A Southern family’s adoption of a Korean orphan uncovers long-buried tensions in this novel of family, heritage, and clashing cultures. Set in the insular South of Broad neighborhood of Charleston, South Carolina, A Southern Girl is a tale of international adoption and Southern identity, of family bonds and hidden biases. With two sons and a successful career, Coleman Carter’s life seems complete until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman’s conservative parents and sends him headlong on a journey into the unknown. The arrival of Soo Yun (later called Allie) opens Coleman’s eyes to the subtle racism that had always dominated his sheltered life. Now Coleman must come to terms with his past in order to help Allie on her own life journey. Deftly told through the voices of Allie’s birth mother, her orphanage nurse, her adoptive mother Elizabeth, and finally Coleman himself, A Southern Girl brings readers into Allie’s plights—first for her very survival and then for her sense of identity and belonging. John Warley guides us through the enclaves of southern privilege, the poverty-stricken back alleys of Seoul, South Korea, the jungles of Vietnam, and the stone sidewalks of San Miguel de Allende, Mexico, as the bonds between father and daughter become strong enough to confront the trials of their pasts and present alike. Foreword by New York Times bestselling novelist Therese Ann Fowler

Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.

"Harrigan's novel, part mystery and part coming-of-age, explores the process of healing from tragedies and misunderstandings."—Publishers Weekly A tender, yet thrilling suspense novel about a young woman who uncovers devastating secrets that will resurrect the people she lost and the lies she buried perfect for fans of Diane Chamberlain and Ellen Marie Wiseman Ten years ago, Julie Portland accidentally killed her best friend, Reba. What's worse is she got away with it. Consumed by guilt, she left the small town of Lawrence Mill, Mississippi, and swore nothing would ever drag her back. Now, raising her daughter and struggling to make ends meet in Manhattan, Julie still can't forget the ghost of a girl with golden hair and a dangerous secret. When August, Reba's first love, begs Julie to come home to find the diary that Reba kept all those years ago, Julie's past comes creeping back to haunt her. That diary could expose the shameful memories Julie has been running from, but it could also unearth the hidden truths that Reba left buried...and reveal that Julie isn't the only one who feels responsible for Reba's death.

A collection of essays that are "like being seated beside the most entertaining guest at a dinner party" (Atlanta Journal Constitution), from the New York Times bestselling author of American Housewives “Thank you Helen Ellis for writing down the Southern Lady Code so that others may learn.” —Ann Patchett, bestselling author of The Dutch House Helen Ellis has a mantra: “If you don't have something nice to say, say something not-so-nice in a nice way.” Say “weathered” instead of “she looks like a cake left out in the rain” and “I’m not in charge” instead of “they’re doing it wrong.” In these twenty-three raucous essays, Ellis transforms herself into a dominatrix Donna Reed to save her marriage, inadvertently steals a Burberry trench coat, avoids a neck lift, and finds a black-tie gown that gives her the confidence of a drag queen. While she may have left Alabama for New York City, Helen Ellis is clinging to her Southern accent like mayonnaise to white bread, and offering readers a hilarious, completely singular view on womanhood for both sides of the Mason-Dixon.

McCray shares the true and touching journey of a southern child who later encountered many tragedies when she moved to New York. Readers will laugh, cry, and be truly inspired. (Practical Life)

The Little Way of Ruthie Leming follows Rod Dreher, a Philadelphia journalist, back to his hometown of St. Francisville, Louisiana (pop. 1,700) in the wake of his younger sister Ruthie's death. When she was diagnosed at age 40 with a virulent form of cancer in 2010, Dreher was moved by the way the community he had left behind rallied around his dying sister, a schoolteacher. He was also struck by the grace and courage with which his sister dealt with the disease that eventually took her life. In Louisiana for Ruthie's funeral in the fall of 2011, Dreher began to wonder whether the ordinary life Ruthie led in their country town was in fact a path of hidden grandeur, even spiritual greatness, concealed within the modest life of a mother and teacher. In order to explore this revelation, Dreher and his wife decided to leave Philadelphia, move home to help with family responsibilities and have their three children grow up amidst the rituals that had defined his family for five generations-Mardi Gras, L.S.U. football games, and deer hunting. As David Brooks poignantly described Dreher's journey homeward in a recent New York Times column, Dreher and his wife Julie "decided to accept the limitations of small-town life in exchange for the privilege of being part of a community."

Bell came running down the street because she seen that I was about to fight, she told me get back because I was pregnant. So she ran to keep Hattie and Debra from Hazel I felt like it all was my fault because they were trying to protect my dumb ass. When will I get a backbone to stand up for myself, that’s when you know love is truly blind. Being a teenager really sucked back then to me, you did and allowed and thing for your so call boyfriend. During the time Marcus worked for in the coco cola company in their warehouse. Everything just keeps getting worst. Marcus was in the army before he meets me; he had a grant from the military to use.