A unique overview of the whole 350-year history of South Africa’s racial order, from the mid-seventeenth century to the apartheid era. Maylam periodizes this racial order, drawing out its main phases and highlighting the significant turning points. He also analyzes the dynamics of South African white racism, exploring the key forces and factors that brought about and perpetuated oppressive, discriminatory policies, practices, structures, laws and attitudes. There is also a strong historiographical dimension to the study. It shows how various writers have, from different perspectives, attempted to explain the South African racial order and draws out the political and ideological agendas that lay beneath these diverse interpretations. Essential reading for all those interested in the past, present and future of South Africa, this book also has implications for the wider study of race, racism and social and political ethnic relations.

It is a story that is strong in notable events -slave emancipation, the arrival of the 1820 British settlers, a series of frontier wars, the Great Trek of Boer emigrants - as well as in striking personalities, among them Dr John Philip, Andries Stockenstrom, John Fairbairn, Moshoeshoe and Sir Harry Smith. In Keegan's pages these familiar historical landmarks and characters emerge in entirely novel ways, the subject of fresh interpretations and original insights.

Perhaps no country in history has so directly and thoroughly confronted its past in an effort to shape its future as has South Africa. Working from the belief that understanding the past will help build a more peaceful and democratic future, South Africa has made a concerted, institutionalized effort to come to grips with its history of apartheid through its Truth and Reconciliation Commission. In Overcoming Apartheid, James L. Gibson provides the first systematic assessment of whether South Africa's truth and reconciliation process has been successful. Has the process allowed South Africa to let go of its painful past and move on? Or has it exacerbated racial tensions by revisiting painful human rights violations and granting amnesty to their perpetrators? Overcoming Apartheid reports on the largest and most comprehensive study of post-apartheid attitudes in South Africa to date, involving a representative sample of all major racial, ethnic, and linguistic groups. Grounding his analysis of truth in theories of collective memory, Gibson discovers that the process has been most successful in creating a common understanding of the nature of apartheid. His analysis then demonstrates how this common understanding is helping to foster reconciliation, as defined by the acceptance of basic principles of human rights and political tolerance, rejection of racial prejudice, and acceptance of the institutions of a new political order. Gibson identifies key elements in the process—such as acknowledging shared responsibility for atrocities of the past—that are essential if reconciliation is to move forward. He concludes that without the truth and reconciliation process, the prospects for a reconciled, democratic South Africa would diminish considerably. Gibson also speculates about whether the South African experience provides any lessons for other countries around the globe trying to overcome their repressive pasts. A groundbreaking work of social science research, Overcoming Apartheid is also a primer for utilizing innovative conceptual and methodological tools in analyzing truth processes throughout the world. It is sure to be a valuable resource for political scientists, social scientists, group relations theorists, and students of transitional justice and human rights.

'Lyrical, deep, chilling, and prescient, this is a book we will be talking about for years to come.' - Justice Malala, author and commentator. South Africans face a reckoning: mourn a miracle nation that never came into being, fight on to give it birth, or make something else out of 1994's ashes? In The Inheritors, award-winning writer Eve Fairbanks tells the stories of ordinary people facing this stupendous question. These are the kinds of lives rarely examined in such depth: political activist Dipuo, her born-free daughter Malaika, and Christo, one of the last Afrikaner men drafted to fight for the apartheid regime. All three have to remake their own lives while facing the questions: what do I owe to my forebears, and what does history owe to me? They tell of the unresolved rage, generational guilt, and enduring hope that many South Africans struggle to speak aloud to themselves in private, let alone share. Observing subtle truths about power and inheritance, Fairbanks explores questions that preoccupy so many South Africans today: how can one let go of one's past? How should historical debts be paid? And how can a person live an honourable life in a society that – for better or worse – they no longer recognise?

Discusses how white South African students learn and confront their Apartheid past, and explores how this knowledge transforms both the students and the author, the first black dean of an historically white university.

Over the past one hundred years, a body of historical knowledge and writing has been built up which has sought to explain and describe the unique configuration of South African Society. In the historical evolution of this society prominence and sometimes primacy have been variously accorded to the concepts of race and class. This survey of the lives and works of the major historians of South AfricaóG. M. Theal, W. M. Macmillan, C. W. de Kiewiet, Leonard Thompson, Shula Marks and othersóexamines the ways in which the South African past has been recreated and interpreted anew. Contents: Introduction 1; PART I:3 G.M. THEAL; 1 A Canadian becomes South African 9; 2 The making of a settler historian 18; 3 Race and Class 30; 4 Racial myths and Theal's legacy 36; PART 2:3 W.M. MACMILLAN AND C.W. DE KIEWIET; 5 Macmillan: the South African years, and after 47; 6 The revisionist historian 62; 7 De Kiewiet: from Johannesburg to America 76; 8 The master historian 81; 9 Race, class, and liberal history 95; PART 3:3 AMATEURS AND PROFESSIONALS; 10 Early Africanist work 105; 11 Walker and other historians of the 1930s and 1940s; 12 Historians of the 1940s and 1950s 121; 13 Early radical writing 131; PART 4:3 THE LIBERAL AFRICANISTS; 14 The beginnings of liberal Africanism 143; 15 The Oxford History 154; PART 5:3 THE RADICAL CHALLENGE; 16 The challenge begins 165; 17 Class and race, structure and process 177; 18 Changing perspectives 186; Conclusion 192; References 198; Select bibliography 219; Index 235^R

At the Apartheid Museum in Johannesburg, South Africa, visitors confront the past upon arrival. They must decide whether to enter the museum through a door marked "whites" or another marked "non-whites." Inside, along with text, they encounter hanging nooses and other reminders of apartheid-era atrocities. In the United States, museum exhibitions about racial violence and segregation are mostly confined to black history museums, with national history museums sidelining such difficult material. Even the Smithsonian's National Museum of African American History and Culture is dedicated not to violent histories of racial domination but to a more generalized narrative about black identity and culture. The scale at which violent racial pasts have been incorporated into South African national historical narratives is lacking in the U.S. Desegregating the Past considers why this is the case, tracking the production and display of historical representations of racial pasts at museums in both countries and what it reveals about underlying social anxieties, unsettled emotions, and aspirations surrounding contemporary social fault lines around race. Robyn Autry consults museum archives, conducts interviews with staff, and recounts the public and private battles fought over the creation and content of history museums. Despite vast differences in the development of South African and U.S. society, Autry finds a common set of ideological, political, economic, and institutional dilemmas arising out of the selective reconstruction of the past. Museums have played a major role in shaping public memory, at times recognizing and at other times blurring the ongoing influence of historical crimes. The narratives museums produce to engage with difficult, violent histories expose present anxieties concerning identity, (mis)recognition, and ongoing conflict.