A hushed-up murder sends Emmeline St. Germaine on a quest for justice . . . Having chosen to go to a women’s institution rather than live under her brother’s oppressive thumb, Emmeline is second-guessing her decision. Her ulterior motive was to learn under what circumstances her sister died there six years ago, but the conditions are dismal, the treatment is harsh, and the women are restricted on all sides. When one of the women is murdered, Emmeline resolves to solve the crime despite the powerful owner’s hostile insistence that the death was a suicide. As she uncovers what little evidence there is to be found, Emmeline’s investigation is thwarted at every turn by the increasingly severe restrictions on her movement—until she discovers that the mistreated help belowstairs are more than willing to reveal the institute’s grim secrets. Determined to honor the victim’s memory and follow the trail to the murderer wherever it goes, Emmeline will have to face down thuggish guards and abusive staff, fearful all the while of the price she’ll pay to bring a killer to justice . . . Praise for A Gentlewoman’s Guide to Murder: “[An] outstanding series launch. . . . Hamilton expertly balances the page-turning detection with the story of a hypocritical society where women, whether they are scullery maids or orphans, rarely get to make their own decisions.” —Publishers Weekly (starred review) “Hamilton’s novel will appeal to fans of Anne Perry’s Charlotte and Pitt mysteries.” —Booklist “A simply riveting and compulsive page-turner of a read from cover to cover. A deftly scripted mystery with more twists and turns than a Coney Island roller coaster.” —Midwest Book Review

Action, adventure, romance, and thrills--everything readers love from USA Today bestselling authors C.T. Adams and Cathy Clamp who are also Cat Adams, creator of the Blood Singer series--are all on display in Touch of Evil, the second volume in the Thrall series! Kate Reilly is having a bad month She's on trial for murders she didn't commit. She's next on the list of a serial killer. The parasitic vampires known as the Thrall want her to investigate the murder of their young, and will use any means necessary to force her to bow to their demands. And--possibly worst of all--her boyfriend Tom's werewolf pack is trying to break them up so Tom can mate with a werewolf to ensure the survival of his pack. Now Kate must fight for Tom--and fight for her very survival in this brand new paranormal romance from the unbeatable, bestselling team of C. T. Adams and Cathy Clamp. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Known as the “Father of Western Philosophy”, Aristotle imparted priceless wisdom to the world during his time. And even in the modern era, people turn to his quotes in times of dilemma to get a clear picture of their life and its problems. Among his numerous teachings, one of his sayings that really stands out is- “There is no great genius without some touch of madness”. This philosophy has passed the test of time with flying colors and is very much applicable even today. It not only makes us think what defines genius but also raises several questions as to the real meaning of madness and why every intelligent or smart individual cannot be an individual. Having said that, words of an individual cannot and should not be measured through a singular lens. Thus, a different point of view, scientific, to be precise, should be used to examine these deep words that the Greek scientist and philosopher left for us to figure out.

Poetry detailing the existential struggle of depression and overcoming the darkness. Poems are illustrated by whimsical works of art.

The philosophy of psychosis and the psychosis of philosophy: a philosopher draws on his experience of madness. In this book, philosopher and linguist Wouter Kusters examines the philosophy of psychosis—and the psychosis of philosophy. By analyzing the experience of psychosis in philosophical terms, Kusters not only emancipates the experience of the psychotic from medical classification, he also emancipates the philosopher from the narrowness of textbooks and academia, allowing philosophers to engage in real-life praxis, philosophy in vivo. Philosophy and madness—Kusters's preferred, non-medicalized term—coexist, one mirroring the other. Kusters draws on his own experience of madness—two episodes of psychosis, twenty years apart—as well as other first-person narratives of psychosis. Speculating about the maddening effect of certain words and thought, he argues, and demonstrates, that the steady flow of philosophical deliberation may sweep one into a full-blown acute psychotic episode. Indeed, a certain kind of philosophizing may result in confusion, paradoxes, unworldly insights, and circular frozenness reminiscent of madness. Psychosis presents itself to the psychotic as an inescapable truth and reality. Kusters evokes the mad person's philosophical or existential amazement at reality, thinking, time, and space, drawing on classic autobiographical accounts of psychoses by Antonin Artaud, Daniel Schreber, and others, as well as the work of phenomenological psychiatrists and psychologists and such phenomenologists as Edmund Husserl and Maurice Merleau-Ponty. He considers the philosophical mystic and the mystical philosopher, tracing the mad undercurrent in the Husserlian philosophy of time; visits the cloud castles of mystical madness, encountering LSD devotees, philosophers, theologians, and nihilists; and, falling to earth, finds anxiety, emptiness, delusions, and hallucinations. Madness and philosophy proceed and converge toward a single vanishing point.

Kate Reilly has a hard time trusting people. Six years ago, the love of her life turned her over to the vampire parasites who call themselves the Thrall. Katie survives the powerful bite of the master parasite only to discover that the Thrall’s venom, coupled with her own natural psychic ability, has transformed her. Now she is next in line to be the Thrall Queen--and each day might be her last as a human. Tom, a handsome firefighter, arouses all of Katie’s dormant senses, but her heart shies away. After Dylan’s betrayal, how can she trust any man—even a seemingly perfect and terribly sexy werewolf? Tom’s sincerity--and sex appeal--begins to wear down Katie’s defenses. But his increasingly insistent charm hides a potentially deadly secret: his werewolf pack is hiding the one person who can stop the Thrall from completing Katie's transformation into Queen--and they won't give her up.

Dr. Gabriella Mondini, a strong-willed, young Venetian woman, has followed her father in the path of medicine. She possesses a singleminded passion for the art of physick, even though, in 1590, the male-dominated establishment is reluctant to accept a woman doctor. So when her father disappears on a mysterious journey, Gabriella's own status in the Venetian medical society is threatened. Her father has left clues -- beautiful, thoughtful, sometimes torrid, and often enigmatic letters from his travels as he researches his vast encyclopedia, The Book of Diseases. After ten years of missing his kindness, insight, and guidance, Gabriella decides to set off on a quest to find him -- a daunting journey that will take her through great university cities, centers of medicine, and remote villages across Europe. Despite setbacks, wary strangers, and the menaces of the road, the young doctor bravely follows the clues to her lost father, all while taking notes on maladies and treating the ill to supplement her own work. Gorgeous and brilliantly written, and filled with details about science, medicine, food, and madness, The Book of Madness and Cures is an unforgettable debut.