A baby-sized introduction to sounds we hear every day, and a delightful companion to Baby Signs Long before they can speak, babies are listening. And with this book of fourteen everyday sounds, babies and toddlers are encouraged to interact with parents, caregivers, and the noisy world around them in ways that widen their sensory awareness and expand their vocabulary. From a tweeting bird to clanging pots, a beeping phone to honking cars, the splash! of water to the sound of a kiss--mmmwah!--this book is full of the sounds that fill a baby's day. Perfect for little hands to grasp, this is a delightful stand-alone or a lovely companion to Baby Signs.

Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to "listen in print." In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens.

Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.

Sounds Like Reading (tm) is a series of phonic-based readers that provide emergent readers with high-quality, instructional material that is developed in accordance with the NRRF (National Right to Read Foundation). Each book builds on the one before it, introducing concepts that complement and reinforce what the students have already learned. the titles use rhyme, repetition, illustration, and phonics to grow early readers'confidence and success. Creative, humorous text from author Brian P. Cleary and bright, eye-catching illustrations from artist Jason Miskimins are sure to appeal to all students.

This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.

Little children can listen to a baby bird tweeting, frogs croaking in the pond and owls hooting when they press the pages of this delightful book. Colourful pages show the garden and pond in the sun and rain and at night. With simple text, holes to peep through and fingertrails to explore, this is a lovely first book about nature and the outdoors. WARNING! This product contains button or coin cell batteries which are dangerous. Dispose of used batteries immediately. Keep new and used batteries away from children. Batteries can cause serious injuries if they are swallowed or placed inside any part of the body. If you think batteries may have been swallowed or placed inside any part of the body, seek immediate medical attention. Different types of batteries (i.e. Alkaline and Zinc) or new and used batteries are not to be mixed. Only batteries of the same or equivalent type as recommended are to be used. Batteries are to be inserted with the correct polarity. Exhausted batteries are to be removed from the product. The supply terminals are not to be short-circuited. Do not throw batteries into a fire. Batteries should never be left in the product when not in use for long periods of time. Non rechargeable batteries are not to be recharged. Rechargeable batteries are to be removed from the product before being charged. Rechargeable batteries are only to be charged under adult supervision. This product contains batteries and electronics that may be harmful to the environment; they should not be discarded with normal household waste but taken to your local collection centre for recycling. Please retain this information for future reference.Battery removal and installation instructions: With a screwdriver, loosen the captive screw and remove the lid to the battery compartment keeping it away from children. Insert the new button cell batteries as shown in the polarity diagram (+/-) inside the battery compartment. Lower the lid back onto the compartment and re-tighten the captive screw.

A practical and easy-to-use book with separately available CD package, Understanding Lung Sounds, Third Edition, guides you through the sounds and skills of lung auscultation. The 60-minute audio CD presents actual lung sounds—teaching you, step-by-step, how to interpret, differentiate, and identify both normal and abnormal lung sounds. Succinct and thorough, this companion book expands on the content in the CD with visual reinforcement to help you better understand what you hear.