Many Christians who live in a sterile, duty-bound relationship with God long to experience his love. They are surprised to find what precious truths abound in the Song of Solomon. And they are amazed to realize that its theme of bridal love is appropriately applied to the relationship of the Lord to each one of us, male or female, single or married. Capturing the lyrical beauty of this greatest of all love songs, Mulloy effectively communicates-through gracious exposition, examples, application questions, and prayers-God's immeasurable love for every believer. For, as Mulloy explains, each of us yearns to be known and cherished as his irreplaceable treasure. Divine Love Song is designed for individual or group study and is also an effective counseling resource.

We live in a world where sexuality is ruined by sin, its beauty obscured by our brokenness. We need a divine vision for the way love was meant to be, with a gospel that offers forgiveness for sin and grace to live in the way that God has made us to be. In the Song of Songs, we encounter a love story that is part of the greatest love story ever told. Philip Ryken walks through this biblical love poem verse by verse, reflecting on what the Bible says about God's design for love, intimacy, and sexuality and offering insights into not only human relationships but also our relationship to God himself—learning more about the One who has loved us with an everlasting love.

Christopher West makes John Paul II's theology of the body available for the first time to people at all levels within the Christian community. Love, sexuality, and human flourishing are inseparable. Those who doubted this will find West's book a transforming experience, and those who have been wounded will find liberation and peace. A wonderful education on the meaning of being human. Christopher West teaches the theology of the body and sexual ethics at St John Vianney Theological Seminary in Denver. He is also visiting faculty member of the John Paul II Institute for Studies on Marriage and Family in Melbourne, Australia.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world`s greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India`s Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory dance of divine love. Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism. Contents List of Figures and Tables Foreword by Norvin Hein, Acknowledgement, Pronunciation, abbreviations, Introduction The Sacred love Story, A Drama of love, Sacred Love Stories, India's Song of Songs, Bhagavata as the Ultimate Scripture, Sacred Context of the Rasa Lila, PART I Poems from the Bhagavata Purana, PART II Textual Illuminations: 1. Background of the text, 2. Aspects of the Story, 3. Messages of the text, PART III Notes and Comments: Introduction, Act One - Act Five, PART IV The sanskrit Text: Introduction: Act One - Act Five, Appendix 1 Note on Translation, Appendix 2, Appendix 3, Glossary, Bibliography, Index. About the auther: Graham M. Schweig is Associate Professor of Religious Studies and Director of the Indic Studies Program at Christopher Newport University. He earned his doctorate in Comparative Religion from harvard University and has contributed articles to numerous journals and books in the field.