Baragwanath Hospital, Soweto illustrates how this rapidly growing, underfunded but surprisingly effective institution found the niche that allowed it to exist, to provide medical care to a massive patient body and at times even to flourish in the apartheid state. The book offers new ways of exploring the history of apartheid, apartheid medicine and health care. The long history of Chris Hani Baragwanath Hospital (its full current name) or Bara, as it’s popularly known, has been shaped by a complex set of conditions. Established in the early 1940s, Bara stands on land purchased by the Cornish immigrant John Albert Baragwanath in the late nineteenth century. He set up a refreshment post, trading store and hotel on the site – in what is now Soweto – which was a one day journey by ox-wagon from Johannesburg. The hotel became affectionately known as ‘Baragwanath Place’ (the surname is Welsh, from ‘bara’ meaning ‘bread’ and ‘gwenith’ meaning’ wheat’). The land was then bought by Corner House Mining Group and later taken over by Crown Mines Ltd. but was never mined. The British government bought the land in the early 1940s to build a military hospital but by 1947, Baragwanath ceased to operate as a military hospital and under the auspices of the Transvaal Provincial Administration a civilian hospital was opened with 480 beds. Patients were transferred from the ‘non-European’ wing of the Johannesburg General Hospital in the ‘white’ area of Johannesburg. Links were immediately forged with the University of the Witwatersrand and Bara would over time become one of its largest teaching centres. This link brought medical students and their teachers into direct contact with apartheid in the medical sphere. This book will contribute to studies of the history of apartheid that have begun to provide a more nuanced account of its workings. The history of Baragwanath and of the doctors and nurses who worked there tells us much about apartheid ideology and practice, as well as resistance to it, in the realm of health care.

Originally published in 1971 by Lionel Abrahams' Renoster Books, thisbookquickly became a classic of South African literature, but has been unavailable for many years. This new edition carries a simultaneous isiZulu translation of the poems, and a new foreword by Nadine Gordimer."

The collected essays demonstrate the ways postcolonial studies has adapted Bourdieu’s sociology of literature to examine the institutions that structure the creation, dissemination, and reception of world literature; the foundational values of postcolonialism as a field and its sometimes ambivalent relationship to the popular; and the ways concepts like habitus, cultural capital, consecration and anamnesis can be deployed in reading postcolonial texts.

This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.

For centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why? Until now we have lacked a social history of the fairy tale to frame our understanding of the role it plays in our lives. With the publication of When Dreams Came True, Jack Zipes fills this gap and shifts his focus to the social and historical roots of the classical tales. With coverage of the most significant writers and their works in Europe and North America from the sixteenth century to the beginning of the twentieth century, When Dreams Came True is another important contribution by the master of fairy tales. From the French Charles Perrault to the American L. Frank Baum and the German Hermann Hesse, Zipes explores the way in which particular authors used the genre of the fairy tale to articulate their personal desires, political views and aesthetic preferences in their particular social context. At the core of this magical tour through the history of the fairy tale is Zipes' desire to elucidate the role that the fairy tale has assumed in the civilizing process--the way it imparts values, norms and aesthetic taste to children and adults. His journey takes us to the familiar and the exotic in the great classical tales by Perrault, the Brothers Grimm, and Hans Christian Andersen and in such fascinating works as Pinocchio, The Thousand and One Nights, The Happy Prince and The Wonderful Wizard of Oz. Throughout, Zipes reveals the historical dimensions of the tales and demonstrates their continuing relevance in our lives today.