Governments increasingly offer or demand apologies for past human rights abuses, and it is widely believed that such expressions of contrition are necessary to promote reconciliation between former adversaries. The post-World War II experiences of Japan and Germany suggest that international apologies have powerful healing effects when they are offered, and poisonous effects when withheld. West Germany made extensive efforts to atone for wartime crimes-formal apologies, monuments to victims of the Nazis, and candid history textbooks; Bonn successfully reconciled with its wartime enemies. By contrast, Tokyo has made few and unsatisfying apologies and approves school textbooks that whitewash wartime atrocities. Japanese leaders worship at the Yasukuni Shrine, which honors war criminals among Japan's war dead. Relations between Japan and its neighbors remain tense. Examining the cases of South Korean relations with Japan and of French relations with Germany, Jennifer Lind demonstrates that denials of past atrocities fuel distrust and inhibit international reconciliation. In Sorry States, she argues that a country's acknowledgment of past misdeeds is essential for promoting trust and reconciliation after war. However, Lind challenges the conventional wisdom by showing that many countries have been able to reconcile without much in the way of apologies or reparations. Contrition can be highly controversial and is likely to cause a domestic backlash that alarms—rather than assuages—outside observers. Apologies and other such polarizing gestures are thus unlikely to soothe relations after conflict, Lind finds, and remembrance that is less accusatory-conducted bilaterally or in multilateral settings-holds the most promise for international reconciliation.

(Cont.) Germany, they emphasize factors other than remembrance. Third, moving beyond a basic acknowledgement of past violence to policies of contrition may actually be harmful for relations. The case of Japan suggests that policies of contrition can trigger domestic backlash, which in turn alarms observers. The potential backlash effect from contrition is an important finding for academic and activist literatures on post-conflict peace-building, which often recommend policies of contrition, but have neglected to consider its potential negative effects.

I have a friend I love the best. Having a best friend makes life so much better. but even best friends fight, and when that happens, "I'm sorry" is the hardest thing to say. From internationally acclaimed author Sam McBratney and award-winning illustrator Jennifer Eachus comes a sensitive picture book that will strike a chord with every child who has quarreled with a friend.

This book offers a critical consideration of the apology in politics. It provides a detailed overview of all aspects of the phenomenon of the apology made by states, which has increased significantly since the mid-1980s. It is the product of a decade’s research and reflection on the subject and thus provides a complete coverage of all the key debates and features. States of apology evaluates the relationship between the personal apology and the apology in politics, the political and cultural factors behind its emergence and the philosophical problems generated by the state apologising and in particular the question of responsibility across generations. The book also considers the dynamics of domestic apologies and the relationship of the apology to the field of international relations. It is written in a clear and jargon-free style which will make it accessible to both students and non-students alike.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

"In this sweet, humorous introduction to manners for little ones, Richard Morgan's appealing characters learn to say 'please' and 'thank you' when they want something, 'hello' and 'goodbye' when someone greets them, 'sorry' when things go wrong, and 'pardon' when they do a whoops! oddlers will instantly recognize the scenarios in this book and giggle with delight as they repeat along with the simple, rhythmical text. "

A talented young picture book creator makes his debut with this lighthearted cautionary tale about a common childhood impulse--hitting ones siblings. Full color.