Started as a way to communicate emotions that weren't always understood while growing up, Lauren Withrow's camera acts as an inside influence to scenes and moments that many can feel like an outsider to. Inspired by the world of motion pictures, Somewhere at the Edge of the World encapsulates a cinematic ethos: singular, lo-fi film frames that tell an untold story - one with a sense of tranquility mixed with a touch of uncertainty.

Most congregations today exist in what George Thompson calls the "middle of anywhere." They live comfortably with their surrounding culture, focusing their energies on serving the needs of their current members. These congregations have many strengths and gifts that they can exercise without changing a thing. But Thompson envisions a deeper, more prophetic call for congregations to explore the meaning of being in the world but not of it--a church on the "edge of somewhere." Thompson sees a church that is deeply engaged in ministering to the community while calling on others to commit to doing the same. By analyzing the interaction between a congregation's focus of identity and their stance with the world, Thompson has created a helpful grid for congregations to place themselves on today's cultural map. A congregation that sees itself as existing on the margins of society will look different than one that sees itself as embedded in society. A congregation that hears a call to serve the surrounding community will look different from one that focuses on its internal needs. Knowing where they stand now is the key for congregations to discover where they must go in the future to fully live out their call to be God's people in the world.

Maddie and Ivan have been friends forever. They go to school together, surf, party, and hang out all the time. Ivan eats at Maddie's house almost every day. But all is not well in Ivan's world, and as control of his life slips farther away from him, Maddie agonises over her role in his life. Ivan fears the fallout if the people in his community discover what he's been hiding, but Maddie thinks telling his secret will help him. As Maddie struggles to figure out her own post-high-school path, she worries about how to deal with the things she knows about Ivan's life. Is she a keeper of his secrets? Should she help him hide what's going on in his family? Or should she tell someone and get help? What does betrayal look like when your best friend is in trouble?

The remarkable story of the French Foreign Legion, its dramatic rise throughout the nineteenth century, and its most committed champion, General Hubert Lyautey. An aura of mystery, romance, and danger surrounds the French Foreign Legion, the all-volunteer corps of the French Army, founded in 1831. Famous for its physically grueling training in harsh climates, the legion fought in French wars from Mexico to Madagascar, Southeast Asia to North Africa. To this day, despite its reputation for being assigned the riskiest missions in the roughest terrain, the mystique of the legion continues to attract men from every corner of the world. In At the Edge of the World, historian Jean-Vincent Blanchard follows the legion's rise to fame during the nineteenth century--focusing on its campaigns in Indochina and especially in Africa--when the corps played a central role in expanding and protecting the French Empire. As France struggled to be a power capable of rivaling the British, the figure of the legionnaire--deadly, self-sacrificing, uncompromisingly efficient--came to represent the might and morale that would secure a greater, stronger nation. Drawing from rare, archival memoirs and testimonies of legionnaires from the period and tracing the fascinating career of Hubert Lyautey, France's first resident-general in Morocco and a hero to many a legionnaire, At the Edge of the World chronicles the Foreign Legion at the height of its renown, when the corps and its archetypically handsome, moody, and marginalized recruits became both the symbols of a triumphant colonialism and the stuff of legend.

LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION AND SHORTLISTED FOR THE DESMOND ELLIOTT PRIZE 2016 Part mystery, part psychological drama, Julia Rochester's The House at the Edge of the World is a darkly comic, unorthodox and thrilling debut When I was eighteen, my father fell off a cliff. It was a stupid way to die. John Venton's drunken fall from a Devon cliff leaves his family with an embarrassing ghost. His twin children, Morwenna and Corwin, flee in separate directions to take up their adult lives. Their mother, enraged by years of unhappy marriage, embraces merry widowhood. Only their grandfather finds solace in the crumbling family house, endlessly painting their story onto a large canvas map. His brightly coloured map, with its tiny pictures of shipwrecks, forgotten houses, saints and devils, is a work of his imagination, a collection of local myths and histories. But it holds a secret. As the twins are drawn grudgingly back to the house, they discover that their father's absence is part of the map's mysterious pull. The House at the Edge of the World is the compellingly told story of how family and home can be both a source of comfort and a wholly destructive force. Cutting to the undignified half-truths every family conceals, it asks the questions we all must confront: who are we responsible for and, ultimately, who do we belong to? 'A story that carries you along - clever plotting and a startling outcome. An impressive first novel' Penelope Lively 'Wonderfully crisp and funny and it's so full of vivid, surprising images that the reader almost doesn't notice the moment that deep secrets begin to be revealed' Emma Healey, author of Elizabeth is Missing Julia Rochester grew up on the Exe Estuary in Devon. She studied in London, Berlin and Cambridge and has worked for the BBC Portuguese Service and for Amnesty International as Researcher on Brazil. She lives in London with her husband and daughter.

Haunted by the suicide of a gifted young black writer who was his best friend, Jed pursues the reason for it.

In this captivating quest that spans the globe, a young girl who wants to know everything challenges her assumptions about family, loyalty, and friendship as she fights to save her father's legacy--and to begin creating her own. Hallelujah Wonder wants to become one of the first female scientists of the nineteenth century. She knows every specimen and rare artifact that her explorer father hid deep in a cave before he died, and she feels a great responsibility to protect the objects (particularly a mesmerizing and dangerous one called Medicine Head) from a wicked Navy captain who would use it for evil. Now she and her friend Eustace, a runaway slave, must set out on a sweeping adventure by land and by sea to the only place where no one will ever find the cursed relic.... In this captivating quest that spans the globe, a young girl who wants to know everything challenges her assumptions about family, loyalty, and friendship as she fights to save her father's legacy--and to begin creating her own.