"Jacob W. Holt, An American Builder"; "Good and Sufficient Language for Building"; "Black Builders in Antebellum North Carolina"; "Mr. Jones Goes to Richmond: A Note on the Influence of Alexander Parris's Wickham House"; "Philadelphia Bricks for New Bern Jail"; "'Severe Survitude to House Building': The Construction of Hayes Plantation House, 1814-17"; "The Montmorenci--Prospect Hill School: A Study of High-Style Vernacular Architecture in the Roanoke Valley"; "The 'Unpainted Aristocracy': The Beach Cottages of Old Nags Head"; "'A Strong Force of Ladies': Women, Politics, and Confederate Memorial Associations in Nineteenth-Century Raleigh"; "Landmarks of Power: Building a Southern Past, 1885-1915"; "Looking at North Carolina's History Through Architecture"; "Yuppies and Bubbas and the Politics of Culture in Historic Preservation"

Southern Homes and Plan Books showcases the architectural legacy and design philosophy of Leila Ross Wilburn (1885–1967), a legacy that includes hundreds of houses in a variety of popular house styles, from bungalows to ranch houses, built using Wilburn’s plan books during the first six decades of the twentieth century. Wilburn opened her own firm in Atlanta in 1908 and practiced until her death in 1967. She published nine plan books that offered mail order house designs to contractors, builders, and prospective homeowners and allowed them the ease of choosing a preconceived design and construction plan. Sarah J. Boykin and Susan M. Hunter provide a survey of the southern homes built from Wilburn’s plan books, examining Wilburn’s architectural legacy and her achievements as a plan book architect. The book provides beautiful photographs of houses built from her plans, along with illustrations from the plan books themselves and other related documents from the time. Readers can thus see how her designs were realized as individual houses and also how they influenced the development of some of the Atlanta area’s beloved historical neighborhoods, most notably Druid Hills, Morningside, Virginia-Highland, and Candler Park, as well as the McDonough–Adams–Kings Highway (MAK) Historic District in Decatur. Today, Wilburn’s houses are enjoyed as appealing, historic homes and represent some of the richest examples of southern vernacular architecture to emerge from the plan book tradition.

In the early 1900s, the population of Southern California exploded, and the cities grew at such a rapid pace that builders could hardly keep up. Among those who settled in the area were ten architects looking to make their marks on the world. Claud Beelman, a man who never received a college degree, would go on to design the Elks Lodge in Los Angeles. Albert C. Martin, architect of Grauman's Million Dollar Theater, founded a company that is still going strong more than one hundred years later, and Julia Morgan, the first woman architect licensed in California, was hired by William Randolph Hearst to design the Examiner Building. Join author Antonio Gonzalez as he tells the stories of the people behind some of Southern California's most iconic buildings.

From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.

Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, andOCoalthough we have not yet understood this clearlyOCorace relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture. In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the OC OrientalOCO parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth centuryOCoin their regional, national, and hemispheric contextsOCo Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment."