In the pioneering Sound and Silence (1970, CUP), Paynter and Peter Aston set out to demonstrate the importance of drawing on children's creative talent as the basis for music education. Their book reflected work that its authors had been doing in schools and colleges during the preceding decade. Much that has happened since in music education has in no small measure been influenced by Sound and Silence and by subsequent publications of John Paynter's. Now, twenty years later, John Paynter, himself a composer, views some thirty years of teaching music. His basic philosophy is the same: music is a creative art in all its modes--composing (inventing), performing (interpreting) and listening (remaking the music within ourselves). Today, John Paynter believes as firmly as ever that creativity is the starting point for all music education. To meet the new demands and fresh opportunities of a progressive educational program there have been developments in this philosophy. The projects and assignments in Sound and Structure are the fruits of this development. A cassette accompanies John Paynter's book, and contains those musical examples that may be difficult for the reader to obtain from usual sources. The cassette will complete the reader's enjoyment of the book.

These eighteen original essays pay tribute to Morris Halle, Institute Professor of Linguistics and Philosophy at MIT. Halle's impact on the study of language has been enormous; he and his students represent a continuous and coherent tradition which is unique in modern linguistics. Although they range from poetry to phonetics, the contributions share the common method of formal phonological analysis which reflects Halle's own work. With the exception of Roman Jakobson, his teacher, all of the contributors are Morris Halle's PhD students.Contributors include Roman Jakobson, Samuel J. Keyser, Paul Kiparsky, Sanford A. Schane, Arnold M. Zwicky, James W. Harris, Stephen R. Anderson, Elisabeth Selkirk, William R. Leben, Shosuke Haraguchi, Mark Liberman, Janet Pierrehumbert, Alan S. Prince, John Goldsmith, Jill Carrier Duncan, Joan Mascaro, John J. McCarthy, Bruce Hayes, Rochelle Lieber, and Moira Yip.

Since structure-borne sound plays an important role in noise control, material testing and machine diagnosis, the relevant properties of the most important elements of a construction (plates, beams and shells) are investigated. Measurement techniques, equations of motion, formulas for wave speeds, resonance frequencies, impedances, transmission coefficients etc. are given. The different damping mechanisms and the radiation properties are treated. The statistical energy analysis (SEA) is also presented. This new edition has been enlarged to include also waves on orthotropic plates, and the vibration and radiation of cylindrical shells.

An anthology of pioneer sound artist Mark Fell's work charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. An amalgam of workbook and manifesto, featuring a collection of interleaved statements, diagrammatic scores, and instructional texts, Structure and Synthesis is a direct engagement with Fell's original thinking and his continual provocations in regard to "experimental" music. Alongside reflections on theory and practice, the volume includes exercises for dismantling musical expertise, habits, and intuitions, documenting Fell's explorations of the peripheries of rhythm, shape, and time in perception and performance. Long-term collaborator designer Joe Gilmore provides a striking graphic context for Fell's evolving thinking and the methods and structures he has developed through his solo and collaborative work.

A fundamentally new approach to the theory of phonology and its relation to syntax is developed in this book, which is the first to address the question of the relation between syntax and phonology in a systematic way.This general theory differs from its predecessors in the generative tradition in several respects. By arguing that the intonational structure of a sentence determines certain aspects of its stress pattern or rhythmic structure, and not vice versa, it provides a novel view of the intonation-stress relation. It also offers a new theory of the focus-prosody relation that solves a variety of classic puzzles and involves an appeal to the place of a focused constituent in the predicate-argument structure of the sentence. The book also includes other novel features, among them a development of the metrical grid theory of stress (including a complete treatment of English word stress in this framework), the representation of juncture in terms of "silent" positions in the metrical grid (with a treatment of sandhi in terms of this rhythmic juncture), and a "rhythmic" nonsyntactic approach to the basic phonology of function words in EnglishElisabeth 0. Selkirk is Professor of Linguistics at the University of Massachusetts, Amherst. This book is tenth in the series, Current Studies in Linguistics.

A comprehensive, detailed, and well-illustrated undergraduate French language/linguistics textbook with CD-ROM. The book focuses on pronunciation of Modern Standard French, and incorporates regional and social variations, abbreviatory processes and 'word play'. It looks at historical phonological changes which continue through today. Perfect for readers and learners with little or no formal training in linguistics. The CD-ROM provides invaluable oral examples crucial to linguistic study.