Netprov is an emerging interdisciplinary digital art form that offers a literature-based “show” of insightful, healing satire that is as deep as the novels of the past. This accessible history of Netprov emerges out of an ongoing conversation about the changing roles and power dynamics of author and reader in an age of real-time interactivity. Rob Wittig describes a literary genre in which all the world is a platform and all participants are players. Beyond serving as a history of the genre, this book includes tips and examples to help those new to the genre teach and create netprovs. “Jargon-free and ambitious in scope, Netprov meets the needs of several types of readers. Casual readers will be met with straightforward and easy-to-follow definitions and examples. Scholars will find deep wells of in- formation about networked roleplay games. Teachers and students will find instructions for how-to play, and a ready-made academic context to make their play meaningful and memorable.” —Kathi Inman Berens, Portland State University

New York has appeared in more movies than Michael Caine, and the resulting overfamiliarity to moviegoers poses a problem for critics and filmmakers alike. Audiences often mistake the New York image of skyscrapers and bright lights for the real thing, when in fact the City is a network of clearly defined villages, each with a unique personality. Standard film depictions of New Yorkers as a rush-hour mass of undifferentiated humanity obscure the connections formed between people and places in the City's diverse neighborhoods. Street Smart examines the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The City's heterogeneous economic and ethnic districts, where people live, work, shop, worship, and go to school, often bear little relation to the image of New York City created by the movies. To these directors, their home city is as tangible as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the bustling, glittery illusion portrayed in earlier films, that shapes their sensibilities and receives expression in their films. Richard A. Blake shows how the Jewish enclaves on Manhattan's Lower East Side profoundly influence Sidney Lumet's most noted characters as they struggle to form and maintain their identities under challenging circumstances. Both Woody Allen's light comedies and his more serious cinematic fare reflect the director's origins in the Flatbush neighborhood in Brooklyn and the displacement he felt after relocating to Manhattan. Martin Scorsese's upbringing on Elizabeth Street in Manhattan's Little Italy resonates in his gritty portraits of urban modernity. Blake also looks at the films of Spike Lee, whose adolescence in Fort Greene, a socioeconomically diverse Brooklyn neighborhood, exposed him to widely ranging views that add depth to his complicated treatises on power, culture, and race. Lumet, Allen, Scorsese, and Lee's individual identities were shaped by their neighborhoods, and in turn, their life experiences have shaped their artistic vision. In Street Smart, Richard A. Blake examines the critical influence of "place" on the films of four of America's most accomplished contemporary filmmakers.

Pamela lost her dad when she was three. Later she begins a search to find a grandfather presented by such a loss. Armed with a mission to find him, the facts start to skew. Clues twist and turn; and then entwine to such a degree she bumps into her dad's story. and learns the only way to find the man fate chose to leave behind is that first she must go through her dad. Both in the search, both on the same path, but forty years apart, do the gods lead them to the one they want so desperately to find. Fourteen and growing up in the streets, Sonny cant wait to leave; he lives for the day he can put all the shame behind him. But with the hard times that have hit the country and the fact all the kids depend on himwhere would he go. Its not as if he has a direction. All he has in this world is his brother Paul. and even though Paul has him by a few years, the big guy depends on him too. Naw, labeled bastards since as far back as they can rememberits just he and Paul against the rest of them. Forced to be the responsible one, he will bide his time and deal with the chaos and turmoil as it comes. That is until he finds out the secret kept; one that ignites a fire so strong that without thought leads him on a journey that will take him to all but two of the forty-eight states in the Union. Join him on his mission. Share his thoughts. Share his dreams. Life now his school, meet those that help shape the man he grows up to be. Travel with him through a period of time when millions of Americans are on the same path. A period of history now known as the Great Depression, they're all looking for a better lifeall that is except one. Sonny isnt looking for a better lifehe is looking for his life. but they call me Sonny is a book based on a real life. Does he have a dad? If so, where is he? Why would the man take off and leave him alone with Susie? Can he fill the void that aches in his heart? and is it true, was he robbed of the life he was born to live? Who are these strangers standing over your grave; ... not knowing your story and you not knowing theirs. We are the ones that know where you lie; ... yet we are the ones that wont let you die. Maybe this story will comfort our hearts; ... to bring us closer and not so far apart. We always wondered, we were always sad; ... and all we could do is call you Dad.

AN INSTANT NEW YORK TIMES BESTSELLER Few things will change your trajectory in life or business as much as learning to think clearly. Yet few of us recognize opportunities to think in the first place. You might believe you’re thinking clearly in the moments that matter most. But in all likelihood, when the pressure is on, you won’t be thinking at all. And your subsequent actions will inevitably move you further from the results you ultimately seek—love, belonging, success, wealth, victory. According to Farnam Street founder Shane Parrish, we must get better at recognizing these opportunities for what they are, and deploying our cognitive ability in order to achieve the life we want. Clear Thinking gives you the tools to recognize the moments that have the potential to transform your trajectory, and reshape how you navigate the critical space between stimulus and response. As Parrish shows, we may imagine we are the protagonists in the story of our lives. But the sad truth is, most of us run on autopilot. Our behavioral defaults, groomed by biology, evolution, and culture, are primed to run the show for us if we don’t intervene. At our worst, we react to events without reasoning, not even realizing that we’ve missed an opportunity to think at all. At our best, we recognize these moments for what they are, and apply the full capacity of our reasoning and rationality to them. Through stories, mental models, and more, Parrish offers the missing link between behavioral science and real-life outcomes. The result is a must-have manual for optimizing decision-making, gaining competitive advantage, and living a more intentional life.

Presents a brief biography of Eudora Welty, thematic and structural analysis of her works, critical views, and an index of themes and ideas.

From the Roman Praetorian Guard to the English shire-reeve to the U.S. marshals, lawmen have a long and varied history. At first, such groups were often corrupt, guilty of advancing a political agenda rather than protecting citizens. It was about the turn of the twentieth century that police officers as we know them came into being. At this time, a number of police reforms such as civil service and police unions were developed. Citizen committees were formed to oversee police function. About this same time, the technology of motion pictures was being advanced. Movies evolved from silent films with a limited budget and short running time to films with sound whose budget was ever rising and whose audience demanded longer, more complex story lines. From the infancy of moviemaking, lawmen of various types were popular subjects. Bounty hunters, sheriffs, private eyes, detectives and street officers--often portrayed by some of Hollywood's biggest names--have been depicted in every conceivable way. Compiled from a comprehensive examination of the material in question, this volume provides a critical-historical analysis of law enforcement in American cinema. From High Noon to The Empire Strikes Back, it examines the police in their many incarnations with emphasis on the ways in which lawmen are portrayed and how this portrayal changes over time. Each film discussed reveals something about society, subtly commenting on social conditions, racial issues and government interventions. Major historical events such as the Great Depression, World War II and the McCarthy trials find their way into many of these films. Significant film genres from science fiction to spaghetti western are represented. Films examined include Easy Street (1917), a nominal comedy starring Charlie Chaplin; Star Packer, a 1934 John Wayne film; The Maltese Falcon (1941) with Humphrey Bogart; Dirty Harry, a 1971 Clint Eastwood classic; Leslie Nielsen's spoof Naked Gun (1988); and 1993's Tombstone featuring Kurt Russell. The filmography contains a synopsis along with information on director, screenplay, starring actors and year of production. Photographs and an index are also included.