On behalf of the WEA Mission Commission, William Carey Library is pleased to launch a landmark anthology and resource. This is a new publication in the Globalization of Mission series, Sorrow & Blood: Christian Mission in Contexts of Suffering, Persecution, and Martyrdom. The editorial team of William Taylor (USA), Tonica van der Meer (Brazil), and Reg Reimer (Canada) worked over four years to compile this unique resource anthology. This book is the product of the Mission Commission's global missiology task force and a worldwide team of committed colleagues and writers. Some 62 writers from 23 nations have collaborated to generate this unique global resource and anthology. Ajith Fernando of Sri Lanka and Christopher Wright of the UK each wrote prefaces to the book This latest WEA volume has the potential of profoundly shaping our approach to mission in today’s challenging and increasingly dangerous world.

Valerie Wilson Wesley’s private investigator, Tamara Hayle, whom the Houston Chronicle calls “smart, sexy, tough but tender,” has earned enthusiastic acclaim from reviewers and readers alike. Now Newark, New Jersey’s savviest detective confronts the one case she never saw coming–and discovers how ties that bind can easily become a noose. Tamara Hayle can’t believe that her life is this good. New York’s most powerful businessman wants her to work for him, her new lover seems caring and supportive, and her son, Jamal, is thriving. But as Tamara sardonically observes, “When things stir that easy, there’s always something lumpy at the bottom of the pot.” Enter Lilah Love, an old acquaintance who begs Tamara to find her missing child. Tamara, however, is wary of Lilah, who attracts mayhem and murder like an alley cat attracts fleas. Next up is Basil Dupre, Tamara’s outlaw ex-lover, who always brings passion–and chaos–when he strolls into Tamara’s life. Suddenly Tamara’s safe world isn’t so secure, especially when Jamal witnesses a brutal murder and becomes the prime suspect. As the body count rises, Tamara and Jamal will follow a long-forgotten secret into a terrifying confrontation with love gone bad, trust turned lethal, and a past hungry to claim more lives.

These are miniature paintings of sorrow and fear from artist Mark Ryden's 2003 'Blood' solo exhibition at Earl McGrath Gallery. Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. Ryden's vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliche and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with childlike innocence and mystery.

The battle between vicious spirits and strong-willed queens that started in the award-winning The Queen of Blood and continued in the powerful The Reluctant Queen comes to a stunning conclusion in The Queen of Sorrow, the final volume of Sarah Beth Durst’s Queens of Renthia trilogy. Queen Daleina has yearned to bring peace and prosperity to her beloved forest home—a hope that seemed doomed when neighboring forces invaded Aratay. Now, with the powerful Queen Naelin ruling by her side, Daleina believes that her dream of ushering in a new era can be realized, even in a land plagued by malevolent nature spirits who thirst for the end of human life. And then Naelin’s children are kidnapped by spirits. Nothing is more important to her than her family, and Naelin would rather watch the world burn than see her children harmed. Blaming the defeated Queen Merecot of Semo for the kidnapping, Naelin is ready to start a war—and has the power to do it. But Merecot has grander plans than a bloody battle with her southern neighbors. Taking the children is merely one step in a plot to change the future of all Renthia, either by ending the threat of spirits once and for all . . . or plunging the world into chaos.

"A pinch of Potter blended with a drop of [Cassandra Clare's] Infernal Devices." --JUSTINE MAGAZINE "Plot twists so good they will leave you reeling." --TRACI CHEE, New York Times bestselling author of The Reader IT'S TIME FOR HER POWER TO RULE. As Henrietta nervously awaits her marriage to Lord Blackwood, she discovers that Sorrow-Fell is not a safe haven from the bloodthirsty Ancients. It's a trap. So with her friend Maria and Magnus, the young man who once stole her heart, at her side, Henrietta plots a dangerous journey straight into the enemy's lair. Some will live. Some will die. All will be tested. In this stunning conclusion to the Kingdom on Fire series, Henrietta must choose between the love from her past, the love from her present, and a love that could define her future. The fate of the kingdom rests on her decision: Will she fall or rise up to become the woman who saves the realm? Praise for Jessica Cluess's A Shadow Bright and Burning, Kingdom on Fire, Book 1: "This is a novel that gives off light and heat." --The New York Times "Vivid characters, terrifying monsters, and world building as deep and dark as the ocean." --VICTORIA AVEYARD, #1 New York Times bestselling author of Red Queen "Devastatingly magical and monstrously romantic." --STEPHANIE GARBER, New York Times bestselling author of Caraval "Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world's best hope! Jessica Cluess is an awesome storyteller!" --TAMORA PIERCE, #1 New York Times bestselling author

A radical reimagining of the minotaur myth, from an essential voice in world literature. Winner of the Jan Michalski Prize for Literature • Finalist for the PEN Literary Award for Translation and the Strega Europeo Published a decade before his International Booker Prize–winning Time Shelter, Georgi Gospodinov’s The Physics of Sorrow has become an underground cult classic. Finding strange solace in the myth of the Minotaur, a man named Georgi reconstructs the story of his life like a labyrinth, meandering through the past to find the melancholy child at the center of it all. With profound wit and empathy, he catalogues curious instances of abandonment, spanning from antiquity to the Anthropocene; recounts scenes of a turbulent boyhood in 1970s Bulgaria, spent mostly in a basement; and charts a bizarre run-in with an eccentric flaneur named Gaustine. Exquisitely translated by Angela Rodel, and exhibiting his signature audacious style, this expansive work affirms Gospodinov as “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).

"Crying Spells" is Bethany Moore's fourth self-published work of poetry, following her previous work's themes of self-discovery, spirituality, searching, and coming to terms with those darkest nights of the soul. Poems follow the artist through her twenties and early thirties as she dissects and digests the struggles of coming of age and sorting out one's boundaries, limitations, as well as developing and establishing one's true values and morals. Reviews:"When I read Bethany's prior collection of poetry, Weather Magick, I was impressed, sure that future works from this author would continue to be on par with her previous work. However, Crying Spells is actually a notable departure from Moore's prior work, in that it is extremely comfortable within its own established voice, allowing the words to take ownership over their author's unique tone and style, while expanding upon the format as a whole to create something that is both confident and questioning -- this is extremely rare for such an early entry to a volume of creative writing. Crying Spells is not just another book of poetry, but a milestone for an author who could have easily become lost in the sea of her colleagues, and instead, chose to create her own lane that is both respectful to form and completely independent of it, a feat that many writers never achieve. Bethany Moore's poetry has, within just a few years, evolved from extremely enjoyable, to flat-out undeniable." - Ray McMillin, Cherry City Studios"Bethany Moore is on fire. The poems in Crying Spells have such a sense of urgency that I sat down to read a few and found myself reading the book cover to cover in one sitting. Moore's poems are at once assertive and compassionate, and as real as they are full of magic. This collection of poems, spanning over a decade of the poet's life seem meant for each other. A collection not just of words or ideas, but a large cumulative story of the foundation of bone, the vulnerability of blood and the inevitability of sorrow and how we all face these things." - Brice Maiurro, Editor, South Broadway Ghost Society"These pieces are clear-sighted and smoothly-flowing, looking at everything, feelings, subjects, and objections without too much complication, and the book reads quickly and smoothly because of that talent without missing any of the hot-hearted pains and points. Moore's words have a sense of clarity, like raindrops swirling on your windshield in a rainstorm, or sparks from an eager campfire on a dark winter's night when your heart starts knocking. Moore's work has a rare hospitality." - Zack Kopp, Fire Diner