The bestselling author of "Too Deep for Tears" and "All We Hold Dear" continues her acclaimed Scottish saga. New to the legend is Edna Rose, Ailsa's daughter, who is more at home among the woodland animals than she is among people.

The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

Lessons in creative labor, solidarity, and inclusion under precarious economic conditions As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy. In Love in the Time of Self-Publishing, Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia’s experience, Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.

In an age when telling the wrong joke or using the wrong pronoun can cost you your career, Quillette magazine - founded in 2015 by Australian-based journalist Claire Lehmann - has provided a forum for thinkers of all political stripes to push back against the forces of intellectual conformity. Panics and Persecutions brings together a collection of especially compelling Quillette narratives, spanning subcultures from computer science to romance literature. These stories lay bare the human toll of modern ideological inquisitions, often in deeply personal terms-and demonstrate the urgency of Quillette's editorial mission to create a space where free thought lives. Edited by Claire Lehmann, Colin Wright, Jamie Palmer, Jonathan Kay and Toby Young.

Keeping track of prolific authors who write fiction series was quite challenging for even the most ardent fan until To Be Continueddebuted in 1995. Noew, readers will be happy that the soon-to-be-released second edition has added 1,600 new books and 400 new series. To Be Continued, Second Edition, maintians the first volume's successful formula that featured concise A-to-Z entries packed with useful information, including titles, publishers, publication dates, genre categories, annotations, and subject terms. Among the genre categories that can be found in To Be Continued are romance, science fiction, crime novel, horror, adventure, fantasy, humor, western, war, Christian fiction, and others.

The English island called Abandon, enshrouded in ancient legend, has been home to warriors as well as enchanting women -- and none more spellbinding than lovely Morwenna Halliwell. Determined to fight when Abandon is offered to the highest bidder, Morwenna confronts the enemy: the Earl of Pentargon, Anthony Hartstone -- or "Lord Heart-of-Stone" as she indignantly calls him. Yet little does Morwenna realize she will soon be forced to marry the forbidding lord who holds her future in his strong hands. Anthony arrogantly dismisses Morwenna and her litany of complaints against him -- all the while drawn to her beauty and courage. But when danger confronts Morwenna, Anthony knows he must call upon all his power to protect the innocent miss he desires. It is up to him to unmask the villain who threatens her, and also to convince his bride that he is not her opponent -- but her most passionate and devoted admirer.

Drawn to the mysterious and sexy shifter who is now her mate by forces she still doesn’t fully understand, Carly Tipton thought she had uncovered all the secrets Lunar Falls was hiding. Secrets that shook the very foundation of her own family tree. But what she’s about to learn is that the secrets of Lunar Falls are only the tip of the iceberg, and that the lies it tells actually go much deeper than she or Gabe ever imagined. Gabe is determined that he and Carly are going to be free to build a life together. A life without the limits or the stigma of prejudice. But he soon comes to realize that he’s not only fighting for the freedom of their love, he’s fighting for the freedom of all five packs. As GrandAlpha, the fate of his entire people rests squarely on his shoulders as the threat of civil war looms ever larger above him. And when the ruthless cat shifters begin killing innocent humans, Gabe's problems quickly go from bad to worse.