic story of Napoleon's escape from Elba and march on Paris in the words of eyewitnesses and participants. Drawing on hundreds of firsthand accounts by Napoleon's supporters and opponents, Paul Britten Austin recreates the drama of those tumultuous days of the spring of 1815 and throws light on the mixed French response to the unexpected return of their former emperor. 1815: The Return of Napoleon recreates, in the words of those present, Napoleon's dramatic landing at Antibes in the south of France, the first heady days of his arrival after almost a year of exile, his almost miraculous march across France, his arrival in Paris, and the coup which led to the fall of the Bourbons. Paul Britten Austin's technique, so brilliantly presented in his 1812 trilogy on Napoleon's invasion of Russia, brings historical events to life and gives a dramatic insight into the hopes and fears of the French nation in that spring of 1815. The first of two volumes on Napoleon in 1815.This unique and atmospheric volume presents the dramatic story of Napoleon's escape from Elba and march on Paris in the words of eyewitnesses and participants. Drawing on hundreds of firsthand accounts by Napoleon's supporters and opponents, Paul Britten Austin recreates the drama of those tumultuous days of the spring of 1815 and throws light on the mixed French response to the unexpected return of their former emperor. 1815: The Return of Napoleon recreates, in the words of those present, Napoleon's dramatic landing at Antibes in the south of France, the first heady days of his arrival after almost a year of exile, his almost miraculous march across France, his arrival in Paris, and the coup which led to the fall of the Bourbons. Paul Britten Austin's technique, so brilliantly presented in his 1812 trilogy on Napoleon's invasion of Russia, brings historical events to life and gives a dramatic insight into the hopes and fears of the French nation in that spring of 1815. The first of two volumes on Napoleon in 1815.

The search for a republican morality provides an exciting new study of an important event in the French Revolution and a defining moment in the career of its principal actor, Maximilien Robespierre, the Festival of the Supreme Being. This day of national celebration was held to inaugurate the new state religion, the Cult of the Supreme Being, and whilst traditionally it has been dismissed as a compulsory political event, this book redefines its importance as a hugely popular national event. Hitherto unused or disregarded source material is used to offer new perspective to the national reaction to Robespierre's creation of the Festival and of his search for a new republican morality. It is the first ever detailed study in English of this area of French Revolutionary history, the first in any language since 1988 and will be welcomed by scholars and students of this period.

During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999.

The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. ø Paul Bänichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the elevation of the status of poetry; and, finally, the fusion of these tendencies in the early phases of romanticism in France. ø Bänichou deepens our understanding of romanticism by showing that it was a revision of the Enlightenment faith rather than a reaction against it. The extraordinary depth of Bänichou?s research, the originality of his conclusions, and the importance of his methodological reflections make this study an essential reference in the contemporary return to literary history.

From Sade at one end of the nineteenth century to Freud at the other, via many French novelists and poets, pleasure and pain become ever more closely entwined. Whereas the inseparability of these themes has hitherto been studied from isolated perspectives, such as psychoanalysis, sadism and sado-masochism, melancholy, or post-structuralist textualjouissance, the originality of this collaborative volume lies in its exploration of how pleasure and pain function across a broader range of contexts. The essays collected here demonstrate how the complex relationship between pleasure and pain plays a vital role in structuring nineteenth-century thinking in prose fiction (Balzac, Flaubert, Musset, Maupassant, Zola), verse and the memoir as well as socio-cultural studies, medical discourses, aesthetic theory and the visual arts. Featuring an international selection of contributors representing the full range of approaches to scholarship in nineteenth-century French studies – historical, literary, cultural, art historical, philosophical, and sociopolitical – the volume attests to the vitality, coherence and interdisciplinarity of nineteenth-century French studies and will be of interest to a wide cross-section of scholars and students of French literature, society and culture.

God's word illumines the darkness of society. Dutch politician and historian Groen van Prinsterer's Unbelief and Revolution is a foundational work addressing the inherent tension between the church and secular society. Writing at the onset of modernity in Western culture, Groen saw with amazing clarity the dire implications of abandoning God's created order for human life in society. Groen's work served as an inspiration for many contemporary theologians, and he had a profound impact on Abraham Kuyper's famous public theology. In Challenging the Spirit of Modernity, Harry Van Dyke places this seminal work into historical context, revealing how this vital contribution still speaks into the fractured relationship between religion and society. A deeper understanding of the roots of modern secularism and Groen's strong, faithful response to it gives us a better grasp of the same conflict today.