As an especially beautiful and pure example of the archaic epic styles that were once current among the hunting and fishing peoples of northern Asia, the Ainu epic folklore is of immense literary value. This collection and English translation by Donald Philippi contains thirty-three representative selections from a number of epic genres including mythic epics, culture hero epics, women's epics, and heroic epics. This is the first time, outside of Japan, that the Ainu epic folklore has been treated in a comprehensive manner. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The seven sisters of the Pleiades are known throughout the world and appear again and again in stories from many cultures. Beginning with her grandmother's tale, Munya Andrews takes the reader to the stars, around and across the planet through Indigenous North America, Australia, Japan and the Pacific, and back through time to Ancient Egypt, India, Greece and South America. She explores the commonalities of legends to discover our common human origins. The Subaru from Japan share much with the young women depicted as birds in the stories from Greece and Indigenous Australia. The Pleiades have been the source of much mythology, wisdom and science over many millennia. The book is also an examination of culture and how culture is expressed through symbols and stories related to stars and other astronomical phenomena. Her work is distinguished from other studies in the field because she brings to it an Indigenous perspective which enriches its interpretative power. No other writer has captured the richness of this mysterious constellation.

This collection brings together writers from two continents and four countries whose traditional cultures are based on Pacific wild salmon. 72 duotone photos. Line drawings. Copyright © Libri GmbH. All rights reserved.

When itinerant singers from China’s countryside become iconic artists, worlds collide. The lives and performances of these representative singers become sites for conversations between the rural and urban, local and national, folk and elite, and traditional and modern. In Song King: Connecting People, Places, and Past in Contemporary China, Levi S. Gibbs examines the life and performances of “Folksong King of Western China” Wang Xiangrong (b. 1952) and explores how itinerant performers come to serve as representative symbols straddling different groups, connecting diverse audiences, and shifting between amorphous, place-based local, regional, and national identities. Moving from place to place, these border walkers embody connections between a range of localities, presenting audiences with traditional, modern, rural, and urban identities among which to continually reposition themselves in an evolving world. Born in a small mountain village near the intersection of the Great Wall and the Yellow River in a border region with a rich history of migration, Wang Xiangrong was exposed to a wide range of songs as a child. The songs of Wang’s youth prepared him to create a repertoire of region-representing pieces and mediate between regions, nations, and multinational corporations in national and international performances. During the course of a career that included meeting Deng Xiaoping in 1980 and running with the Olympic torch in 2008, Wang’s life, songs, and performances have come to highlight various facets of social identity in contemporary China. Drawing on extensive fieldwork with Wang and other professional folksingers from northern Shaanxi province at weddings, Chinese New Year galas, business openings, and Christmas concerts, Song King argues that songs act as public conversations people can join in on. As song kings and queens fuse personal and collective narratives in performances of iconic songs, they provide audiences with compelling models for socializing personal experience, negotiating a sense of self and group in an ever-changing world.

This extract from the Eerdmans Commentary on the Bible provides Jarik and Rogerson’s introduction to and concise commentary on Ecclesiastes and Song of Songs. The Eerdmans Commentary on the Bible presents, in nontechnical language, the best of modern scholarship on each book of the Bible, including the Apocrypha. Reader-friendly commentary complements succinct summaries of each section of the text and will be valuable to scholars, students, and general readers. Rather than attempt a verse-by-verse analysis, these volumes work from larger sense units, highlighting the place of each passage within the overarching biblical story. Commentators focus on the genre of each text—parable, prophetic oracle, legal code, and so on—interpreting within the historical and literary context. The volumes also address major issues within each biblical book—including the range of possible interpretations—and refer readers to the best resources for further discussions.

The Heart of Myth: Wisdom Stories From Endangered People by Dave Alber is a global anthology of myths from the living polytheistic traditions of six continents. The Heart of Myth unpacks the spirituality of the myths of each region in a local context, then traces connections and archetypes between regions so that world myth may be understood as both a communicative vocabulary and a grand cultural continuity. Dave Alber’s The Heart of Myth: • reveals the universal language of mythology, • explains the spiritual function of myth as expressed in collective archetypes, • tells about the ecological and sustainable vision of indigenous people, • describes the lives of living polytheistic communities, most of them endangered people from six geographic regions (North America, Central and South America, Arctic, Asia, Africa, and Oceana), • tells stories of myth, legend, and folklore from around the globe (American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology) In the tradition of Joseph Campbell’s The Power of Myth and Edith Hamilton’s Mythology, Dave Alber’s The Heart of Myth: Wisdom Stories From Endangered People tells stories from the mythic world. David tells stories of Native American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology. From Native America Dave Alber’s The Heart of Myth relates the myths of the Crow, Onodowaga, Zuni, Cree, and Chemehuevis. From the Arctic it covers the myths of the Chuckchi, Igloolik Inuit Eskimo myths, Inuit, and Buriyat. From Central and South America, David Alber tells myths from the Circum-Caribbean People of the Orinoco River Valley, Bororo, Yekuana, Aymara, Mapuche. From Africa Dave tells myths of San, Ogoni, Dinka, Masai, and Karanga. From Asia The Heart of Myth tells the myths of the Tharu, Kashmiri, Akha, Ainu, Karen, and Agta. From Australia and the Pacific Islands, The Heart of Myth speaks myths from Wurundjeri, Torres Strait Islanders, Hawaiian, Maori, and Samoan peoples. Samples from The Heart of Myth are at davealber.com.