Oftentimes, we are in a search for answers. In life we find ourselves questioning ourselves whether we are in the right place. Day after day, I soul search through meditation. I go from my busy workplace, from sound to silence, from movement to stillness, from a limited identity to unlimited space. Then after I find my answers for the day, I use my paint brush to paint my art, capture my thoughts, and then I write about them. Soul searching is good for the soul, and it helps release our feelings that we often keep locked up so deeply. It is when I am quiet, I begin to reflect because my soul usually knows what to do to heal itself. The challenge is to silence the mind. A menudo, estamos en una búsqueda de respuestas. En la vida nos encontramos cuestionándonos si estamos en el lugar correcto. Día tras día, busco mi alma a través de la meditación. Paso de mi ajetreado lugar de trabajo, del sonido al silencio, del movimiento a la quietud, de una identidad limitada a un espacio ilimitado. Luego, después de encontrar mis respuestas del día, uso mi pincel para pintar mi arte, capturar mis pensamientos y luego escribo sobre ellos. El examen de conciencia es bueno para el alma, y ayuda a liberar nuestros sentimientos que muchas veces mantenemos encerrados tan profundamente. Es cuando estoy en silencio, empiezo a reflexionar porque mi alma suele saber qué hacer para curarse. El desafío es silenciar la mente.

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Memory, War, and Dictatorship in Recent Spanish Fiction by Women analyzes five novels by women writers that present women’s experiences during and after the Spanish Civil War and Franco dictatorship, highlighting the struggles of female protagonists of different ages to confront an unresolved individual and collective past. It discusses the different narrative models and strategies used in these works and the ways in which they engage with their political and historical context, particularly in the light of campaigns for the so-called recovery of historical memory in Spain (the “memory boom”) and in the broader context of memory and trauma studies. The novels that are examined in this book are Dulce Chacón’s La voz dormida (2002), Rosa Regàs’s Luna lunera (1999), Josefina Aldecoa’s La fuerza del destino (1997), Carme Riera’s La mitad del alma (2005), and Almudena Grandes’s El corazón helado (2007). These works all highlight the multiple nature of memories and histories and demonstrate the complex ways in which the past impacts on the present. This book also considers the extent to which the memories represented in these five novels are inflected by gender and informed by the gender politics of twentieth-century and contemporary Spain.

The author, one of the most influential Latin Americanists in the US, has published a number of books, but none display the importance of her work in literary criticism, cultural studies and marxist and feminist theory as successfully as this collection o

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This book contains Book of Her Foundations and Minor Works. Includes general and biblical index. In 1573, while staying in Salamanca to assist her nuns in the task of establishing one of her seventeen monasteries, Teresa began composing the story of their foundation. The Book of Her Foundations comprises the major portion of Volume Three. This book not only tells the story of the establishment of her monasteries but, characteristic of Teresa, digresses into counsels on prayer, love, melancholy, virtuous living and dying, plus other teachings of the Mother Foundress. This book also has an excellent introduction, chronology, and map of Teresa's foundations and journeys. Five of her brief works, including her poetry, complete ICS Publications' third volume of her Collected Works. Includes general and biblical index.