Clearly rendered illustrations on 30 pages display authentic designs taken from rugs, masks, sandpaintings, pottery, jewelry, baskets, and other artifacts created by southwestern Native Americans. Geometrical designs on a Navajo woven saddlebag, a Chumash rock painting of mythical creatures, a Hopi kachina doll, an Apache "crown headdress," and more.

Treasury of 250 copyright-free images, drawn from authentic motifs on Hopi ceremonial dress, Zuni shields, Anasazi pottery, Navajo jewelry, rugs and sand paintings, Pueblo pottery, and many more. Clearly drawn in detail, easily reproducible, these motifs represent a highly useful resource for a myriad of art and craft projects.

Adapted from the native art of the American Southwest, 250 black-and-white images include traditional designs from Hopi ceremonial costumes, Zuni shields, Anasazi pottery, Navajo jewelry, and other authentic sources.

Although many of the symbols and patterns found on pottery, basketry, rugs and jewelry have histories and meanings assigned to them, many do not. This book answers some of the more commonly asked questions and provides insight into those designs that do not have specific meanings. Included are over 200 symbols and their variations with explanations for Zuni, Hopi, Tewa, Acoma, Pueblo, Mimbres and Hohokam designs.

The decorative art of the Indians of the American Southwest has long been recognized as one of the most beautiful art traditions in the primitive world. It demonstrates a technical skill with simple materials, a symbolic richness, and a faculty for creating rich effects by the imaginative use of ornament that are all almost unique. Museums use Pueblo ceramics for display pieces, and modern artists and crafters have turned eagerly to the handwork of prehistoric Indian women for inspiration and working ideas. Mrs. Dorothy Sides, a noted artist and collector, has gathered together and redrawn in black and white nearly 300 examples of the finest authentic Southwestern Indian decoration that she has seen in a lifetime of study. She has not limited her selection to one period or style, however; to make her book as useful as possible, she has selected material ranging from the thirteenth century great geometric art of the Pueblos to the handcrafts carried on by the nomadic and Pueblo peoples of the present. The main emphasis of this volume is on ceramic decoration, and Mrs. Sides includes pieces from the rich archeological sites of Pecos, Sikyatki, the Mimbres, and modern Pueblo pottery from Acoma, Zuni, Cochiti, and the Hopi. She also includes designs and motifs from the basketry of the Apache, Pima, and Papago; beadwork from the Mohave; authentic Zuni masks; Hopi kachina dolls; and sand paintings and blanket designs from the Navajo. This broad coverage of beautiful ornament illustrates many different art styles to fit every situation: geometric designs based upon balanced mirror fields of design, symbolic figures of the thunderbird, and modern stylizations. All is beautiful and imaginative. Any crafter working with ceramics will find this book indispensable as a source of rich, easily used, powerful design; workers in wood, weavers, metal workers, and leather workers will find that it will enlarge their decorative resources considerably. It also offers unusual and eye-catching designs for commercial artists who wish to do work suggesting travel, handcrafts, the Southwest, or the social sciences. Individual drawings are royalty-free and may be reproduced without fee or permission. "Worthy of an honored place in the library of aboriginal American art." — F. H. Hodge, Director, Southwestern Museum.

Sixteen contemporary images based on authentic tribal designsStained glass designer Carol Krez has captured the beauty of Native American arts and crafts in this unique coloring book. With sixteen full-page designs, she re-creates stunning patterns found in Southwestern tribal artifacts such as sand paintings, textiles, and pottery, some dating back a thousand years. Motifs depict geometric and abstract designs, images of animals, human figures, and more. Color them with a variety of media, then place them in a window to simulate a glowing stained glass effect. Pages are perforated for easy removal.

Although many of the symbols and patterns found on pottery, basketry, rugs and jewelry have histories and meanings assigned to them, many do not. This book answers some of the more commonly asked questions and provides insight into those designs that do not have specific meanings. Included are over 200 symbols and their variations with explanations for Zuni, Hopi, Tewa, Acoma, Pueblo, Mimbres and Hohokam designs.