Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The Works of Eugene Field is a collection of poetry and essays by American author Eugene Field, originally published by Charles Scribner's Sons in 1896 under the title The Writings in Prose and Verse of Eugene Field. Known for his children's poetry, especially the light-hearted "Wynken, Blynken, and Nod," Field was a journalist who found his niche in poetry and humor writing. The original collection, published after Field's death and including artwork and letters from the author, is a charming set of books compiling all his works. Republished here for young readers and collectors of Americana, The Works of Eugene Field is sure to delight audiences young and old. Volume IX of this twelve-volume set, Songs and Other Verse, is a fifth collection of poetry and verse. It includes an Introduction from noted author and pastor Frank W. Gunsaulus. EUGENE FIELD (1850-1895) was an American author known for his humorous essays and children's poetry. Interested in many subjects and unable to decide what to do with his life, Field attended three colleges-Williams College, Knox College, and University of Missouri-tried his hand at acting, law, and journalism, and traveled Europe before meeting his wife and becoming city editor for the St. Joseph Gazette in St. Joseph, Missouri. He wrote and edited for several newspapers, establishing himself as a humor writer and publishing poetry. He died of a heart-attack at 45.

En samling af sange og små historier