"A timely, sophisticated tale [that] explores what happens when a charmed life loses its luster.” –O Magazine From the award-winning author of the new collection Awayland, an imaginative novel about a wealthy New England family in the 1960s and '70s that suddenly loses its fortune—and its bearings. An NPR Best Book of the Year Labor Day, 1976, Martha's Vineyard. Summering at the family beach house along this moneyed coast of New England, Fern and Edgar—married with three children—are happily preparing for a family birthday celebration when they learn that the unimaginable has occurred: There is no more money. More specifically, there's no more money in the estate of Fern's recently deceased parents, which, as the sole source of Fern and Edgar's income, had allowed them to live this beautiful, comfortable life despite their professed anti-money ideals. Quickly, the once-charmed family unravels. In distress and confusion, Fern and Edgar are each tempted away on separate adventures: she on a road trip with a stranger, he on an ill-advised sailing voyage with another woman. The three children are left for days with no guardian whatsoever, in an improvised Neverland helmed by the tender, witty, and resourceful Cricket, age nine. Brimming with humanity and wisdom, humor and bite, and imbued with both the whimsical and the profound, Sons and Daughters of Ease and Plenty is a story of American wealth, class, family, and mobility, approached by award-winner Ramona Ausubel with a breadth of imagination and understanding that is fresh, surprising, and exciting.

A village tries to save itself through the sheer force of imagination - all because of an eleven-year-old-girl. In 1939, the residents of the tiny Romanian village of Zalischik are counting on their isolation to protect them from the catastrophe sweeping Europe. When a mysterious stranger is washed up on the riverbank and the illusion of peace is shattered, the villagers are forced to acknowledge the precariousness of their situation. At the suggestion of an eleven-year-old girl and the washed up stranger, the villagers decide to start the world over, and begin again from scratch. But the real world continues to unfold alongside the imagined one, and soon our narrator - the girl, grown into a young mother - must move from one world to the next. In rich, luminous prose, Ramona Ausubel has created a story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history. No One Is Here Except All Of Usexplores how we use storytelling to survive and to shape our own truths. 'Fantastical and ambitious . . . infused with faith in the power of storytelling.' New York Times 'Contains so many achingly beautiful passages, it's as if language itself is continually striving to be a refuge . . . Infinitely tender and soulful, magical and true.' San Francisco Chronicle

A woman considers pregnancy, motherhood, and the nature of female relationships in this profound and provocative novel. Twelve weeks pregnant for the first time, Anna speaks to her sister on the other side of the country and learns she has just miscarried her second child. As this loss strains their bond and complications with Anna's own pregnancy emerge, her tenuous steps towards motherhood are shadowed and illuminated by the women she meets along the way, whose stories of the children they have had, or longed for, or lost, crowd in. The Long Answer is a stunning novel of secrets kept, and secrets shared. Deeply empathetic and hugely absorbing, it unravels the intimate dynamics of female friendship, sisterhood, motherhood and grief, and the ways that women are bound together and pulled apart by their shared and contrasting experiences of pregnancy, abortion, miscarriage, and infertility.

From New York Times bestselling author Ann Leary comes the captivating story of a wealthy, but unconventional New England family, told from the perspective of a reclusive 29-year-old who has a secret (and famous) life on the Internet. Charlotte Maynard rarely leaves her mother’s home, the sprawling Connecticut lake house that belonged to her late stepfather, Whit Whitman, and the generations of Whitmans before him. While Charlotte and her sister, Sally, grew up at “Lakeside,” their stepbrothers, Spin and Perry, were welcomed as weekend guests. Now the grown boys own the estate, which Joan occupies by their grace—and a provision in the family trust. When Spin, the youngest and favorite of all the children, brings his fiancé home for the summer, the entire family is intrigued. The beautiful and accomplished Laurel Atwood breathes new life into this often comically rarefied world. But as the wedding draws near, and flaws surface in the family’s polite veneer, an array of simmering resentments and unfortunate truths is exposed. With remarkable wit and insight, Ann Leary pulls back the curtain on one blended family, as they are forced to grapple with the assets and liabilities – both material and psychological – left behind by their wonderfully flawed patriarch.

Twenty-two-year-old Karla is thrilled to be hired as an entertainer on the Sound of Music cruise ship—where the rum punch is 80 percent Kool-Aid, the ice sculp- tures are plastic, and her "fake it till you make it" M.O. seems adventuresome. Karla is less thrilled when her new boyfriend, Jack, suggests that they form a singing duo on land, but by now faking enthusiasm has become a way of life. She and Jack buy backing tracks, crib lyrics from the radio, and embark on a not-as-glamorous-as-it-should-be career performing in the luxury hotel bars of the Middle East and China. But after a thousand and one nights on the road, Karla and Jack find themselves struggling to keep their act—both personal and professional—together. Funny, fast-paced, and incisive, A Thousand and One Nights captures the performances, large and small, we use to make it through life.

NEW YORK TIMES BESTSELLER “I’ve changed a bit since high school. Back then I said no to using and selling drugs. I washed on a normal basis and still had good credit.” Introducing Laurie Notaro, the leader of the Idiot Girls’ Action-Adventure Club. Every day she fearlessly rises from bed to defeat the evil machinations of dolts, dimwits, and creepy boyfriends—and that’s before she even puts on a bra. For the past ten years, Notaro has been entertaining Phoenix newspaper readers with her wildly amusing autobiographical exploits and unique life experiences. She writes about a world of hourly-wage jobs that require absolutely no skills, a mother who hands down judgments more forcefully than anyone seated on the Supreme Court, horrific high school reunions, and hangovers that leave her surprised that she woke up in the first place. The misadventures of Laurie and her fellow Idiot Girls (“too cool to be in the Smart Group”) unfold in a world that everyone will recognize but no one has ever described so hilariously. She delivers the goods: life as we all know it.

The Memoirs of a Polar Bear stars three generations of talented writers and performers—who happen to be polar bears The Memoirs of a Polar Bear has in spades what Rivka Galchen hailed in the New Yorker as “Yoko Tawada’s magnificent strangeness”—Tawada is an author like no other. Three generations (grandmother, mother, son) of polar bears are famous as both circus performers and writers in East Germany: they are polar bears who move in human society, stars of the ring and of the literary world. In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son—the last of their line—is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away... Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”