Collection of photographs by Hugo Bernatzik, taken on his travels through the Solomons and New Guinea with an introductory essay about the photographer, his journey, and his work.

Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the American musical theater since it opened in 1949, and its powerful message about racial intolerance continues to resonate with twenty-first century audiences. Drawing on extensive research in the Rodgers and the Hammerstein papers, including Hammerstein's personal notes on James A. Michener's Tales of the South Pacific, Jim Lovensheimer offers a fascinating reading of "South Pacific" that explores the show's complex messages and demonstrates how the presentation of those messages changed throughout the creative process. Indeed, the author shows how Rodgers and especially Hammerstein continually refined and softened the theme of racial intolerance until it was more acceptable to mainstream Broadway audiences. Likewise, Lovensheimer describes the treatment of gender and colonialism in the musical, tracing how it both reflected and challenged early Cold War Era American norms. The book also offers valuable background to the writing of "South Pacific," exploring the earlier careers of both Rodgers and Hammerstein, showing how they frequently explored serious social issues in their other works, and discussing their involvement in the political movements of their day, such as Hammerstein's founding membership in the Hollywood Anti-Nazi League. Finally, the book features many wonderful appendices, including two that compare the original draft and final form of the classic songs "I'm Gonna Wash That Man Right Out-a My Hair" and "I'm In Love With a Wonderful Guy." Thoroughly researched and compellingly written, this superb book offers a rich, intriguing portrait of a Broadway masterpiece and the era in which it was created.

The war in the South Pacific in its entirety has remained remarkably neglected by historians. This is the first comprehensive narrative history covering all land, sea and air operations in the theater to the end of World War II. While Guadalcanal is familiar to most Americans and the Kokoda Trail is well known to Australians, the war in the South Pacific includes many now forgotten operations that deserve to be well remembered. Also, significantly, the official Australian history of World War II correctly observed that Australia’s part in the Pacific war is barely mentioned in American histories. This volume finally brings the major Australian contribution to the fore, recognizing too the valuable part played by New Zealand forces in the Solomons campaign. The dramatis personae could hardly be improved upon, including brilliant and imperious General Douglas MacArthur, audacious and profane Admiral William “Bull” Halsey, and bibulous and indelicate Australian General Thomas Blamey. No less interesting are many others that will be mostly new to readers, many from the Japanese side, including indomitable generals Noboru Sasaki and Hatazo Adachi. As for the fighting men, many of their stories are captured in accounts of the actions for which they were awarded the Congressional Medal of Honor, Victoria Cross, and other decorations for valor. Three chapters are of special interest. Based on the author’s archival research, Chapter 10 tells through confidential correspondence the remarkable story of the death of the top Marine general in the Pacific and its cover-up sanctioned by Halsey. Chapter 23 concerns the first African-American ground troops in combat and tells how the performance of one company on Bougainville resulted in a reversal of that policy. Chapter 26 involves Blamey’s questionable decision to eradicate the isolated Japanese forces, forcing his Australian militia to risk their lives knowing their sacrifices could make no difference in the outcome of the war.