The ups, downs, and exploits of a group of British Catholics--for whom the sexual revolution came a little later than it did for everybody else... In this bracing satire, a group of university students make their way through the fifties and into the turbulent sixties and seventies. We first meet Dennis, Michael, Ruth, Polly, and the others at the altar rail of Our Lady and St. Jude, but soon enough they get caught up in the alternately hilarious and poignant preoccupations of work, marriage, sex, and babies--not always in that order. A satirical comedy in the tradition of Evelyn Waugh, Souls and Bodies take an unblinking look at the sexual revolution and the contemporaneous upheavals in the Catholic Church. The result is as unsettlingly true as it is funny.

Are humans composed of a body and a nonmaterial mind or soul, or are we purely physical beings? Opinion is sharply divided over this issue. In this clear and concise book, Nancey Murphy argues for a physicalist account, but one that does not diminish traditional views of humans as rational, moral, and capable of relating to God. This position is motivated not only by developments in science and philosophy, but also by biblical studies and Christian theology. The reader is invited to appreciate the ways in which organisms are more than the sum of their parts. That higher human capacities such as morality, free will, and religious awareness emerge from our neurobiological complexity and develop through our relation to others, to our cultural inheritance, and, most importantly, to God. Murphy addresses the questions of human uniqueness, religious experience, and personal identity before and after bodily resurrection.

What are humans? What makes us who we are? Many think that we are just complicated machines, or animals that are different from machines only by being conscious. In Are We Bodies or Souls? Richard Swinburne comes to the defence of the soul and presents new philosophical arguments that are supported by modern neuroscience. When scientific advances enable neuroscientists to transplant a part of brain into a new body, he reasons, no matter how much we can find out about their brain activity or conscious experiences we will never know whether the resulting person is the same as before or somebody entirely new. Swinburne thus argues that we are immaterial souls sustained in existence by our brains. Sensations, thoughts, and intentions are conscious events in our souls that cause events in our brains. While scientists might discover some of the laws of nature that determine conscious events and brain events, each person's soul is an individual thing and this is what ultimately makes us who we are.

How often have you wished you could peer into the future? In SAME SOUL, MANY BODIES Weiss shows you how.

An exceptional novel from the best-selling author of the modern classic City of Night, Bodies and Souls is a portrait of modern Los Angeles on an epic scale, "the most spiritual and physical of cities." Gorgeous, seedy, and striving, the Los Angeles of Rechy's imagination is a magnetic city that draws to it the nation's brightest and darkest energies--characters that include a female porn superstar; a young Chicano punk-rock fan; a Bel Air matron and her tyrannical husband, a Supreme Court judge; an aging male stripper; a black maid with apocalyptic visions; and a cynical TV anchorwoman. Through this rich tapestry of human struggle, Rechy paints a lush portrait of a paradise lost but also a heroic odyssey in search of redemption.

Have you ever asked yourself what changed when you were "born again?" You look in the mirror and see the same reflection - your body hasn't changed. You find yourself acting the same and yielding to those same old temptations - that didn't seem to change either. So you wonder, Has anything really changed? The correct...

This saga of a son of the working class who grows into a piano prodigy is “hypnotically readable . . . The best story I know of in a long, long time” (Vanity Fair). As a boy, Claude Rawlings looks up through the grated window of his basement apartment to watch the world go by. Poor, lonely, supported by a taxi-driver mother whose eccentricities spin more and more out of control, he faces the terrible task of growing up on the margins of life, destined to be a spectator of that great world always hurrying out of reach. But there is an out-of-tune piano in the small apartment, and in unlocking the secrets of its keys, as if by magic, Claude discovers himself. He is a musical prodigy. Body & Soul is the story of a young man whose life is transformed by a gift. The gift is not without price—the work is relentless, the teachers exacting—but the reward is a journey that takes him to the drawing rooms of the rich and powerful, private schools, a gilt-edged marriage, and Carnegie Hall. Claude moves through this life as if he were playing a difficult composition, swept up in its drama and tension, surprised by its grace notes. Music, here, becomes a character in its own right, equaled in strength only by the music of Frank Conroy’s own unmistakable and true voice. Bristling with character and invention, Body & Soul is Dickensian in its range and richness. This is a novel with all the emotional appeal and moral gravity of a classic bildungsroman, but with a tone as contemporary as a jazz riff—an unforgettable achievement by one of the great writers of our time.