Tales of the iconic flag that came represent the rebellious Australian spirit, from Eureka to Ned Kelly to Gallipoli and beyond Ever since it was launched in the minefields of Victoria the Southern Cross flag has been a symbol for a rebellious Australian spirit - from the battles of Eureka to those of Ned Kelly, from the birth of the Labor Party to the Anzacs at Galliopoli. the men and women involved took the flag as their symbol. But as much as it became a metaphor for anti-establishment heroics, the flag also had a darker side; xenophobia, racism, intolerance and violence. Grantlee Kieza tells the story of the flag through the stories of the people who fought under it, the miners, the soldiers, the bushrangers, the journalists and politicians, who shaped Australia. He takes readers from the slums of Ireland to the goldfields of Victoria, and then on to the courtrooms, pubs and hideouts where revolutions were hatched. through the raw and impassioned characters trying to make a life in a new nation, he brings Australia's renegade history vividly to life. PRAISE FOR GRANTLEE KIEZA OAM 'Engagingly written ... one of the most nuanced portraits to date' -- The Australian 'Vivid, detailed and well written' -- Daily Telegraph 'A staggering accomplishment that can't be missed by history buffs and story lovers alike' -- Betterreading.com.au 'A free-flowing biography of a great Australian figure' --- John Howard 'Clear and accessible ... well-crafted and extensively documented' -- Weekend Australian 'Kieza has added hugely to the depth of knowledge about our greatest military general in a book that is timely' Tim Fischer, Courier-Mail 'The author writes with the immediacy of a fine documentary ... an easy, informative read, bringing historic personalities to life' -- Ballarat Courier

This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.

Between the generations of Thomas Jefferson and Jefferson Davis, the culture of white Southerners experienced significant changes, including the establishment of a normative male identity that exuded confidence, independence, and power. Southern Sons, the first work in masculinity studies to concentrate on the early South, explores how young men of the southern gentry came of age between the 1790s and the 1820s. Lorri Glover examines how standards for manhood came about, how young men experienced them in the early South, and how those values transformed many American sons into southern nationalists who ultimately would conspire to tear apart the republic they had been raised to lead. This was the first generation of boys raised to conceive of themselves as Americans, as well as the first cohort of self-defined southern men. They grew up believing that the fate of the American experiment in self-government depended on their ability to put away personal predispositions and perform prescribed roles. Because men faced demanding gender norms, boys had to pass exacting tests of manhood—in education, refinement, courting, careers, and slave mastery. Only then could they join the ranks of the elite and claim power in society. Revealing the complex interplay of nationalism and regionalism in the lives of southern men, Glover brings new insight to the question of what led the South toward sectionalism and civil war.

In the years leading up to the Civil War, southern evangelical denominations moved from the fringes to the mainstream of the American South. Scott Stephan argues that female Baptists, Methodists, and Presbyterians played a crucial role in this transformation. While other scholars have pursued studies of southern evangelicalism in the context of churches, meetinghouses, and revivals, Stephan looks at the domestic rituals over which southern women had increasing authority-from consecrating newborns to God's care to ushering dying kin through life's final stages. Laymen and clergymen alike celebrated the contributions of these pious women to the experience and expansion of evangelicalism across the South. This acknowledged domestic authority allowed some women to take on more public roles in the conversion and education of southern youth within churches and academies, although always in the name of family and always cloaked in the language of Christian self-abnegation. At the same time, however, women's work in the name of domestic devotion often put them at odds with slaves, children, or husbands in their households who failed to meet their religious expectations and thereby jeopardized evangelical hopes of heavenly reunification of the family. Stephan uses the journals and correspondence of evangelical women from across the South to understand the interconnectedness of women's personal, family, and public piety. Rather than seeing evangelical women as entirely oppressed or resigned to the limits of their position in a patriarchal slave society, Stephan seeks to capture a sense of what agency was available to women through their moral authority.

In an astonishing history, a work of strikingly original research and interpretation, Heyrman shows how the evangelical Protestants of the late-18th century affronted the Southern Baptist majority of the day, not only by their opposition to slaveholding, war, and class privilege, but also by their espousal of the rights of the poor and their encouragement of women's public involvement in the church.

Patricia Cornwell has a sixth sense about the men and women in blue. In Hornet's Nest, her page-turning novel about crime and police in Charlotte, North Carolina, Cornwell moved behind the badges of these real-life heroes to uncover flesh-and-blood characters who strode through her pages to reveal vulnerable, passionate, brave, sometimes doubting, always fascinating figures. In Southern Cross, Cornwell takes us even closer to the personal and professional lives of big-city police, in a story of corruption, scandal, and robberies that escalate to murder. This time, her setting is Richmond, Virginia, where Charlotte Police Chief Judy Hammer has been brought by an NIJ grant to clean up the police force. Reeling from the recent death of her husband, and resented by the police force, city manager, and mayor of Richmond, Hammer is joined by her deputy chief Virginia West and rookie Andy Brazil on the most difficult assignment of her career. In the face of overwhelming public scrutiny, the trio must bring truth, order, and sanity to a city in trouble.