While the Bhagavad Gītā is an acknowledged treasure of world spiritual literature, few people know a parallel text, theĪśvara Gītā. This lesser-known work is also dedicated to a god, but in this case it is Śiva, rather than Kṛṣṇa, who is depicted as the omniscient creator of the world. Andrew J. Nicholson's Lord Śiva's Song makes this text available in English in an accessible new translation. A work of both poetry and philosophy, the Īśvara Gītā builds on the insights of Patañjali's Yoga Sūtra and foreshadows later developments in tantric yoga. It deals with the pluralistic religious environment of early medieval India through an exploration of the relationship between the gods Śiva and Viṣṇu. The work condemns sectarianism and violence and provides a strategy for accommodating conflicting religious claims in its own day and in our own.

After high school, I was not sure about whether I should pursue dance or a technical subject. Awaiting clarity, I spent many months considering my options. While I was in the midst of this confusion, someone asked me, “What brings you closer to yourself?” I didn’t respond immediately, but in my mind the answer was clear. “Dance brings me closer to myself,” I thought. It was such an odd question, yet strangely it influenced a life decision. How can one be closer to or farther from oneself? I knew that dance would begin to reveal something to me at some point in time, but I wasn’t sure of what this thing would be. The act of dancing holds something within it that I wanted to discover. What if I could imbibe my life with the clarity of thought, precision, control and simultaneous surrender that I am able to wield as a performer? Wouldn’t life change inexplicably for the better? The applause bursts like rain clattering From a cloud too heavy to hold, My elation bathes me as sweat trickles Down my forehead a moment before It stings my eye to remind me to see, They applaud the dance, not me. If I were to fall prey, my dance entwined With only moments of applause to remind Of my days of yore. No never not. Dance is me and yet not at all... - Rukmini Vijayakumar

'[Vinaya Chaitanya shows] an acute awareness of textual issues that never bothered earlier translators.' - From the foreword by H.S. Shivaprakash Hailed as an early feminist literary voice, Akka Mahadevi was born in twelfth-century Karnataka. As a child she was initiated into the worship of Channamallikarjuna, her village's version of Siva. She was forced to marry her region's ruler, but because she had become so ardently devoted to the god, Akka abandoned her husband and all her possessions and wandered alone - a naked poet-saint covered only by her long hair. Her vacanas, a new populist literary form meaning literally 'to give one's word' - demonstrate both her radical devotion to Siva and the commitment to equality her Virasaiva poetry embodied.

This 1,008-page sourcebook answers many questions to quench the soul's thirst for God and Self-knowledge. Every spiritually-inclined human being will be enriched by the path revealed in this extraordinary book. India's tolerant and diverse vision of the Divine is all here: meditative, devotional, philosophical, scriptural and yogic. In question-and-answer style, Dancing with Siva guides the aspirant deep into the Hindu heart. Lavishly illustrated with 165 black and white reproductions of paintings from India. Resources include a Hindu timeline, comparisons of 12 world religions, a children's primer and more.

Utpaladeva was considered a siddha, a "perfected being," one of the masters of the tantric tradition in Kashmir, and he is best known for his philosophical treatises. The Shivastotravali reflects Utpaladeva's philosophy, known as the Pratyabhijna school. And yet it is unique among the author's works in its not being a straightforward philosophical treatise but instead, as Dr. Bailly points out in her introduction, more of a spiritual diary of one who is actually treading the path of Shiva. The path that Utpaladeva has chosen does not require leaving one's home and heading for a mountain cave; instead it calls for changing one's view of the world, for leading a life of divine recognition while carrying on with ordinary life. In clearly written, lucid prose Dr. Bailly illuminates the many facets of Utpaladeva's quest. At the core of his spiritual journey is the enigmatic relationship between devotion and grace: how much does spiritual attainment depend upon the individual's efforts, and how much is a divine gift? And how are these to be realized while living in the midst of society, maintaining worldly obligations and lifestyle? For over a thousand years the Shaiva community of Kashmir has used in its worship the hymns of Utpaladeva's Shivastotravali. Here for the first time these hymns are presented in translation as English verse along with the Sanskrit, a clear and lively introduction, two appendices on special aspects of Kashmir Shaivism, and additional notes.

The Vacanas Or Free-Verse Lyrics Written By Four Major Saints Of The Great Bhakti Protest Movement Which Originated In The Tenth Century Ad. Composed In Kannada, A Dravidian Language Of South India, The Poems Are Lyrical Expressions Of Love For The God Siva. They Mirror The Urge To Bypass Tradition And Ritual, To Concentrate On The Subject Rather Than The Object Of Worship, And To Express Kinship With All Living Things In Moving Terms. Passionate, Personal, Fiercely Monotheistic, These Free Verses Possess An Appeal, Which Is Timeless And Universal.