The Mahabharat is renowned for its great battles, heroic men, and gods walking the pathways of mortals. However, the beating heart of the epic is often forgotten-the stories of its women. Many of these exceptional women appear in Song of Draupadi-the indomitable Satyavati, the otherworldly Ganga, the indestructible Kunti, and the tenacious Gandhari-but the passionate and fiery Draupadi rises above them all to grip the imagination of the reader. Born of a dangerous sacrifice, Draupadi and her brother Drishtadumna are called forth to avenge Drona's insult to their father. While Drishtadumna is expected to kill Drona on the battlefield, Draupadi's role is not set out, but she dreams of fire and blood. From beloved daughter and princess of Panchala to wife of the brave Pandavas and queen of Indraprastha, Draupadi finds herself exiled to the forest, humiliated and determined on vengeance. The novel is a symphony, in several keys, of her voice and those of the other women around her-arguing, pleading, reasoning, and often raised in righteous anger. The title masterfully retells the story of Draupadi, one of the most memorable characters from the epic Mahabharat. Song of Draupadi champions the voices of the exceptional women of Mahabharat. Ira Mukhoty is the author of bestselling titles addressing the erasure of women from mythology and history.

This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the Mahabharata in both Tamil and Sanskrit. He re-examines many issues critical to Indological studies and takes up them while breaking new ground in investigating the further rapport between the Hindu goddess and the Indian epic. Future volumes will treat the rituals of the Draupadi cult and the Mahabharata as seen through a Draupadi cult retrospective. Contents List of Maps, List of Plates, List of Tables, Preface, Acknowledgements, Conventions, PART I: From Gingee: Introduction: Invocatory Songs to Draupadi, 'The Lady Who Resides in Gingee', The Draupadi Cult: Its Historical and Regional Settings, Social Background, Diffusion, Variation, and Change, The Sources of the Gingee Kingdom: The Living River and the Tree of Gold, Myths of the Melacceri Draupadi Temple, Muttal Ravuttan: Draupadi's Muslim Devotee, PART II: To Kuruksetra: The Draupadi Cult's Mahabharata: An Introduction, The Death of Baka: Prelude to the Drama Cycle, Additional Marriages, The two Sabhas: 'The Rajasuya Sacrifice' and 'Dice Match and Disrobing' , Arjuna's Tapas, Draupadi's Forest Exile and the Period in Disguise: Virapancali, Puvalicci, and Kuravanci, Krsna the Messenger, Aravan's Sacrifice, Pormannan's Fight: Pottu Raja at Kuruksetra, Pormannan's Flight: The War Kings Weapons and Their Mythical Sources, Kuruksetra: The Mahabharata War, When Draupadi Walked on fire, Appendix 1: The Lunar Dynasty from its origins to draupadi's Second Advent at Gingee, Appendix 2. An outline History of Gingee, Abbreviations, Bibliography, Index.

In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.

The new fast-paced fantasy adventure starring Aru Shah! War between the devas and the demons is imminent, and the Otherworld is on high alert. Aru Shah and her friends are sent on a mission to rescue two targets, one of whom is about to utter a prophecy that cannot reach the ears of villainous the Sleeper. A mystical wish-granting tree might be Aru's only hope to save the day - can she find it in time?

Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.

In Until the Lions, Karthika Nair retells the Mahabharata through multiple voices. Her poems capture the epic through the lenses of nameless soldiers, outcast warriors and handmaidens but also abducted princesses, tribal queens and a gender-shifting god. As peripheral figures and silent catalysts take centre stage, we get a glimpse of lives and stories buried beneath the edifices of god and nation, heroes and victory; a glimpse of the price paid for myth and history--all too often interchangeable.

The Palace of Illusions takes us back to a time that is half-history, half-myth, and wholly magical; narrated by Panchaali, the wife of the five Pandava brothers, we are - finally - given a woman's take on the timeless tale that is the Mahabharata Tracing Panchaali's life - from fiery birth and lonely childhood, where her beloved brother is her only true companion; through her complicated friendship with the enigmatic Krishna; to marriage, motherhood and Panchaali's secret attraction to the mysterious man who is her husbands' most dangerous enemy - The Palace of Illusions is a deeply human novel about a woman born into a man's world - a world of warriors, gods and the ever manipulating hands of fate. ‘A mythic tale brimming with warriors, magic and treachery’ Los Angeles Times ‘A radiant entree into an ancient mythology . . . Charming and remarkable’ Houston Chronicle ‘A woman’s look at crime and punishment, loyalty, promises, love and vengeance . . . With The Palace of Illusions, Divakaruni has proven that her storytelling talents put her right up there with the best’ Miami Herald