Rosey E. Pool (1905–71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London “salon” with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life. A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider—one poet was amazed that “one so removed” was interested in the Black cause—she saw herself as part of a transatlantic struggle against oppression. For Pool, the “yellow Jew stars” the Nazis forced her to wear “were our darker skins.” Rosey E. Pool’s life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pool’s life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.

The true story behind “one of history’s great manhunts” and the film Operation Finale by the Mossad legend who caught the most wanted Nazi in the world (The New York Times). 1n 1960 Argentina, a covert team of Israeli agents hunted down the most elusive war criminal alive: Adolf Eichmann, chief architect of the Holocaust. The young spy who tackled Eichmann on a Buenos Aires street—and fought every compulsion to strangle the Obersturmführer then and there—was Peter Z. Malkin. For decades Malkin’s identity as Eichmann’s captor was kept secret. Here he reveals the entire breathtaking story—from the genesis of the top-secret surveillance operation to the dramatic public capture and smuggling of Eichmann to Israel to stand trial. The result is a portrait of two men. One, a freedom fighter, intellectually curious and driven to do right. The other, the dutiful Good German who, through his chillingly intimate conversations with Malkin, reveals himself as the embodiment of what Hannah Arendt called “the banality of evil.” Singular, riveting, troubling, and gratifying, Eichmann in My Hands “remind[s] of what is at stake: not only justice but our own humanity” (New York Newsday). Now Malkin’s story comes to life on the screen with Oscar Isaac playing the heroic Mossad agent and Academy Award winner Ben Kingsley playing Eichmann in Operation Finale.

Unbuilt Toronto explores the failed architectural dreams of Toronto. Delving into unfulfilled & largely forgotten visions for grand public buildings, landmark skyscrapers, roads & highways, transit systems, & sports & recreation venues, the authors outline such ambitious but ultimately unrealised schemes as St. Alban's Cathedral, the "Newark 2011" subway system, & a 1911 city plan that would have resulted in a Paris-by-the-Lake. Readers will lament the loss of some projects (such as the planned construction boom for the Olympics), be thankful for the loss of others ("City Hall was supposed to look like that?!?"), & marvel at the downtown that could have been (with underground roads & walkways in the sky). With an eye on the future as well as the past, the author takes stock of Toronto's status quo in 2008 & offers some bold predictions on the city's architectural future.