How ritualized public ceremonies affirm or challenge cultural identities associated with the American South W. J. Cash's 1941 observation that “there are many Souths and many cultural traditions among them” is certainly validated by this book. Although the Civil War and its “lost cause” tradition continues to serve as a cultural root paradigm in celebrations, both uniting and dividing loyalties, southerners also embrace a panoply of public rituals—parades, cook-offs, kinship homecomings, church assemblies, music spectacles, and material culture exhibitions—that affirm other identities. From the Appalachian uplands to the Mississippi Delta, from Kentucky bluegrass to Carolina piedmont, southerners celebrate in festivals that showcase their diverse cultural backgrounds and their mythic beliefs about themselves. The ten essays of this cohesive, interdisciplinary collection present event-centered research from various fields of study—anthropology, geography, history, and literature—to establish a rich, complex picture of the stereotypically “Solid South.” Topics include the Mardi Gras Indian song cycle as a means of expressing African-American identity in New Orleans; powwow performances and Native American traditions in southeast North Carolina; religious healings in southern Appalachian communities; Mexican Independence Day festivals in central Florida; and, in eastern Tennessee, bonding ceremonies of melungeons who share Indian, Scots Irish, Mediterranean, and African ancestry. Seen together, these public heritage displays reveal a rich “creole” of cultures that have always been a part of southern life and that continue to affirm a flourishing regionalism. This book will be valuable to students and scholars of cultural anthropology, American studies, and southern history; academic and public libraries; and general readers interested in the American South. It contributes a vibrant, colorful layer of understanding to the continuously emerging picture of complexity in this region historically depicted by simple stereotypes.

"This resource is the culmination of the Southern Cultural Collaborative Program, an initiative of Fulton County Schools, the National Faculty-Smithsonian Institution Program, and the High Museum of Art ... This resource presents selected research and lessons for general classroom use ... Each section of the resource is devoted to a specific work of art and includes a transparency of the object; information about the object, the artist, and the cultural content of the object; a reference section; an inquiry-driven curriculum matrix with one or more lessons fully developed; and assessment rubrics"--Preface.

In Identity, Nationalism, and Cultural Heritage under Siege, Fatme Myuhtar-May makes a case for the recognition of Pomak heritage by presenting five stories from the past and present of the Rhodope Muslims in Bulgaria as examples of a distinct Pomak culture. The stories range from the Christianisation during the Balkan Wars of 1912-1913 and the forced communist renaming of the Pomaks in the 1970s, to their fascinating wedding rituals and historic figures. Each of the five narratives contains its own storyline and serves as a prominent example of Pomak heritage, from the author’s perspective. The stories take place in the context of fervent nationalism and the ongoing censorship of Pomakness based on the claim that it is an “ethnic Bulgarian,” not “Pomak” heritage.

Winner of the 2023 John Brinckerhoff Jackson Book Prize Winner of the 2023 UMW Center for Historic Preservation Book Prize For over eighty years, tourists have flocked to Natchez, Mississippi, seeking the “Old South,” but what they encounter is invention: a pageant and rewrite of history first concocted during the Great Depression. In Heritage and Hoop Skirts: How Natchez Created the Old South, author Paul Hardin Kapp reveals how the women of the Natchez Garden Club saved their city, created one of the first cultural tourism economies in the United States, changed the Mississippi landscape through historic preservation, and fashioned elements of the Lost Cause into an industry. Beginning with the first Natchez Spring Pilgrimage of Antebellum Homes in 1932, such women as Katherine Grafton Miller, Roane Fleming Byrnes, and Edith Wyatt Moore challenged the notion that smokestack industries were key to Natchez’s prosperity. These women developed a narrative of graceful living and aristocratic gentlepeople centered on grand but decaying mansions. In crafting this pageantry, they created a tourism magnet based on the antebellum architecture of Natchez. Through their determination and political guile, they enlisted New Deal programs, such as the WPA Writers’ Project and the Historic American Buildings Survey, to promote their version of the city. Their work did save numerous historic buildings and employed both white and African American workers during the Depression. Still, the transformation of Natchez into a tourist draw came at a racial cost and further marginalized African American Natchezians. By attending to the history of preservation in Natchez, Kapp draws on a rich archive of images, architectural documents, and popular culture to explore how meaning is assigned to place and how meaning evolves over time. In showing how and why the Natchez buildings of the “Old South” were first preserved, commercialized, and transformed into a brand, this volume makes a much-needed contribution to ongoing debates over the meaning attached to cultural patrimony.

C.1 GIFT BY NANCY MCLENDON, IN MEMORY OF ELIZAH COLEMAN GLOVER. 2-07-2008. $20.00.

What does it mean to be from somewhere? Does place seep into one's very being like roots making their way through rich soil, shaping a sense of self? In particular, what does it mean to be from a place with a storied past, one mythologized as the very best and worst of our nation? Such questions inspired Catherine Egley Waggoner and Laura Egley Taylor, sisters and Delta expatriates themselves, to embark on a trail of conversations through the Mississippi Delta. Meeting in evocative settings from kitchens and beauty parlors to screened-in porches with fifty-one women--black, Chinese, Lebanese, and white; elderly and young; rich and poor; bisexual and straight--the authors trace the extent to which the historical dimensions of southern womanhood like submissiveness, purity, piety, and domesticity are visible in contemporary Delta women's everyday enactments. Waggoner and Taylor argue that these women do not simply embrace or reject such dimensions, but instead creatively tweak stereotypes in such a way that skillfully legitimizes their authenticity. Blending academic analysis with colorful excerpts of Delta women's words and including over one hundred striking photographs, Waggoner and Taylor provide an insightful peek into the lives of real southern women living in a deeply mythologized land.