Funny Pedro Guerrero Lined Baseball Notebook A Perfect Baseball Notebook Journal For All Pedro Guerrero Lovers. Makes a perfect gift for all your friends who love Pedro Guerrero. Specifications : Cover Finish: Matte Dimensions: 6 x 9 (15.24cm x 22.86cm) Interior: Lined White Paper Pages: 110 Very Unique,Cute And Funny Pedro Guerrero Notebook

Boston Red Sox and All-Star David Ortiz, a.k.a. Big Papi, opens up on life and the Big Leagues in this dramatic and compelling rags-to-riches story of a baseball dream coming true.

Paul Mather's a pitcher -- a really good one. His off speed pitch is enough to bowl a kid backward, and his fast ball is pure smoke. There isn't anything he can't throw, from sliders, change-ups, and sinkers to a mean curve ball that breaks at just the right moment. He's pitched no-hitters and perfect games. To Paul, pitching is what you live for and why you live. Lately, though, Paul hasn't been allowed to do much of anything, much less play ball. He's got leukemia, and it's put him into the hospital several times already. His parents are so worried, they've forbidden him to play the game he loves so much. They're afraid that if Paul strains himself his illness may come back a final time...and maybe even take his life. But Paul is a winner. His team needs him, and he won't give up without a fight. Paul Mather is determined to pitch every inning...to keep playing baseball, and to keep hanging tough, no matter what the odds.

The definitive history of the Montreal Expos by the definitive Expos fan, the New York Times bestselling sportswriter and Grantland columnist Jonah Keri. 2014 is the 20th anniversary of the strike that killed baseball in Montreal, and the 10th anniversary of the team's move to Washington, DC. But the memories aren't dead--not by a long shot. The Expos pinwheel cap is still sported by Montrealers, former fans, and by many more in the US and Canada as a fashion item. Expos loyalists are still spotted at Blue Jays games and wherever the Washington Nationals play (often cheering against them). Every year there are rumours that Montreal--as North America's largest market without a baseball team--could host Major League Baseball again. There has never been a major English-language book on the entire franchise history. There also hasn't been a sportswriter as uniquely qualified to tell the whole story, and to make it appeal to baseball fans across Canada AND south of the border. Jonah Keri writes the chief baseball column for Grantland, and routinely makes appearances in Canadian media such as The Jeff Blair Show, Prime Time Sports and Off the Record. The author of the New York Times baseball bestseller The Extra 2% (Ballantine/ESPN Books), Keri is one of the new generation of high-profile sports writers equally facile with sabermetrics and traditional baseball reporting. He has interviewed everyone for this book (EVERYONE: including the ownership that allowed the team to be moved), and fans can expect to hear from just about every player and personality from the Expos' unforgettable 35 years in baseball. Up, Up, and Away is already one of the most anticipated sports books of next year.

Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1 Youth and Media -- 2 Then and Now -- 3 Themes and Theoretical Perspectives -- 4 Infants, Toddlers, and Preschoolers -- 5 Children -- 6 Adolescents -- 7 Media and Violence -- 8 Media and Emotions -- 9 Advertising and Commercialism -- 10 Media and Sex -- 11 Media and Education -- 12 Digital Games -- 13 Social Media -- 14 Media and Parenting -- 15 The End -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

We slipped into this country like thieves, onto the land that once was ours. With these words, spoken by an illegal Mexican day laborer, The Madonnas of Echo Park takes us into the unseen world of Los Angeles, following the men and women who cook the meals, clean the homes, and struggle to lose their ethnic identity in the pursuit of the American dream. When a dozen or so girls and mothers gather on an Echo Park street corner to act out a scene from a Madonna music video, they find themselves caught in the crossfire of a drive-by shooting. In the aftermath, Aurora Esperanza grows distant from her mother, Felicia, who as a housekeeper in the Hollywood Hills establishes a unique relationship with a detached housewife. The Esperanzas’ shifting lives connect with those of various members of their neighborhood. A day laborer trolls the streets for work with men half his age and witnesses a murder that pits his morality against his illegal status; a religious hypocrite gets her comeuppance when she meets the Virgin Mary at a bus stop on Sunset Boulevard; a typical bus route turns violent when cultures and egos collide in the night, with devastating results; and Aurora goes on a journey through her gentrified childhood neighborhood in a quest to discover her own history and her place in the land that all Mexican Americans dream of, "the land that belongs to us again." Like the Academy Award–winning film Crash, The Madonnas of Echo Park follows the intersections of its characters and cultures in Los Angeles. In the footsteps of Junot Díaz and Sherman Alexie, Brando Skyhorse in his debut novel gives voice to one neighborhood in Los Angeles with an astonishing— and unforgettable—lyrical power.

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta