The first major publication to explore the work of Sonia Boyce, one of Britain's most exciting contemporary artists, including her newest and most ambitious work to date The British artist Sonia Boyce (b. 1962) is celebrated for depicting intimate social encounters that explore interpersonal dynamics in drawing, photography, video, and installation, using images and sounds captured during the participatory art events she initiates. Boyce's immersive new exhibition for the British Council commission at La Biennale di Venezia 2022 is her most ambitious to date--focussing on collaborative play as a route to artistic innovation and the importance of taking creative risks--both central tenets of Boyce's exceptional artistic practice. Sonia Boyce: Feeling Her Way captures the drama and scope of this multisensory work as it unfolds throughout the British Pavilion. Boyce came to prominence as a key figure in the British Black arts movement of the 1980s and the authors' texts connect this astonishing new work with Boyce's preceding works and her abiding interests and concerns. Published in association with the British Council Exhibition Schedule: La Biennale di Venezia (April 23-November 27, 2022)

Published following the exhibition "Paper Tiger Whisky Soap Theatre (Dada Nice)", at Villa Arson, Nice, from January 31 to April 30, 2016. Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

The conditions of development of British Black Art are tied up with a social and cultural history of Europe, especially the anti-immigration policies of Margaret Thatcher and their consequences, such as the Brixton riots of the early 1980s. British Black Art Works suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid's 1984 "Freedom and Change," Eddie Chambers' 1980 "Destruction of the National Front" and Sonia Boyce's 1986 "Lay Back Keep Quiet and Think of What Made Britain So Great," interrogating their critical agency from an art-historical perspective. These artworks, art historian Sophie Orlando argues, imply a critical analysis of Western art history. This volume introduces readers to an important, long-marginalized movement and recontextualizes it with groundbreaking scholarship.

Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial. The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century. How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-laden trajectory? Given the many different watershed moments the avant-garde and modernism have faced over the centuries, what common threads link the critical points of their development? Alternatively, what kinds of crises have their experimental practices and critical modes yielded? The volume assembles case studies reflecting upon these questions and more from across all areas of avant-garde and modernist activity, including visual art, literature, music, architecture, photography, theatre, performance, curatorial practice, fashion and design.

How Native American history can guide us today: “Presents strong voices of old, old cultures bravely trying to make sense of an Earth in chaos.” —Whole Earth Written by a former Green Party vice-presidential candidate who was once listed among “America’s fifty most promising leaders under forty” by Time magazine, this thoughtful, in-depth account of Native struggles against environmental and cultural degradation features chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others. Filled with inspiring testimonies of struggles for survival, each page of this volume speaks forcefully for self-determination and community. “Moving and often beautiful prose.” —Ralph Nader “Thoroughly researched and convincingly written.” —Choice

The power of the commons as a free, fair system of provisioning and governance beyond capitalism, socialism, and other -isms. From co-housing and agroecology to fisheries and open-source everything, people around the world are increasingly turning to 'commoning' to emancipate themselves from a predatory market-state system. Free, Fair, and Alive presents a foundational re-thinking of the commons — the self-organized social system that humans have used for millennia to meet their needs. It offers a compelling vision of a future beyond the dead-end binary of capitalism versus socialism that has almost brought the world to its knees. Written by two leading commons activists of our time, this guide is a penetrating cultural critique, table-pounding political treatise, and practical playbook. Highly readable and full of colorful stories, coverage includes: Internal dynamics of commoning How the commons worldview opens up new possibilities for change Role of language in reorienting our perceptions and political strategies Seeing the potential of commoning everywhere. Free, Fair, and Alive provides a fresh, non-academic synthesis of contemporary commons written for a popular, activist-minded audience. It presents a compelling narrative: that we can be free and creative people, govern ourselves through fair and accountable institutions, and experience the aliveness of authentic human presence.

Traces the origins of Black body politics in the United States and its contemporary manifestations in hip-hop music and film.