Poetry. Translated by Red Pine. For over a thousand years the SONG OF ENLIGHTENMENT has been one of the most popular texts in all of Eastern Asia.

How Zen Became Zen takes a novel approach to understanding one of the most crucial developments in Zen Buddhism: the dispute over the nature of enlightenment that erupted within the Chinese Chan (Zen) school in the twelfth century. The famous Linji (Rinzai) Chan master Dahui Zonggao (1089–1163) railed against "heretical silent illumination Chan" and strongly advocated kanhua (koan) meditation as an antidote. In this fascinating study, Morten Schlütter shows that Dahui’s target was the Caodong (Soto) Chan tradition that had been revived and reinvented in the early twelfth century, and that silent meditation was an approach to practice and enlightenment that originated within this "new" Chan tradition. Schlütter has written a refreshingly accessible account of the intricacies of the dispute, which is still reverberating through modern Zen in both Asia and the West. Dahui and his opponents’ arguments for their respective positions come across in this book in as earnest and relevant a manner as they must have seemed almost nine hundred years ago. Although much of the book is devoted to illuminating the doctrinal and soteriological issues behind the enlightenment dispute, Schlütter makes the case that the dispute must be understood in the context of government policies toward Buddhism, economic factors, and social changes. He analyzes the remarkable ascent of Chan during the first centuries of the Song dynasty, when it became the dominant form of elite monastic Buddhism, and demonstrates that secular educated elites came to control the critical transmission from master to disciple ("procreation" as Schlütter terms it) in the Chan School.

"The Book of Nothing, " or "Hsin Hsin Ming, " was written in the sixth century by Sosan, the third Zen patriarch. Long cherished by seekers on the path as a study in spiritual perfection, it is presented here in a new translation that is both beautifully illustrated and highly readable.

Complete Enlightenment is the first authoritative translation and commentary on The Sutra of Complete Enlightenment, a central text that shaped the development of East Asian Buddhism and Ch'an (Chinese Zen). The text is set in the form of a transcription of discussions between the Buddha and the twelve enlightened beings(bodhisattvas), who question him on all aspects of spiritual practice. This new translation preserves all the liveliness and nuance of the text in the original Chinese. The sutra's ancient wisdom is brought to life by the commentaries of Master Sheng-yen, one of the most revered living Buddhist masters in the Ch'an lineage. This is truly a manual for the spiritual journey toward complete enlightenment, providing the key to the deep, poetic, and practical meanings of the scripture.

"No words can explain enlightenment," says the seventh-century Zen classic Xin Ming, or "Song of Mind," yet, paradoxically, this poem is a masterpiece of expressing the inexpressible. In his commentary on it, Chan Master Sheng Yen takes a practical approach, opening up the language of the Xin Ming to show students how to approach meditation, how to deal with problems that arise in their spiritual practice, and how to accomplish the imperative task of integrating this practice into every aspect of one's life. "True understanding comes only with direct experience," according to Master Sheng Yen. "These lectures, the Buddhist sutras, songs, poems, and commentaries are useful only insofar as they encourage you to practice and incorporate the Dharma [teachings] into your daily life." The book takes the form of a week-long retreat with Master Sheng Yen, with each chapter in the form of an evening talk given on a particular section of the "Song of Mind" text—giving this book a far more intimate and accessible feel than most commentaries on Zen texts and creating a feeling of being right there with the master as he brings the text to life.