The untold stories of nine Polish Americans who bravely fought in the Civil War—includes photographs, maps, and illustrations. This unique history chronicles the lives of nine Polish American immigrants who fought in the Civil War. Spanning three generations, they are connected by the White Eagle—the Polish coat of arms—and by a shared history in which their home country fell to ruin at the end of the previous century. Still, each carried a belief in freedom that they inherited from their forefathers. More highly trained in warfare than their American brethren—and more inured to struggles for nationhood—the Poles made significant contributions to the armies they served. The first group had fought in the 1830 war for freedom from the Russian Empire. The European revolutionary struggles of the 1840s molded the next generation. The two youngest came of age just as the Civil War began, entering military service as enlisted men and finishing as officers. Of the group, four sided with the North and four with the South, and the ninth began in the Confederate cavalry and finished fighting for the Union side. Whether for the North or the South, they fought for their ideals in America’s greatest conflict. Nominated for the Gilder Lehrman Prize.

Abraham Lincoln knew if the Union could cut off shipping to and from New Orleans, the largest exporting port in the world, and control the Mississippi River, it would be a mortal blow to the Confederate economy. Union military leaders devised a secret plan to attack the city from the Gulf of Mexico with a formidable naval flotilla under one commander, David G. Farragut, a native New Orleanian. Jefferson Davis also understood the city’s importance—but he and his military leaders remained steadfastly undecided about where the threat to the city lay, sending troops to Tennessee rather than addressing the Union forces amassing in the Gulf. In the city, Confederate General Mansfield Lovell, a new commander, was thrust into the middle and poised to become a scapegoat. He was hamstrung by conflicting orders from Richmond and lacked both proper seagoing reconnaissance and the unity of command. In the spring of 1862, when a furious naval battle began downriver from the city at Forts Jackson and St. Philip, the joyous celebrations of Mardi Gras turned into the Easter season of dread as the sound of the distant bombardment reached New Orleans, portending an ominous outcome. History has not devoted a great deal of attention to the fall of New Orleans, a Civil War drama that was an early harbinger of the dark days to come for the Confederacy. In A Mortal Blow to the Confederacy: The Fall of New Orleans, 1862, historian Mark F. Bielski tells of the leaders and men who fought for control of New Orleans, the largest city in the South, the key to the Mississippi, and the commercial gateway for the Confederacy.

In Liberty and Slavery, Niels Eichhorn examines the language of slavery, which he considers central to revolutionary struggles, especially those waged in Europe in the nineteenth century. Eichhorn begins in 1830 with separatist movements in Greece, Belgium, and Poland, which laid the foundation for rebellions undertaken later in the century, and then shifts focus to the 1848 uprisings in Ireland, Hungary, and Schleswig-Holstein. He argues that revolutionaries embraced or rejected the language of slavery as they saw fit, using it to justify their rebellions and larger goals. The failure of these insurgencies propelled a wave of revolutionary migrants across the Atlantic world. Those who journeyed to the United States felt the need to adjust to the political and sectional divisions in their new home. Eichhorn shows that separatism was widespread during this period; the secessionist aims of the American Confederacy were by no means unique. Additionally, Eichhorn explores these migrants’ motivations for shunning the Confederacy during the American Civil War. Having been steeped in the language of slavery and separatism, they naturally sided with the Union when the sectional crisis culminated in civil war in 1861.

Poland in a Colonial World Order is a study of the interwar Polish state and empire building project in a changing world of empires, nation-states, dominions, protectorates, mandates, and colonies. Drawing from a wide range of sources spanning two continents and five countries, Piotr Puchalski examines how Polish elites looked to expansion in South America and Africa as a solution to both real problems, such as industrial backwardness, and perceived issues, such as the supposed overrepresentation of Jews in "liberal professions." He charts how, in partnership with other European powers and international institutions such as the League of Nations, Polish leaders made attempts to channel emigration to South America, to establish direct trade with Africa, to expedite national minorities to far-away places, and to tap into colonial resources around the globe. Puchalski demonstrates the intersection between such national policies and larger processes taking place at the time, including the internationalist turn of colonialism and the global fascination with technocratic solutions. Carefully researched, the volume is key reading for scholars and advanced students of twentieth-century European history.

Well known in her day as a singer, playwright, author, and editor of the Colored American Magazine, Pauline Hopkins (1859--1930) has been the subject of considerable scholarly attention over the last twenty years. Academic review of her many accomplishments, however, largely overlooks Hopkins's contributions as novelist. The Motherless Child in the Novels of Pauline Hopkins, the first book-length study of Hopkins's major fiction, fills this gap, offering a sustained analysis of motherlessness in Contending Forces, Hagar's Daughter, Winona, and Of One Blood. Motherlessness appears in all of Hopkins's novels. The motif, Jill Bergman asserts, resonated profoundly for African Americans living with the legacy of abduction from a motherland and familial fragmentation under slavery. In her novels, motherlessness serves as a trope for the national alienation of post-Reconstruction African Americans. The longing and search for a maternal figure, then, represents an effort to reconnect with the absent mother -- a missing parent and a lost African history and heritage. In Hopkins's oeuvre, the image of the mother of African heritage -- a source of both identity and persecution -- becomes a source of power and possibility. Bergman shows how historical events -- such as Bleeding Kansas, the execution of John Brown, and the Middle Passage -- gave rise to a sense of motherlessness and how Hopkins's work engages with that of other contemporaneous race activists. This illuminating study opens new terrain not only in Hopkins scholarship, but also in the complex interchanges between literary, African American, psychoanalytic, feminist, and postcolonial studies.

Transnationalism and American Serial Fiction explores the vibrant tradition of serial fiction published in U.S. minority periodicals. Beloved by readers, these serial novels helped sustain the periodicals and communities in which they circulated. With essays on serial fiction published from the 1820s through the 1960s written in ten different languages—English, French, Spanish, German, Swedish, Italian, Polish, Norwegian, Yiddish, and Chinese—this collection reflects the rich multilingual history of American literature and periodicals. One of this book’s central claims is that this serial fiction was produced and read within an intensely transnational context: the periodicals often circulated widely, the narratives themselves favored transnational plots and themes, and the contents surrounding the fiction encouraged readers to identify with a community dispersed throughout the United States and often the world. Thus, Okker focuses on the circulation of ideas, periodicals, literary conventions, and people across various borders, focusing particularly on the ways that this fiction reflects the larger transnational realities of these minority communities.