Hatberry Shoeberry In my canoebery Under the bridge And over the dam Looking for berries Berries for jam They're off... a boy and an endearing, rhyme-spouting bear, who squires him through a fatastic world of berries. And their adventure comes to a razzamatazz finale under a starberry sky. Children will want to feast again and again on Bruce Degen's exuberant, colorful pictures and his rollicking berryful rhymes.

"In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933--2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry, punk music, and underground film circles, he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his 'retirement.' In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work, reflecting a struggle between private, unknowable, interior experience and a duplicitous world of received images and false appearances. The profane and the sacred, the comic and the tragic, the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work..."--Publisher's description.

In medieval Paris, Marguerite helps her nearly blind father finish painting an illuminated manuscript for his patron, Lady Isabelle. 46 color illustrations.

The author/artist once again answers the universal question, "What was it like when you were my age?" Readers of all ages will laugh at Stevenson's listings of those things that were fun, and those that were not--and will be amazed to find how little it all has changed.

"The key to Silver Springs's success was marketing, and park administrators knew well the power of publicity. This natural wonder was sold and marketed to tourists with tableaux of ordinary life taking place underwater. As the official photographer for nearly forty-five years, Bruce Mozert was a key player In promoting the park as a verdant wonderland where impossible things might happen underwater: a model cooks at a stove, wooden spoon at her mouth to taste, while condensed milk rises from a hidden can (to look like smoke); another bathes in a tub, scrubbing her toes; yet another relaxes on a chaise lounge while a nearby air conditioner hums away. These images are delightfully playful and clever, even touching in their depiction of the tastes and mores of an era of American optimism."--BOOK JACKET.