Tim Olsen is the son of arguably Australia's greatest living artist, Dr John Olsen. Son of the Brush is his fascinating, candid memoir of what it was like to grow up in the shadow of artistic genius, with all its wonder, excitement and bitter disappointments. Tim's childhood was dominated by his father's work, which took the family to Europe and to communities around Australia as John sought inspiration and artistic fellowship. Wine, food, conversation and the emerging sexual freedom of the 1960s wove a pattern of life for the family. It was both the best and worst of childhoods, filled with vibrancy and stimulation, yet fraught with anxiety and eventual sadness as John separated from Tim's mother Valerie and moved away from the family. The course of Tim's life has been set by the experiences of his childhood, and by the passion for art he inherited from both his parents (his mother was an acclaimed painter in her own right). His life has always been about art, although he has followed a different path from his parents. Having overcome and recovered from addiction, Tim is today one of Australia's most respected gallery owners, with a knowledge of art and artists forged from what is literally a lifetime immersed in the art world. Son of the Brush is a memoir about a son and his father, and what it takes to forge your own identity and chart your own course in life, but it is also about the wider world of art, artists and the joy, inspiration and sacrifices of the creative life.

Rhyming text makes toothbrushing fun.

Winner of the Arthur Viseltear Award for Outstanding Book in the History of Public Health from the American Public Health AssociationSelected by Choice Magazine as an Outstanding Academic Title During the twentieth century, lead poisoning killed thousands of workers and children in the United States. Thousands who survived lead poisoning were left physically crippled or were robbed of mental faculties and years of life. In Brush with Death, social historian Christian Warren offers the first comprehensive history of lead poisoning in the United States. Focusing on lead paint and leaded gasoline, Warren distinguishes three primary modes of exposure—occupational, pediatric, and environmental. This threefold perspective permits a nuanced exploration of the regulatory mechanisms, medical technologies, and epidemiological tools that arose in response to lead poisoning. Today, many children undergo aggressive "deleading" treatments when their blood-lead levels are well below the average blood-lead levels found in urban children in the 1950s. Warren links the repeated redefinition of lead poisoning to changing attitudes toward health, safety, and risk. The same changes that transformed the social construction of lead poisoning also transformed medicine and health care, giving rise to modern environmentalism and fundamentally altered jurisprudence.

Invites young readers to touch Baroque and Renaissance paintings, including Da Vinci's "Mona Lisa," Botticelli's "Birth of Venus," and Vermeer's "Girl with a Pearl Earring." On board pages.

Describes the life and work of Ted Harrison, who is best known for his colorful paintings depicting everyday life in the Yukon.

In this adorable Read & Listen edition, Traction Man—wearing combat boots, battle pants, and his warfare shirt—comes in a box, but very quickly finds the way into the imagination of his lucky boy owner. This superhero searches for the Lost Wreck of the Sieve as the boy makes a game of doing the dishes, and later in the bathtub, he conquers the Mysterious Toes that are stealing his pet, the brave little Scrubbing Brush. These are just a few of the action-packed adventures played out by the boy and his new toy that may not be able to leap tall buildings in a single bound, but can vanquish all manner of villains lurking around the house. Mini Grey’s story in words and pictures is an irresistible invitation to the private world of a child’s play. This ebook includes Read & Listen audio narration.

December 15, 2018, was a warm, sunny Southern California day. Not at all like frosty scenes in the Christmas cards that begin arriving in the mail about that time each year. I sat in the bedroom in my comfy armchair texting Chip and the kids, finalizing plans for that evening's family outing to look at Christmas lights. I heard someone running down the stairs right outside my room and, not knowing which Espinoza kid it might be, hollered out, "Hey, can you go see Christmas lights with us tonight?" Chandler yelled back, "I gotta get to work." *** At about 4:30 that afternoon, my phone rang. I didn't recognize the number, but as parents always do, I answered it just in case it had something to do with one of my kids. "Hello, is this Chandler Espinoza's mother?" "Yes. Who is this?" "I'm from Mission Hospital. Your son has been hit by a car." That's the day everything changed.