There was a hum of excitement. Flags flickered in the breeze as Maggie's heart danced with delight. 'This is a very special day!' her mother said. Maggie holds tight to her mother as they await the long anticipated apology to show a willingness to reconcile the past for future generations. In the excitement of the crowd Maggie loses touch of her mother's hand as is lost. In a time 'long ago and not so long ago' children were taken from their parents, their 'sorrow echoing across the land'. As the Prime Minister's speech unfolds Maggie is reunited with her mother. But the faces and memories of the stolen generation are all around them. Two stories entwine in this captivating retelling of the momentous day when the then Prime Minister of Australia, Kevin Rudd, acknowledged the sorrows of past and said 'Sorry' to the generation of children who were taken from their homes. The book includes a foreword from Lee Joachim; Chair of Rumbalara Aboriginal Cooperative and Director of Research and Development for Yorta Yorta Nation Aboriginal Corporation.

Sorry Sorry could be a first step of informing these young children of a significant aspect of Australian history, with age appropriate illustrations and dialogue. This book could also be an introduction to understanding the journey of reconciliation with Australia’s First Peoples.

Winner of the Anthony Award for Best First Novel! Stella Hardesty dispatched her abusive husband with a wrench shortly before her fiftieth birthday. A few years later, she's so busy delivering home-style justice on her days off, helping other women deal with their own abusive husbands and boyfriends, that she barely has time to run her sewing shop in her rural Missouri hometown. Some men need more convincing than others, but it's usually nothing a little light bondage or old-fashioned whuppin' can't fix. Since Stella works outside of the law, she's free to do whatever it takes to get the job done---as long as she keeps her distance from the handsome devil of a local sheriff, Goat Jones. When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case. Until Roy Dean disappears with Chrissy's two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very scary men, as she tries to sort out who's hiding information and who's merely trying to kill her. It's going to take a hell of a fight to get the little boy back home to his mama, but if anyone can do it, it's Stella Hardesty. Sophie Littlefield's A Bad Day for Sorry won an Anthony Award for Best First Novel and an RT Book Award for Best First Mystery. It was also shortlisted for Edgar, Barry, Crimespree, and Macavity Awards, and it was named to lists of the year's best mystery debuts by the Chicago Sun-Times and South Florida Sun-Sentinel.

Finalist for the National Jewish Book Awards Finalist, National Translation Award in Prose An exquisitely original collection of darkly funny stories that explore the panorama of Jewish experience in contemporary Poland, from a world-class contemporary writer “These small, searing prose pieces are moving and unsettling at the same time. If the diagnosis they present is right, then we have a great problem in Poland.” —Olga Tokarczuk, Nobel Prize laureate and author of Flights Mikołaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction—a book that has been widely praised by critics and was shortlisted for Poland’s top literary prize—Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I’d Like to Say Sorry, but There’s No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In “Unnecessary Trouble,” a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In “Cacophony,” Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In “My Five Jews,” a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say “I’m sorry” to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland’s complex and difficult relationship with its Jewish past.

First You'll Say You're Sorry A family is wiped out after a burglary gone wrong. An executive accused of embezzling kills himself and his loved ones. A house fire claims the lives of all its inhabitants. Separate incidents with two common threads--a first wife who took her own life, and a secret the victims took to their graves. . . And Then Stephanie Coburn has barely recovered from her sister's mysterious suicide before her brother-in-law and his new wife are murdered, her face disfigured beyond recognition. Stephanie never met the bride, has never even seen a clear photograph. But she knew her sister, and she knows something is desperately wrong. . . You'll Say Goodbye The police won't listen. Her only ally is another victim's son. Step by step, they're uncovering a trail of brutal vengeance and a killer who will never relent--and whose forgiveness can only be earned in death. . . Praise for Kevin O'Brien "A genuine page-turner." --The Seattle Times on Terrified "If Alfred Hitchcock was alive today and writing novels, his name would be Kevin O'Brien." --Press & Guide on Unspeakable

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

Brian Butler's grandmother was taken from her family in 1910. She was 12 years old. Twenty years later her daughter, Brian's mother, was taken. Thousands of Aboriginal and Torres Strait Islander families, like Brian Butler's, have been coping with the trauma of child removal for more than a century. Sorry and Beyond describes the growth of the grassroots movement that exposed the truth about Australia's shameful removal policies and worked towards justice. Born in Aboriginal and Torres Strait Islander communities, the movement was joined by nearly a million non-Indigenous Australians in the 1998 Sorry Day and Journey of Healing campaigns, which paved the way for the Federal Parliament's unanimous apology in 2008. As the Journey of Healing campaign has shown, community initiatives have played a vital part in overcoming the immense damage done. The journey isn't over. Sorry and Beyond is a call to continue the work of healing this national trauma.