The South was no stranger to world’s fairs prior to the end of the nineteenth century. Atlanta first hosted a fair in the 1880s, as did New Orleans and Louisville, but after the 1893 World’s Columbian Exposition in Chicago drew comparisons to the great exhibitions of Victorian-era England, Atlanta’s leaders planned to host another grand exposition that would not only confirm Atlanta as an economic hub the equal of Chicago and New York, but usher the South into the nation’s industrial and political mainstream. Nashville and Charleston quickly followed suit with their own exhibitions. In the 1890s, the perception of the South was inextricably tied to race, and more specifically racial strife. Leaders in Atlanta, Nashville, and Charleston all sought ways to distance themselves from traditional impressions about their respective cities, which more often than not conjured images of poverty and treason in Americans barely a generation removed from the Civil War. Local business leaders used large-scale expositions to lessen this stigma while simultaneously promoting culture, industry, and economic advancement. Atlanta’s Cotton States and International Exposition presented the city as a burgeoning economic center and used a keynote speech by Booker T. Washington to gain control of the national debate on race relations. Nashville’s Tennessee Centennial and International Exposition chose to promote culture over mainstream success and marketed Nashville as a “Centennial City” replete with neoclassical architecture, drawing on its reputation as “the Athens of the south.” Charleston’s South Carolina Inter-State and West Indian Exposition followed in the footsteps of Atlanta’s exposition. Its new class of progressive leaders saw the need to reestablish the city as a major port of commerce and designed the fair around a Caribbean theme that emphasized trade and the corresponding economics that would raise Charleston from a cotton exporter to an international port of interest. Bruce G. Harvey studies each exposition beginning at the local and individual level of organization and moving upward to explore a broader regional context. He argues that southern urban leaders not only sought to revive their cities but also to reinvigorate the South in response to northern prosperity. Local businessmen struggled to manage all the elements that came with hosting a world’s fair, including raising funds, designing the fairs’ architectural elements, drafting overall plans, soliciting exhibits, and gaining the backing of political leaders. However, these businessmen had defined expectations for their expositions not only in terms of economic and local growth but also considering what an international exposition had come to represent to the community and the region in which they were hosted. Harvey juxtaposes local and regional aspects of world’s fair in the South and shows that nineteenth-century expositions had grown into American institutions in their own right.

In this collection of essays, the authors argue that the chronic economic difficulties of the American South cannot be explained away as resulting from a distinctive 'premodern' business climate, since there was little variation between regional business climates during the Antebellum period.

These days, politics often seem to be local and global simultaneously, challenging people, politicians, and scholars to sort out what is domestic from what is international and how the two are related. Janice Love demonstrates the complex realities of how local and global politics are intimately interwoven, sometimes inextricably so, specifically in southern Africa. In southern Africa, like many other regions, such linkages have existed for decades, if not centuries. Yet the current era is different from previous times when human communities found themselves closely intertwined. Love examines military, political, and economic changes in recent decades. Students of international relations, comparative politics, and African studies will find the region's experience instructive in understanding larger trends in the world. Students particularly interested in Africa will gain insight not only about this region, but also its significance for the whole continent. Deliberately crosses the boundaries of domestic politics and foreign policy as well as comparative politics and international relations. By taking a globalization approach, connecting the local, regional and global, the book offers fresh insights into the dynamics of war and peace, wealth and poverty as well as local to global governance in southern Africa. Examines globalization in three arenas or domains (military, political, and economic), not only distinguishing them from each other, but also probing what has changed and what has remained the same across time.

Religion in the American South emerged as part of a globalized, transnational movement of peoples from the seventeenth through the nineteenth centuries. Ironically, it then came to be seen as the most localized, provincial kind of religion in America, one famously hostile to outside ideas, influences, and agitators. Yet southern religious expressions, particularly in music, have exercised enormous intellectual and cultural influence. Despite southern religion's provincialism during the era of evangelical dominance and racial proscriptions, the kinds of expressions coming from the American South have been influential across the globe. With this book Paul Harvey takes up the theme of southern religion in global contexts through a series of biographical vignettes that illustrate its outreach. In the first segment he focuses on Frank Price, the Presbyterian missionary to China and advisor to Chiang Kai-Shek. In the second he focuses on Howard Thurman, the mystic, cosmopolitan, preacher, intellectual, poet, hymnist, and mentor for the American civil rights movement. In the third he looks to the musical figures of Rosetta Tharpe, Johnny Cash, and Levon Helm, whose backbeat, harmonies, and religious enthusiasms contributed to much of the soundtrack of the world through the second half of the twentieth century.

Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

In The Southern Writer in the Postmodern World Fred Hobson offers a witty and engaging 'preliminary estimate' of some of the most prominent new figures in southern fiction. Although he discouvers no shortage of talent, he does find 'various and conflicting attitudes toward the southe and the contemporary world.' Especially concermed with the relationship of these new writers to their literary predecessors, he traces the continuity--or lack of continuity--or lack of continuity--of certain attitudes, fictional approaches, and even values that informed southern writing during its earlier flowering in the 1920s, 1930s, and 1940s.

Immediately following the Civil War, and for many years thereafter, southerners proclaimed a “New” South, implying not only the end of slavery but also the beginning of a new era of growth, industrialization, and prosperity. Time has shown that those declarations—at least in terms of progress and prosperity—were premature by several decades. Life for an Alabama tenant farmer in 1920 did not differ significantly from the life his grandfather led fifty years earlier. In fact, the South remained primarily a land of poor farming folks until the 1940s. Only then, and after World War II, did the real New South of industrial growth and urban development begin to emerge. Jack Temple Kirby’s massive and engaging study examines the rural southern world of the first half of this century, its collapse, and the resulting “modernization” of southern society. The American South was the last region of the Western world to undergo this process, and Rural Worlds Lost is the first book to so thoroughly assess the profound changes modernization has wrought. Kirby painstakingly charts the structural changes in agriculture that have occurred in the South and the effects these changes have had on people both at work and in the community. He is quick to note that there is not just one South but many, emphasizing the South’s diversity not only in terms of race but also in terms of crop type and topography, and the resultant cultural differences of various areas of the region. He also skillfully compares southern life and institutions with those in other parts of the country, noting discrepancies and similarities. Perhaps even more significant, however, is Kirby’s focus on the lives and communities of ordinary people and how they have been transformed by the effects of modernization. By using the oral histories collected by WPA interviewers, Kirby shows firsthand how rural southerners lived in the 1930s and what forces shaped their views on life. He assesses the impact of cash upon traditional rural economies, the revolutionary effects of New Deal programs on the rich and poor, and the forms and cultural results of migration. Kirby also treats home life, recording attitudes toward marriage, and sex, health maintenance, and class relationships, not to mention sports and leisure, moonshining, and the southerner’s longstanding love-hate relationship with the mule. Rural Worlds Lost, based on exceptionally extensive research in archives throughout the South and in federal agricultural censuses, definitively charts the enormous changes that have taken place in the South in this century. Writing about Kirby’s previous book, Media-Made Dixie, Time Magazine noted Kirby’s “scholarship of rare lucidity.” That same high level of scholarship, as well as an undeniable affection for the region, is abundantly evident in this new, path-breaking book.