Sonic Comic Origins continues this month with an ALL-NEW story featuring Razor the Shark! This never-before-seen tale showcases an EXCLUSIVE back-story to the underwater side of the new Sonic Comic universe with one of the most popular new characters to debut in the series! It’s a real splash this month in Sonic Super Digest! Plus, don’t miss all the classic fun and adventure you love in stories from the comics’ 20+ year history as Sonic and his friends embark on daring adventures, face evil villains and save the day one chili dog at a time! Race into the fun that only Archie Comics and Sonic Super Digest can bring! Featuring super duper cover art from Tyson Hesse and story & art from the biggest names in Sonic comics history!

Collects a variety of Sonic the Hedgehog stories.

Sonic Super Digest is BACK, and celebrating 20 years of SONIC THE HEDGEHOG COMICS! For the first time in Sonic Comic history, Sonic the Hedgehog's comic book adventures are now available in the popular digest format! Where Sonic Super Special Magazine leaves off, this quarterly digest collection picks up – with even more classic adventure from the Sonic comic library! This issue hosts a special spotlight on Sonic's baddest baddies, and an exclusive look-back on the classic Sonic Triple Trouble game! Perfect for fans new and old, Sonic Super Digest collects tons of comic stories, coloring pages, bonus content, and features an all-new cover with pencils by Sonic Artist rising star Lamar Wells! Get SUPER!

Brand new STORY ARC! "Ambushed!" Part One: Sonic’s in need of some inner-peace…but it’s going to take more than yoga and meditation! He seeks the guidance of Mighty the Armadillo’s mentor, Moss the Sloth. Can the sage help Sonic tame the savage Werehog within? Meanwhile, Sally leads the Freedom Fighters in recovering a Chaos Emerald—but could she be leading them right into a trap? Featuring all-new cover art from Lamar Wells, Terry Austin and Ben Hunzeker!

Sonic Universe is the hit spin-off series to Archie Comics' wildly successful Sonic the Hedgehog comic book series Explore the characters, worlds and dimensions of Sonic's universe Knuckles the Echidna is hot on the trail of his arch-nemesis, Dr. Finitevus. What he finds, however, is an ever-deepening mystery But before he can investigate further, the newest Dark Egg Legion chapter attacks To save Angel Island, Knuckles must team up with the Downunda Freedom Fighters--as well as Dr. Finitevus? New faces, new twists and surprises abound, and you cannot miss the thunderous showdown at the end Knuckles Returns collects Sonic Universe #9-12.

The NEW ONGOING SONIC COMIC BOOK SERIES from Archie Comics keeps on BOOMIN’ with Sonic Boom #4: Sticks and Stones! Dr. Eggman’s Big Boy mech has been refined into its final, deadly form. Sonic and his friends are on the ropes—but have no fear! Sticks has brought her secret weapon! It’s a… wait, seriously? This thinks THAT’s going to help?! Find out what her secret weapon is in the weird and wacky conclusion to the first story arc of the brand-new series SONIC BOOM! Featuring cover art from Sonic art guru Tracy Yardley!

An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.