The stage is set and destiny continues towards its fulfillment at breakneck speed. Southland Tales: The Prequel Saga collects writer/director Richard Kelly's (Donnie Darko) three graphic novels that set the stage to his second film, Southland Tales. Graphitti Designs and View Askew in conjunction with Darko Entertainment are proud to present this special collection prior to the movie release. These first three chapters set the tone and introduces you to the world and characters that comprise the movie events of July 4, 2008. The book and the movie combine to create a rich multimedia experience!

T/James Reagan has novelized Richard Kelly's 2006 cult film "Southland Tales" into a complete vision of a complex story of power, politics, and porno. The title refers to the Southland, a name used by locals to refer to Southern California and Greater Los Angeles. Set in the then-near future of 2008, as part of an alternate history, the novel is an expanded portrait of Los Angeles, and a satiric commentary on the military–industrial complex and the infotainment industry. Combining the theatrical cut, the Cannes cut, and the graphic prequel novels, T/James Reagan offers his trademark unflinching post-Empire vision on Kelly's ambitious, sprawling narrative. This novel can be downloaded for free at: https://archive.org/details/SouthlandTalesTJamesReagan https://drive.google.com/file/d/1wFkv2lfjD2mTk8eIVD8T0T8w2C9KipMn/view T/James Reagan is also the author of: Pushing Closer is a quiet novel about starting over and unexpectedly finding love. Lovetrust is a campus novel that focuses on the distance we place between each other. Beach House Burning is a sequel to Lovetrust, set fifteen years after Reagan's debut novel. Famous For Nothing is a satire of celebrity blogs. Leeds House is a horror satire for the Millennial generation. Empire Waste is a dark exploration of New York's fashion industry. HOT BLONDE GIRLS WITH HEAVY EYE MAKEUP is a satire about cancel culture. Southland Tales: The Complete Saga is a novelization of Richard Kelly's (Donnie Darko) cult classic film. Neon Blacktop is a fiction novel inspired by the films of Richard Kelly like Donnie Darko and The Box. MISS JULIE 2020 is a remake of August Strindberg's stage play, Miss Julie. This reimagining is about a news organization trying to figure out how to cover a rising health crisis.

Ronald Taverner awakens on a houseboat in Lake Mead suffering from amnesia only to discover that he is caught up in a conspiracy to kidnap and impersonate his twin brother Roland. His orders come from a neo-Marxist extremest group. Journeying to Los Angeles with escort Zora Charmichaels, he discovers that he has a psychic connection to movei star Boxer Santaros, who is also experiencing amnesia. Boxer, Krysta Now, and Fortunio Balducci have arrived in Palmdale, where they begin to follow clues hidden in a phrophetic screenplay called The power.

Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.

In 2007, Nathan Rabin set out to provide a revisionist look at the history of cinematic failure on a weekly basis. What began as a solitary ramble through the nooks and crannies of pop culture evolved into a way of life. My Year Of Flops collects dozens of the best-loved entries from the A.V. Club column along with bonus interviews and fifteen brand-new entries covering everything from notorious flops like The Cable Guy and Last Action Hero to bizarre obscurities like Glory Road, Johnny Cash’s poignantly homemade tribute to Jesus. Driven by a unique combination of sympathy and Schadenfreude, My Year Of Flops is an unforgettable tribute to cinematic losers, beautiful and otherwise.

Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. —Winner of a 2004 American Library Association Stonewall Honor Award in Literature —Winner of the 2003 Lambda Literary Award —Nominated for an Edgar Award The plot line of Southland is the stuff of a James Ellroy or a Walter Mosley novel . . . But the climax fairly glows with the good-heartedness that Revoyr displays from the very first page. —Los Angeles Times Jackie Ishida’s grandfather had a store in Watts where four boys were killed during the riots in 1965, a mystery she attempts to solve. —New York Times Book Review, included in “Where Noir Lives in the City of Angels” Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four black teenagers were killed in the store he ran during the Watts Riots of 1965—and that the murders were never solved or reported. Along with James Lanier, a cousin of one of the victims, she tries to piece together the story of the boys’ deaths. In the process, Jackie unearths the long-held secrets of her family’s history—and her own. Moving in and out of the past, from the shipping yards and internment camps of World War II; to the barley fields of the Crenshaw District in the 1930s; to the means streets of Watts in the 1960s; to the night spots and garment factories of the 1990s, Southland weaves a tale of Los Angeles in all of its faces and forms.

Steven Hyden explores nineteen music rivalries and what they say about life in this "highly entertaining" book (Rolling Stone) perfect for every passionate music fan. Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually -- what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing. Through Hendrix vs. Clapton, Hyden explores burning out and fading away, while his take on Miley vs. Sinead gives readers a glimpse into the perennial battle between old and young. Funny and accessible, Hyden's writing combines cultural criticism, personal anecdotes, and music history -- and just may prompt you to give your least favorite band another chance.