Leaving port from Superior, Wisconsin on a sunny November day, the crew of the Edmund Fitzgerald is looking forward to a routine crossing of deep Lake Superior. Heading for a port in Cleveland, the giant transport ship is loaded with ore that will be used to build cars. But disaster is building in the wind as a gale storm begins to track after the great ship. This suspenseful retelling of the last hours of the doomed vessel pays homage to all sailors who traverse deep waters, in fair skies and foul. Atmospheric paintings from award-winning artist Gijsbert van Frankenhuyzen bring the story to life.The author of the best-selling books The Legend of Sleeping Bear and The Legend of Mackinac Island, Kathy-jo Wargin aims to help young readers notice the most intricate details of a story by adding the nuances that create magic and wonder in a good tale. She lives in the woods of northern Michigan with her family. The Edmund Fitzgerald is her 10th book with Sleeping Bear Press. Born in the Netherlands, Gijsbert van Frankenhuyzen, or "Nick" as he prefers to be known, studied at the Royal Academy of Arts in Holland. He immigrated to the United States in 1976. The Edmund Fitzgerald is Nick's 13th children's book with Sleeping Bear Press. The Legend of Sleeping Bear was Nick's first book and has sold more than 200,000 copies.

Someone is trying to sabotage the underwater habitat where Imina, the granddaughter of an Inuit shaman, lives after terrorists have infected the earth's food supply, and Imina must call on her still undeveloped magical skills to save the colony.

“There’s a lot of fun in the band banter” in this queer new adult romance about two female musicians who find love on the road together (Publishers Weekly). Indie rocker Victoria “Vix” Vincent knows a good thing when she hears it. The moment Sawyer Bell picks up her fiddle, magic happens. Beautiful and wildly talented, Sawyer is the perfect match for Vix’s band—and, just maybe, for Vix. The dynamic in any group is a delicate thing, but with Sawyer and Vix thrown together on tour, it’s not long before the line between bandmates and lovers gets a bit blurry. The indie rock life is not what Sawyer ever saw for herself. She worked hard to get where she is—in her second year of Julliard, with a bright future in classical music. But instead of spending her summer working and rehearsing, she’s on tour with her secret high school crush. And even though it was only supposed to be temporary, Sawyer feels like she’s finally found a place she belongs. This summer with Vix has been like a dream. But every tour must come to an end, and when Julliard comes calling, Sawyer will need to make a choice: continue on the path she’s chosen, or take a leap of faith and follow her heart.

Once upon a time, there wasn't a song. Then, sometime later, there was. "How the $&%! did that happen?" you might ask. How to Write a Song (Even If You've Never Written One Before and You Think You Suck) is the definitive, no-nonsense and 100% beginner-proof guide to writing original songs. Whether you're a complete beginner or a more experienced songwriter looking to improve your songwriting process, How to Write a Song... walks you through a powerful, stimulating but simple process you can use to create great songs, time after time. It's not a formula. It's not a songwriting 'method'. You'll craft every single note and word of your song. You'll write in any style you like. Meanwhile, you'll learn not just what to do but why you're doing it - so you can use those skills in every other song you create. You'll be guided step-by-step through how to find a great song idea, how to choose an effective title, how to craft a solid lyric, how to write catchy melodies and grooves, and how to combine all of those parts effectively into a complete song. And best of all, literally all you need get started is some basic experience on piano or guitar, or with a Digital Audio Workstation like Logic, Ableton or GarageBand. Everything else is inside.

Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a Wolf With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.

Poetry celebrating the way in which African Americans celebrate the passing of the spirit.