Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]

Arranged By: Herbert, J A.

Between 1890 and 1915, a predominately African American state convict crew built Clemson University on John C. Calhoun’s Fort Hill Plantation in upstate South Carolina. Calhoun’s plantation house still sits in the middle of campus. From the establishment of the plantation in 1825 through the integration of Clemson in 1963, African Americans have played a pivotal role in sustaining the land and the university. Yet their stories and contributions are largely omitted from Clemson’s public history. This book traces “Call My Name: African Americans in Early Clemson University History,” a Clemson English professor’s public history project that helped convince the university to reexamine and reconceptualize the institution’s complete and complex story from the origins of its land as Cherokee territory to its transformation into an increasingly diverse higher-education institution in the twenty-first century. Threading together scenes of communal history and conversation, student protests, white supremacist terrorism, and personal and institutional reckoning with Clemson’s past, this story helps us better understand the inextricable link between the history and legacies of slavery and the development of higher education institutions in America.

Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]

This book connects the living realms of the church, the self, the neighbor and the world. It envisions our daily local and global life from liturgical spaces, places where Christians worship God. Through these relations, we can connect worship with economy, preaching with raising a village, baptism with forms of citizenship, ecology and the market, Easter with immigration, liturgical knees with colonization, spirituality with minority voices, all uttering prayers that name racism, poverty and a liberation theology of glory. In these pages Claudio Carvalhaes issues a call to the churches to move from captive and colonized spaces into where the Spirit lives: among the poor, the needy, the forgotten. With a variety of relations between the Christian faith and our cultural ways of living, Carvalhaes offers new liturgical and theological imaginings to be engaged with the most vulnerable in our societies and the earth. A creative liturgical theology of liberation that makes sense of God between the world and the table/altar, between the pulpit and local communities, the worship space and our multiple lived experiences. For liturgy is an endless song of liberation. This book is a call to life!

How can expository preaching, rooted in a textual analysis of Scripture, be effectively utilized in oral cultures? In Expository Preaching in Africa, Ezekiel A. Ajibade engages this challenge directly, offering practical techniques for integrating African oral elements – such as myths, proverbs, folklore, dance, drama, poetry, and storytelling – into preaching that is both biblical and African. Alongside numerous examples and tools, Ajibade provides a rich overview of the nature of orality, the history and development of African preaching, and the reason biblical exposition must be central to gospel proclamation. He reminds us that it is the word of God, incarnated among us, that has the power to transform lives and revitalize nations. Contextualized expository preaching is not, therefore, one technique to be utilized among many; it is, rather, the heart of biblical teaching and the future of the African church. While contributing significantly to studies in contextualization and homiletics, this book is immediately applicable to practitioners, especially African preachers and those working in oral contexts.