Including many conversations with Southendians, this title aims to recall life in their town, during the 1950s and '60s. It focuses on social change, as well as school days, work and play, transport, and entertainment. It also includes memories of the late '60s clashes between Mods and Rockers, and of the infamous Wall of Death at the Kursaal.

While Southend-on-Sea, like many seaside towns, may not have been at the forefront of the struggle for suffrage and equal rights in the lives of women between 1850 and 1950, there are surprisingly famous names linked to the town and its women. Novelist Rebecca West, living in nearby Leigh-on-Sea during the First World War (and her lover, H.G. Wells) played a key role in the suffrage and feminist movements and in women’s entry into the scientific and literary professions. Princess Louise, a visitor to the town, was known to be a feminist, regardless of her position, and Mrs Margaret Kineton-Parkes (founder member of the Women’s Tax Resistance League and involved in the Women’s Freedom League) gave a number of talks to the town’s female population. The most high profile of local residents was Mrs Rosa Sky, the one-time Treasurer of the Women’s Social and Political Union and an active member of the Women’s Tax Resistance League, but others were quietly active behind the scenes. This book is not about the distinguished and illustrious, it is about women from all classes, from all kinds of backgrounds, who entered the world of business, who rebelled against the traditional roles of mother, homemaker or domestic servant. It is about women struggling to come to terms with changes at home, in marriage, in education, in health care and in politics. It is the first to look at these issues as they impacted on a town whose population and visitors were growing in line with the expectations of its female population.

The Secret History of Southend offers the reader an off-the-beaten-track tour of the city’s landmarks and streets, revealing the forgotten stories of Southend – its people, its visitors, its history, its streets and its buildings. This book is filled with hundreds of little-known facts and historical anecdotes. From the arrival of the ‘Brides in the Bath’ murderer to the famous mountaineer who liked to live at the top of his building, this book will amuse, fascinate and inform all lovers of the area. Southend may not be an ancient town, but it is the largest in Essex, and has a history that may surprise residents and visitors alike. This delightful book delves deeper, bringing history and landscape to life.

The 1930s were a troubled era, and England was a land of contrasts. This work gives a vivid impression of growing up in a working-class family in the East End at this time. It should be of interest to anyone who remembers the interwar years, and anyone interested in London's social history.

Tracing the impact of the 'memory wars' on science and culture, Relational Remembering offers a vigorous philosophical challenge to the contemporary skepticism about memory that is their legacy. Campbell's work provides a close conceptual analysis of the strategies used to challenge women's memories, particularly those meant to provoke a general social alarm about suggestibility. Sue Campbell argues that we cannot come to an adequate understanding of the nature and value of memory through a distorted view of rememberers. The harmful stereotypes of women's passivity and instability that have repopulated discussions of abuse have led many theorists to regard the social dimensions of remembering only negatively, as a threat or contaminant to memory integrity. Such models of memory cannot help us grasp the nature of harms linked to oppression, as these models imply that changed group understandings of the past are incompatible with the integrity of personal memory. Campbell uses the false memory debates to defend a feminist reconceptualization of personal memory as relational, social, and subject to politics. Memory is analyzed as a complex of cognitive abilities and social/narrative activities where one's success or failure as a rememberer is both affected by one's social location and has profound ramifications for one's cultural status as a moral agent.

The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain. This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites - Blackpool Pleasure Beach, Dreamland in Margate and Southend's Kursaal - the book contextualises their development with references to the wider amusement park world. The meanings of these sites are explored through a detailed examination of the spatial and architectural form taken by rides and other buildings. The rollercoaster - a defining symbol of the amusement park - is given particular focus, as is the extent to which discourses of class, gender and national identity were expressed through the design of these parks.