The ideal guide to choosing the right word. Entries go beyond the word lists of a thesaurus, explaining important differences between synonyms. Provides over 17,000 usage examples. Lists antonyms and related words.

Something Indecent is a kind of symposium on European poetry, conducted by seven contemporary Eastern European poets. The poems they've chosen span the continent and the millennia, from Sappho and Catullus to Machado and Tranströmer.

Jesus' relation to the Torah forms a significant motif in Matthew's Gospel. This relation is taken up as an important theme in the Sermon on the Mount with its strong Sinai typology, and disputes about the Torah are repeated throughout the Gospel. Jesus is depicted as the last and greatest expositor of the Torah. When reading this Gospel, the central role of the Torah must be seriously considered. This present study is furthermore relevant in the light of new insights that have developed in recent years on the diversity and dynamics within the Judaism that confronted Matthew. This diversity within Judaism is usually related to Judaist attitudes towards the Torah. To complicate this, oral traditions were strong and lively. Questions arose about the status of the written Scriptures and oral traditions and the authority ascribed to these. The Matthean community developed within this turmoil of developing Judaism.

Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.

In this book Claudia Frank discusses how Melanie Klein began to develop her psychoanalysis of children. Melanie Klein in Berlin: Her First Psychoanalyses of Children offers a detailed comparative analysis of both published and unpublished material from the Melanie Klein Archives. By using previously unpublished studies, Frank demonstrates how Klein enriched the concept of negative transference and laid the basis for the innovations on both technique and theory that eventually led not only to changes in child analysis, but also to changes in the analysis of adults. Frank also uncovers the influence that this had on Klein's later theories of the paranoid-schizoid and depressive positions, and on her understanding of psychotic anxieties. The first seven chapters in the book provide an explanation of the essence of Klein's approach to child psychoanalysis covering topics including: the inevitability and usefulness of negative transference development of play early conscious and unconscious phantasies. Part two provides a translation of Klein's unpublished notes on the treatments of four of the children she analysed in Berlin: 7-year-old Grete, 2-year-old Rita, 7-year-old Inge and 6-year-old Erna. Melanie Klein in Berlin is the first text to make extensive use of Klein's unpublished papers, clinical notes, diaries and manuscripts. It will appeal to anyone involved in child psychoanalysis and the development of Melanie Klein's thinking.