"A novel that is as moving as it is cerebral, as poignant as it is daring." - Michiko Kakutani, The New York Times "Mason & Dixon - like Huckleberry Finn, like Ulysses - is one of the great novels about male friendship in anybody's literature." - John Leonard, The Nation Charles Mason (1728–1786) and Jeremiah Dixon (1733–1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as reimagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. Unreflectively entangled in crimes of demarcation, Mason & Dixon take us along on a grand tour of the Enlightenment’s dark hemisphere, from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back to England, into the shadowy yet redemptive turns of their later lives, through incongruities in conscience, parallaxes of personality, tales of questionable altitude told and intimated by voices clamoring not to be lost. Along the way they encounter a plentiful cast of characters, including Benjamin Franklin, George Washington, and Samuel Johnson, as well as a Chinese feng shui master, a Swedish irredentist, a talking dog, and a robot duck. The quarrelsome, daring, mismatched pair—Mason as melancholy and Gothic as Dixon is cheerful and pre-Romantic—pursues a linear narrative of irregular lives, observing, and managing to participate in the many occasions of madness presented them by the Age of Reason.

From drinking sweet tea on a beloved grandmother's porch to playing army to witnessing prejudice and violence or receiving the lash, these stories illustrate growing up in the South during the 1950s and 1960s, what it felt, tasted, and looked like through the eyes of the boys who lived it.

New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In The Scary Mason-Dixon Line, renowned literary scholar Trudier Harris explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. Harris explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. Harris considers native-born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works Harris examines date from Baldwin's Blues for Mr. Charlie (1964) to Edward P. Jones's The Known World (2003). By including Komunyakaa's poems and Baldwin's play, as well as male and female authors, Harris demonstrates that the writers' preoccupation with the South cuts across lines of genre and gender. Whether their writings focus on slavery, migration from the South to the North, or violence on southern soil, and whether they celebrate the triumph of black southern heritage over repression or castigate the South for its treatment of blacks, these authors cannot escape the call of the South. Indeed, Harris asserts that creative engagement with the South represents a defining characteristic of African American writing. A singular work by one of the foremost literary scholars writing today, The Scary Mason-Dixon Line superbly demonstrates how history and memory continue to figure powerfully in African American literary creativity.

The story of the demarcation of the boundary between Maryland and Pennsylvania that became the dividing line between free and slave states. Latrobe was a lawyer, inventor, and speaker; he was also president of the American Colonization Society (1853-90), founder of the Maryland Historical Society, and a central figure in the movement to colonize the Republic of Liberia.

THE FIRST POPULAR HISTORY OF THE MAKING OF THE MASON-DIXON LINE The Mason-Dixon line-surely the most famous surveyors' line ever drawn-represents one of the greatest and most difficult scientific achievements of its time. But behind this significant triumph is a thrilling story, one that has thus far eluded both historians and surveyors. In this engrossing narrative, professional surveyor Edwin Danson takes us on a fascinating journey with Charles Mason and Jeremiah Dixon, two gifted and exuberant English surveyors, through the fields and forests of eighteenth-century America. Vividly describing life in the backwoods and the hardships and dangers of frontier surveying, Drawing the Line discloses for the first time in 250 years many hitherto unknown surveying methods, revealing how Mason and Dixon succeeded where the best American surveyors of the period failed. In accessible, ordinary language, Danson masterfully throws the first clear light on the surveying of the Mason-Dixon line. Set in the social and historical context of pre-Revolutionary America, this book is a spellbinding account of one of the great and historic achievements of its time. Advance Praise for Drawing the Line "Drawing the Line combines a fast-moving story, a human drama, and a clear account of surveying in the era of George Washington. An intriguing interaction of politics and science."-CHARLES ROYSTER, Boyd Professor of History, Louisiana State University, and Winner of the Bancroft Prize in History

The award-winning author of Secrets of a Civil War Submarine traces the history of the Mason-Dixon Line as reflected by family feuds, exploration, scientific advancement and the cultural conflicts between America's northern and southern states.

The only thing hotter than the weather South of the Mason Dixon line are the boys. Worn, faded blue jeans, slow Southern drawls, and those naughty moments in the back of pickup trucks a girl never forgets. Welcome to the world of the Sutton boys. Five brothers who fight, party, drink a little too much, but more importantly, they love their momma. Nothing can tear them apart... until the girl next door wins more than one of their hearts.