Irish cousins both fall in love with the same man. Francie is young and attractive; Charlotte, middle-aged and plain.

Edith Somerville was a talented artist and illustrator, a capable huntswoman and a practical feminist. Her cousin Violet Martin (Martin Ross) had a prodigious memory, an ear for speech and dialect and profound political insight. Together, as Somerville and Ross, their literary styles seamlessly fused to create the masterpiece The Real Charlotte and the witty, comic tales of The Irish R.M. In her superbly illustrated biography Gifford Lewis examines the relationship between the cousins and expores the ways in which their Irish upbringing influenced their lives and work. -- Provided by publisher.

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The Silver Fox is a collaborative work by Irish writers Martin Ross and Edith Sommerville, the famous novel "An Irish Cousin." Like other jobs, this novel touches on the narratives of love, friendship, the national battle for freedom, and equality and depicts life in Victorian-era Ireland.

Ireland's foremost female writers of the nineteenth century, Edith Somerville and Martin Ross, advocated the 'High Art of Comedy' during the period of transition and turbulence in the Irish countryside. This critical biography of their collaboration, from 1890 to Martin Ross's death in 1915, studies the self-conscious artistry of the creators of the finest novel of the nineteenth century The Real Charlotte (1894). It considers the influence of both popular culture and high art in the treatment of the volatile Irish landscape and looks for the first time at the contexts of the immensely popular Irish R M stories and Edith Somerville's accompanying illustrations. The writers' sly send-ups of romantic notions of Irishness are revealed, while using certain expectations of a picturesque countryside to their own advantage. The book recontextualizes the writers' fiction and illustrations through inter-disciplinary and cross-cultural methods by considering the influence of the visual arts, theatrical production, antiquarian study, and literature derived from Irish, British, and European sources. In addition to Somerville and Ross's interest in popular and elite art forms, the book stresses the writers' all-consuming interest in land politics, suffragism, the Irish character and the Irish language, the workings of the law in the Irish countryside, and - above all - money and its lack in the small farms and cottages of Ireland.