Previously published as How Not to Die Alone Smart, darkly funny, and life-affirming, for fans of Eleanor Oliphant Is Completely Fine, Something to Live For is the bighearted debut novel we all need, a story about love, loneliness, and the importance of taking a chance when we feel we have the most to lose. "Off-beat and winning...Gives resiliency and the triumph of the human spirit a good name." --The Wall Street Journal All Andrew wants is to be normal. That's why his coworkers believe he has the perfect wife and two children waiting at home for him after a long day. But the truth is, his life isn't exactly as people think . . . and his little white lie is about to catch up with him. Because in all of Andrew's efforts to fit in, he's forgotten one important thing: how to really live. And maybe, it's finally time for him to start. "Roper illuminates Andrew's interior life to reveal not what an odd duck he is, but what odd ducks we all are." --The New York Times Book Review

Curl up with the page-turning story full of heart that has readers raving, about Andrew, who has forgotten how to live, and Peggy, who helps him remember... **** 'A magnificent read. Tender, funny, compelling' Lucy Foley, bestselling author of The Guest List 'I adored this! It warmed my heart, broke it a little, then put it back together' Beth O'Leary, bestselling author of The Flatshare 'Funny, moving and thought-provoking - I loved this' Clare Mackintosh, bestselling author of After the End 'Funny, fresh and achingly tender. Richard's writing hooked me in from the very first page' Cathy Bramley, bestselling author of A Patchwork Family **** MEET ANDREW. Everybody likes Andrew. But they don't really know him. They know what he's told them - that he's happily married with two kids. Living the kind of life that's either so boring it's true, or so perfect it's a lie... ENTER PEGGY. Peggy arrives in Andrew's life in a burst of kindness and possibility. For the first time in ages, Andrew feels alive again. So now that he has everything to lose, can he risk it all and tell Peggy the truth? 'If you loved Eleanor Oliphant, try this brilliant new read' Fabulous ------------------------- See what everyone is saying about this charming, uplifting bestseller - from your favourite authors to other readers! 'A life-affirming novel that simultaneously tweaks your funny-bone and tugs at your heartstrings. Brilliant!' Matt Dunn 'Funny, moving and uplifting...I loved it' Libby Page 'Heart-breaking. Hilarious. Life-affirming' Holly Bourne 'It pulls you in, makes you laugh and breaks your heart' Gill Hornby 'A beautiful, heart-warming laugh out loud story' Dinah Jefferies 'My favourite read this year *****' 'An emotional rollercoaster of a read *****' 'I couldn't put this down *****' 'I haven't laughed so much in a long time *****' 'The end left me smiling *****'

Smart, darkly funny, and life-affirming, How Not to Die Alone is the bighearted debut novel we all need, for fans of Eleanor Oliphant is Completely Fine, it's a story about love, loneliness, and the importance of taking a chance when we feel we have the most to lose. "Wryly funny and quirkily charming."--Eleanor Brown, author of The Weird Sisters Sometimes you need to risk everything...to find your something. Andrew's been feeling stuck. For years he's worked a thankless public health job, searching for the next of kin of those who die alone. Luckily, he goes home to a loving family every night. At least, that's what his coworkers believe. Then he meets Peggy. A misunderstanding has left Andrew trapped in his own white lie and his lonely apartment. When new employee Peggy breezes into the office like a breath of fresh air, she makes Andrew feel truly alive for the first time in decades. Could there be more to life than this? But telling Peggy the truth could mean losing everything. For twenty years, Andrew has worked to keep his heart safe, forgetting one important thing: how to live. Maybe it's time for him to start.

In this “engaging” teen romance From a #1 New York Times bestseller, “a high school senior falls for the boy who accidentally killed her sister” (Kirkus Reviews). Beth’s life hasn’t been the same since her sister died. Her parents try to lock her down, believing they can keep her safe by monitoring her every move. When Beth sneaks out to a party one night and meets the new guy in town, Chase, she’s thrilled to make a secret friend. It seems like a small thing, just for her. Only Beth doesn’t know how big her secret really is . . . Fresh out of juvie and determined to start his life over, Chase has demons to face and much to atone for, including his part in the night Beth’s sister died. Beth, who has more reason than anyone to despise him, is willing to give him a second chance. A forbidden romance is the last thing either of them planned for senior year, but the more time they spend together, the deeper their feelings get. Now Beth has a choice to make—follow the rules, or risk tearing everything apart . . . again. “Watt skillfully dissects an extremely complicated and highly improbable situation to reveal the layers of emotions experienced by Beth and other characters.” —Publishers Weekly “Erin Watt always delivers a high-octane story with plenty of twists. One Small Thing is a journey of love and forgiveness and exploring the boundaries of life. You grow with these characters as they learn how beautiful and difficult life can be.” —USA Today “Happily Ever After” Blog

Skid doesn’t believe in ghosts or time travel or any of that nonsense. A circus runaway-turned-bouncer, she believes in hard work, self-defense, and good strong coffee. Then one day an annoying theoretical physicist named Dave pops into the seat next to her at her least favorite Kansas City bar and disappears into thin air when she punches him (he totally deserved it). Now, street names are changing, Skid’s favorite muffins are swapping frosting flavors, Dave keeps reappearing in odd places like the old Sanderson murder house—and that’s only the start of her problems. Something has gone wrong. Terribly wrong. Absolutely &#*$&ed up. Someone has the nastiest versions of every conceivable reality at their fingertips, and they're not afraid to smash them together. With the help of a smooth-talking haunted house owner and a linebacker-sized Dungeons and Dragons-loving baker, Skid and Dave set out to save the world from whatever scientific experiment has sent them all dimension-hopping against their will. It probably means the world is screwed.

Choosing to Live contains stories about people who tried to commit suicide, told in their own words, based on the author’s interviews with them. Each story serves as a source of encouragement and speaks with a clear voice to all those who struggle with suicide to assure them that they are not alone. Choosing to Live is a must-read for individuals with suicidal feelings and for their relatives and friends who have suffered with them. Caregivers will gain new insights into the mental anguish that taunts individuals who battle the inner turmoil of facing each new day. The author believes that people crave to tell the story of their lives, even if it involves wanting to die. The names of the people involved have been changed, including identifying details, to preserve anonymity. Specific topics include: rejection, overwhelming stress, bullying, painful memories, teenage stresses, ups and downs, parental abuse, depression and anxiety, breakup of a significant relationship, lack of support, shame and addiction, dysfunctional relationships, and suicide of a parent. Choosing to Live provides a voice to those who have attempted suicide. It will serve as a valuable resource for psychiatrists, social workers, crisis counselors, clergy, medical practitioners, social welfare personnel, human service workers, and primary care providers.

Duke Ellington was one of jazz's greatest figures, a composer and bandleader of unparalleled importance and influence. But little attention has been given to his chief musical collaborator, Billy Strayhorn, who created hundreds of compositions and arrangements for his musical partner, and without whom the sound of Ellington's orchestra would have been very different. Now, in Walter van de Leur's provocative new book, Something To Live For, Billy Strayhorn steps out from Ellington's shadow and into the spotlight. Van de Leur argues that far from being merely a follower of Ellington or his alter ego, Strayhorn brought a radically new and visionary way of writing to the Ellington orchestra. Making extensive use, for the first time, of over 3,000 autograph scores, Van de Leur separates Strayhorn from Ellington, establishes who wrote what, and clearly distinguishes between their distinctive musical styles. "Both Strayhorn's and Ellington's oeuvres," writes Van de Leur, "though historically intertwined, nevertheless form coherent, separate musical entities, especially in terms of harmonic, melodic, and structural design." Indeed, Something to Live For allows us to see the characteristic features of Strayhorn's compositions and arrangements, his "musical fingerprints," and to analyze and evaluate his music on its own terms. The book also makes clear that Strayhorn's contribution to the band was much larger, and more original, than has been previously acknowledged. Based on a decade of research and offering detailed analyses of over 70 musical examples, Something to Live For casts new light--and will surely arouse intense debate--on two of the most important composers in the history of jazz.