Le CD d'acc. comprend 182 mélodies et 33 variantes enregistrées par Bartók lors de ses collectes sur le terrain.

Starting with the Great Moravian period, Peter Petro surveys one thousand years of Slovak literature. He examines the medieval, Renaissance, baroque, classical, romantic, realist, and modern periods and highlights the contributions of such writers as Hronský, Hviezdoslav, Kollár, Kukucín, Nedozerský, Papánek, Rúfus, Safárik, Tatarka, Tranovský, Vajanský, and Záborský. Like Czech, Polish, and Ukrainian writing, Slovak literature transcended the merely literary to become an influential political and cultural tool: Slovak writers and poets played an important role in promoting and protecting the culture and language of their people against invading cultures. A History of Slovak Literature will be a welcome addition to the field of Slavic studies.

This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.

A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.