From the very beginning the South was different. The source and significance of this difference has been debated and discussed for over 200 years. In recent decades, the demise of the South as a regional culture has frequently been predicted, although now some scholars and journalists are maintaining that it is proving to be remarkably resilient and is actually having an ever greater influence on the broader American culture. Southern Culture examines the origins and evolution of the region's culture and focuses on six key patterns that have defined it: agrarianism, class relations, race relations, gender and family traditions, evangelical Christianity, and political traditions. Southern Culture also explores the products of the culture with major sections on dialect, painting, architecture, pottery, music, literature, and icons and myths. It concludes with essays by each of the authors in which they reflect on where Southern culture is headed. Professors, to see an annotated list of helpful links to accompany Southern Culture, click here "Three community college instructors combine their long experience in teaching English, history, and sociology in North Carolina (Vance-Granville Community College) to provide an interdisciplinary introductory text well worth adoption. Beck, Frandsen, and Randall meet well the challenge of merging humanities and social science approaches to regional studies by examining six focal areas: race, class, politics, family, religion, and agrarianism. ... Highly recommended." - Choice Magazine ". . . a scholarly resource that also is fun to read." -- Durham Herald Sun

Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--dust jacket.

An appreciation of the significance of the porch in everyday life in the US South. It reveals that the porch is a stage for many social dramas, and it uses literature, folklore, oral histories and photographs to show how southerners have used the porch to negotiate public and private boundaries.

A telling memoir by an exciting new voice, Multicolored Memories of a Black Southern Girl explores journalist Kitty Oliver's coming of age as she makes the crossing from an all-black to a predominantly white world. Born and raised in an all-black area of Jacksonville, Florida, Oliver was one of the first African American freshmen to enter the University of Florida. Though she chronicles the strains of her transition from Jim Crow to desegregation, this book is much more than a memoir of the turbulent sixties. It is an upbeat journal of self-discovery in the aftermath of that decade, a look at one woman's coming to terms with living an integrated life in America. With humor, poignancy, and lyrical language (reminiscent at times of another Florida writer, Zora Neale Hurston), Oliver shares her passage from the "old world" to the new—an immigrant's journey indicative of the American experience. Blending past and present, she searches for roots from the Gullah or "Geechee" culture of South Carolina to the urban streets of northern Florida to the multicultural mix of South Florida's diverse ethnic cultures, serving up family stories with large helpings of southern "folktalk," food, and music along the way.

In this stimulating study, Scott Romine explores the impact of globalization on contemporary southern culture and the South's persistence in an age of media and what he terms "cultural reproduction." Rather than being compromised, Romine asserts, southern cultures are both complicated and reconfigured as they increasingly detach from tradition in its conventional sense. In considering Souths that might appear fake -- the Souths of the theme restaurant, commercial television, and popular regional magazines, for example -- Romine contends that authenticity and reality emerge as central concepts that allow groups and individuals to imagine and navigate social worlds. Romine addresses a major critical problem -- "authenticity" -- in a fundamentally new manner. Less concerned with what actually constitutes an "authentic" or "real" South than in how these concepts are used today, The Real South explores a wide range of southern narratives that describe and travel through virtual, simulated, and commodified Souths. Where earlier critics have tended to assume a real or authentic South, Romine questions such assumptions and whether the "authentic South" ever truly existed. From Gone with the Wind, Civil War reenactments, and a tennis community outside Atlanta called Tara, to the work of Josephine Humphreys, the travel narrative of V. S. Naipaul, and the historical fiction of Lewis Nordan, Romine examines how narratives (and spaces) are used to fashion social solidarity and cultural continuity in a time of fragmentation and change. Far from deteriorating or disappearing in a global economy, Romine shows, the South continues to be reproduced and used by diverse groups engaged in diverse cultural projects.

This issue of Southern Cultures celebrates the twenty-fifth anniversary of the journal's publication with a special issue titled Inside/Outside. The issue features contributions by William Sturkey, Randall Kenan, Jess T. Dugan & Vanessa Fabbre, Erin N. Bush, Oliver Clasper, Alex Macaulay, Emily Lieb, Monique Truong, Joanna Welborn, and Savannah Sipple. This is a single issue. For a subscription to Southern Cultures please visit www.uncpress.org/journals/southern-cultures/.

The contemporary American South is a region of economic expansion, political sophistication, and, particularly, cultural ferment. Its literature is well-known and celebrated. But what of the popular cultural forms of expression that have done so much to reflect the curious tensions between the traditional South—white-dominated, rural, religous—and contemporary multicultural forms and discourses? This collection offers a wealth of exciting new perspectives on cultural studies in general and of the particular forms of popular Southern culture—from rock and roll to Cajun music to the impact on the South of tourism and the questions of genre and race in contemporary film-making.