"Meeks' photographic images, steeped in warm, lush brown tones and bathed in a nineteenth century light, seem to fall into our laps from a distant era, beyond that of our parents and their fading Kodachromes, and back further yet to an era of Civil War tintypes and twice-a-lifetime portraits. At it's core, Sound of Summer Running is a celebration of family relationships; father and daughter, siblings, husband and wife. It is a broad portrait of the joys of Summer and the ease which settles over family life during those times. Baby 'gators float in a gallon size pickle jar, children on bicycles fly by, rotten apples are chucked as far as they can be thrown into the back lot, the family German Shepherd standing on guard over all his charges. The insightful poetry by Forrest Gander, printed and bound separately and laid into the back of the book, captures perfectly those fleeting days and our inevitable desire to somehow freeze them, impossible though that may be."- Darius Himes

For more than four decades, Jim Maxwell has called the cricket for the ABC. Since 1973 he has covered 285 Test matches, including over 50 Ashes Tests, six tours to the West Indies, seven to the subcontinent, and five World Cups. His distinctive voice, dryly understated humour and immense knowledge of the game have been part of the fabric of Australian cricket for generations of listeners. It's not too much to say that Jim has been the sound of our summer. In his long-awaited memoir he reflects on his life and career, on key cricket moments that he's witnessed, and on the many and varied characters he's met along the way. The Sound of Summer is a deep insight into one of our best-loved commentators, and a fascinating, warm, nostalgic and uniquely informed view of the game he loves.

One of Ray Bradbury’s classic short story collections, available in ebook for the first time.

A New York Times bestseller, The Sound of Gravel is the remarkable true story of one girl's coming-of-age in a polygamist Mormon Doomsday cult. “A haunting, harrowing testament to survival." — People Magazine “An addictive chronicle of a polygamist community.” — New York Magazine Ruth Wariner was the thirty-ninth of her father’s forty-two children. Growing up on a farm in rural Mexico, where authorities turned a blind eye to the practices of her community, Ruth lives in a ramshackle house without indoor plumbing or electricity. At church, preachers teach that God will punish the wicked by destroying the world and that women can only ascend to Heaven by entering into polygamous marriages and giving birth to as many children as possible. After Ruth's father--the man who had been the founding prophet of the colony--is brutally murdered by his brother in a bid for church power, her mother remarries, becoming the second wife of another faithful congregant. In need of government assistance and supplemental income, Ruth and her siblings are carted back and forth between Mexico and the United States, where her mother collects welfare and her step-father works a variety of odd jobs. Ruth comes to love the time she spends in the States, realizing that perhaps the community into which she was born is not the right one for her. As Ruth begins to doubt her family’s beliefs and question her mother’s choices, she struggles to balance her fierce love for her siblings with her determination to forge a better life for herself. Recounted from the innocent and hopeful perspective of a child, The Sound of Gravel is the remarkable true story of a girl fighting for peace and love. This is an intimate, gripping book resonant with triumph, courage, and resilience.

The summer of '28 was a vintage season for a growing boy. A summer of green apple trees, mowed lawns, and new sneakers. Of half-burnt firecrackers, of gathering dandelions, of Grandma's belly-busting dinner. It was a summer of sorrows and marvels and gold-fuzzed bees. A magical, timeless summer in the life of a twelve-year-old boy named Douglas Spaulding—remembered forever by the incomparable Ray Bradbury. The only god living in Green Town, Illinois, that Douglas Spaulding knew of. The facts about John Huff, aged twelve, are simple and soon stated. • He could pathfind more trails than any Choctaw or Cherokee since time began. • Could leap from the sky like a chimpanzee from a vine. • Could live underwater two minutes and slide fifty yards downstream. • Could hit baseballs into apple trees, knocking down harvests. • Could jump six-foot orchard walls. • Ran laughing. • Sat easy. • Was not a bully. • Was kind. • Knew the words to all the cowboy songs and would teach you if you asked. • Knew the names of all the wild flowers and when the moon would rise or set and when the tides came in or out. He was, in fact, the only god living in the whole of Green Town, Illinois, during the twentieth century that Douglas Spaulding knew of. “[Ray] Bradbury is an authentic original.”—Time

"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.