Sunset Song is widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I . . . Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901-1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.

The electrifying sequel to Becoming Mila... following Blake and Mila through the heat-filled days of a tempestuous summer. What the hell just happened?! One cheating dad, one furious mom, and Mila stuck in the middle. Enter chaos. Hit by an onslaught of revelations, Mila's life is turned upside down. And when her A-list parents jet in from LA, they bring nothing but conflict, leaving Mila feeling betrayed and her Tennessee fun at a standstill. But Blake is still there - with his easy smile, comforting touch and his guitar - and Mila turns to him more and more. Things are heating up between them and the pressure is becoming intense. As the drama unfolds between their families and life starts to unravel, can Mila and Blake keep it together as summer draws to a close?

Set in Los Angeles and Nashville over a long, hot summer, this gorgeous contemporary YA romance shimmers with love, friendships - and family frictions.

"SOMETIMES ALL YOU CAN DO IS GO OUT WITH GUNS BLAZING. In the noir tradition of Chandler and Spillane comes SUNSET, a two-fisted tale of revenge and redemption. On the surface, Nick Bellamy looks like any other veteran retiree left behind by a modern world. In reality, Nick is a former enforcer, who stole a fortune and years of freedom from his former mob boss. Now, in the twilight of his life, Nick will lose everything he cares about except two things: revenge and the chance to die with his guns blazing. Writer CHRISTOS GAGE (Avengers Academy, GI Joe: Cobra) and artist JORGE LUCAS (THE DARKNESS) promise to hit hard with Minotaur Press's first original graphic novel that will make and make you forget all about your Prius and organic whole-grain trans-fat-free diet."

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

Pull up a lounge chair and have a cocktail at Sunset Beach – it comes with a twist. Drue Campbell’s life is adrift. Out of a job and down on her luck, life doesn’t seem to be getting any better when her estranged father, Brice Campbell, a flamboyant personal injury attorney, shows up at her mother’s funeral after a twenty-year absence. Worse, he’s remarried – to Drue’s eighth grade frenemy, Wendy, now his office manager. And they’re offering her a job. It seems like the job from hell, but the offer is sweetened by the news of her inheritance – her grandparents’ beach bungalow in the sleepy town of Sunset Beach, a charming but storm-damaged eyesore now surrounded by waterfront McMansions. With no other prospects, Drue begrudgingly joins the firm, spending her days screening out the grifters whose phone calls flood the law office. Working with Wendy is no picnic either. But when a suspicious death at an exclusive beach resort nearby exposes possible corruption at her father’s firm, she goes from unwilling cubicle rat to unwitting investigator, and is drawn into a case that may – or may not – involve her father. With an office romance building, a decades-old missing persons case re-opened, and a cottage in rehab, one thing is for sure at Sunset Beach: there’s a storm on the horizon. Sunset Beach is a compelling ride, full of Mary Kay Andrews' signature wit, heart, and charm.